A good, immensely watchable film. I thought the story was interesting, clear and believable (and differed in a few respects from the original play), the acting was on the whole very good and many of the scenes were charmingly filmed. The film explores a number of gritty themes, including the loss of loved ones to war, exploitation of women in the workplace, and the harsh attitude of society towards unmarried mothers in the mid 20th century.

This was very poor. Hesitant, expressionless acting. We wondered why anyone had ever presented it as viable drama. I've seen better student shows for charity. We were mesmerised by how bad it was. The Nazi commandeering the wee boat was a joke. The interviews with Sarah at the home, were sticklike. Cringe making stuff: we were embarrassed for them. The children were the best actors in it. This ought never to have reached the light of day - or the dark of night.

Must have cost just a few quid to make this, in fact ive seen more expensive productions come out of a local school. Acting is woeful, which is a shame because the characters seem likeable. The polystyrene sea mines at least gave me a laugh.Completely unbelievable plot. I continued to watch this film until the end to give it a full chance of redemption. The acting just got worse, in some parts the actors are actually stuttering to find their lines..Watch it for a laugh or as an exercise in how not to make a film.

This is a great and authentic looking film from a new Director with a wonderful story following the plight of Sarah, from her brief encounter with a German Naval Officer in WW2 through to a time just after the war. Originally produced as a stage play Brian O'Connell has brought his heart-felt and warming project to film and follows the hardships of a single mother in post war England. This is portrayed through some fine acting from the young lead cast, some beautiful photography and wonderful directing. A beautiful film that will have you captivated from beginning to end.