An American man from NYC arrives in a small town where Dutch people live.This is a very strange place to be ,predating Minnelli's "Brigadoon" .A place where time stood still:you do not pay when you are staying at the hotel,the girls all bear boys' name -cause dad wanted boys-and they can 't get married till the eldest does.By no means one of multi-talented Borzage's greatest achievements (most of them were behind him at the time),his movie retains freshness , a "Carpe Diem" spirit ,a good antidote to stress .My favorite scene takes place in the church.Good performances by the whole cast,particularly Van Heflin who learns to like another way of life.

This story was set in Delft, Michigan and oddly enough resembles the tulip time in Holland, Michigan, unlike what was previously written, there are a lot of dutch families in Holland; There is few Spanish families there. This movie is cute, it doesn't lack any informality of its time, it delights in the old ways of the dutch. The characters are genuine and the set is typical of its era, it has the quality of film noir. A delightful classic that should be appreciated. It is Not desensitized by propaganda films or shoved into a shelf with out consideration for shadow, camera angles, and well played out script.

Yikes! Sixty-some years after first seeing this movie as a child, I remembered only how cool I thought the bed in the wall was. Now that TMC is recycling it, no other positive memory comes to mind. I regret in a way having to rate it so low, but this really is a very flaky production even for the desperate years in which it was made.The first and most important fact to keep in mind if you have the good fortune to view it is that it is a turkey masquerading as a fantasy. It cries out for deconstruction. Giving boys' names to the seven eponymous knockout beauties is a Freudian howler. Especially when the gals are matched with an odd assortment of young male actors who had somehow avoided the draft long enough to appear on this 1942 set. And the real Holland, Michigan today is to a large extent a Spanish-speaking community that reflects how quickly times change in the real world -- not that it ever was in the first place anything close to what this film fantasy conjures up. Indeed, the image of tulips and windmills seems calculated to stand in stark relief to the reality that was the Netherlands under the Nazi heel in 1942, ironically demonstrating that the generally pro-German neutrality in that country and in the real Holland, Michigan during the years between WWI and WWII was a fool's paradise.But enough of that. Baby-faced Van Heflin in his over-sized fedora playing the role of a hard-nosed photo-journalist seems in any event miscast. His best role would come a decade later in the movie Shane. And warbler Kathryn Grayson would later stand out in the classic 1951 movie version of Showboat.Even as sheer entertainment in its own time, this film is unadulterated escapism, worthy of no more than a glance by film historians.

I just saw this movie a few days ago on TCM (Turner Classic Movies), and I was not disappointed. I wasn't expecting much so I was pleasantly surprised to come away from this film with a smile on my face. The acting was even good for the type of film it was, I have not been the biggest Van Heflin fan but he is actually very likeable in this film, so much so that I think I may be a fan of his now. ;-)The stand-out performances came from Heflin, Hunt, and Sakall but Grayson was very cute, although I am not a fan of her singing it wasn't THAT bad this time. Although still a little too high and chirpy sounding for me.I must praise Marsha Hunt though, she seems to be good in every film she's in, even when the role doesn't call for her to do much of anything. In this role she really gets to show a comedic side that I've never seen from her before, and it gave me even more respect for her. It's such a pity she didn't become a bigger star cause she had the beauty and the talent for it. I recommend this film if you're in the mood for some light entertainment, Toots. ;-)