With talent on board, Eric Roberts, Kari Wuhrer, Ron Perlman, Ed Begley Jr., and Paul LeMat, this pseudo-science based thriller starts strong, but ends up a mess. Intriguing at first with Roberts employing Wuhrer to test his theory (Psychometry) that objects retain impressions of the past, the middle part seems very repetitive and drags, while the rushed conclusion is really an "are you kidding me?". Roberts is his usual quirky self. Wuhrer is sexy with several erotic scenes and plays a character who can see the past by touching things, similar to Christopher Walken's in "The Dead Zone". Perlman is under used as a police detective, while Begley Jr., and LeMat are totally wasted in unnecessary roles. - MERK

The Kari Wührer fans should rejoice also—as she is the real star of Sensation (1995).Being one of those fans myself,I can testify that Sensation was a treat.On the scale of the straight-to-video 'sexploitation movies,this one gets a 7 ½ .(It is useless to try rating these movies in an artistic context ;so,we apply a pragmatic rating, independent of those used for other classes of films.)It's pretty well paced. My only objection is against Roberts' stupid apparitions as a feline sexy macho—they did not work.A very interesting woman is Mrs. Stansfield as "Paula"–her jugs are visible a couple of times,as Sensation (1995) does something for showcasing her charms also.The film is the regular cocktail of soft-core eroticism+thriller+ mentally ill characters, psychiatric undertows and undercurrents+supernatural.The two actresses that show their tits are fine.Now,after so many years,this movie looks like a B classic.It has a fine pace and some scenes are pretty suspenseful in a conventional way—those who ought to.It offers what it promises.Some suspense,a few pairs of jugs,some suspense, bizarre people,etc..Sensation (1995) belongs to the era that preceded Kari Wührer's mainstream breakthrough.But she continued to be a B movie cult actress even after that.

Sensation is a showcase for the gorgeous Kari Wuhrer. Please don't try to tell me it's a thriller or it's about psychic abilities. The story exists simply to string along the scenes with Kari. Sensation is about psychic phenomena in the same way Debbie Does Dallas is about Dallas.If Kari just had a few cheesecake moments here and there, then I would agree, "Okay, this is a poorly crafted thriller." Instead, Kari is displayed almost constantly in her full, sensational glory. We need a scene where Kari is painting? Sure, let's put her in coveralls with no shirt. Most artists paint like that. Any chance we have to show Kari in her apartment make sure she's wearing a thong. Kari and Eric Roberts' characters don't actually have sex? No problem, just show it as one of Kari's fantasies. Repeatedly.As an aside here, during one of her fantasies, Eric Roberts looked screamingly ridiculous wearing face paint and doing some sort of ill-conceived bump and grind.I adore Kari Wuhrer and this movie didn't disappoint. I have seen her in quite a few different roles and she demonstrated very little dramatic range in any of them. Nonetheless she possesses a screen presence that more technically skilled actresses would kill for. Wuhrer is clearly at ease in front of the cameras and almost always maintains an easy, natural sexiness. She has a voice that is simultaneously charming and sultry, and a very nice array of facial expressions. And, of course, a killer body.If you're looking for a thriller with substance beyond your typical made-for-TV movie, don't bother here. If you enjoy beautiful women in general or Kari Wuhrer in particular, watch Sensation the first chance you get.

I think that this is a very icky movie. Too much flesh and not enough acting. Another reviewer thought Kari Wuhrer did a good acting job...um, no. It was good to begin with, and then in the end she turned into B-movie actress of the year. Plus the movie makes no sense. And what is with the ceiling fans? Really, skip this one if you are considering it.