Great Finding of bollywood is Rajeev Khandelwal.Superb Performance by all Star Cast but specially Rajiv.. Felt good that Rajshri promote such movies.. Good Going.. With you guys.. Sorry to Post late.. Awaiting for 2nd Part.. Story was griping, smooth flowing, location was good, background score was perfect, camera angle almost perfect.. Applause for Director and this team... Rajiv is maturing by every cinema he does... Do more cinema or Theater so we can watch your performance.. And my review will be incomplete if I don't say anything about Sanjay Masoom's dialouges. It is just great. This is the very first time when I like his dialogues. Overall the 'Samrat and Co' is a wonderful movie. It is really worth watching.

i think movie 'samrat and co.' is a typical Indian drama serial 'Adaalat' copy, starting was fine but ending and way to find murderer was not so good... i watched the same way to find the criminal many times in Adaalat's episode. Bollywood_Hungama gave only 3 out of 10 i don't know why people make it 6.6 out of 10 on IMDb. My personal advice is that if you does not want to watch this movie, watch any of Adaalat episode i am sure that you will find more info and more entertainment through that drama. And at last some minor mistakes one is weird hair-style and other is speaking in fast mode tactics of detective and still there are many other sequences in the film which force you to call it a childish attempt in a serious movie.

Samrat and co. is a mystery thriller film but it lacks a plot.It may be tauted as a thriller but it also lacked thrills.The movies relies heavily on Rajeev and he does his job nicely.The main problem of the movie was its lazy script.This story seems good on paper but on screen it was too loose containing a lot of plot holes.The story was so simple but it was dragged too much.It could have been trimmed for at least 20-25 mins.From the beginning the mystery has been created very nicely but its conclusion was too boring.The climax of the movie was on of the biggest drawbacks of this movie.But still it was a non- predictable plot which was engaging.It was neither too boring nor too good.In acting department Rajeev does a fantastic job.He looked good in the role and played it well.The direction of the movie was weak.Some dialogues of the movie were good while some were confusing and irritating.Such types of movie needs a solid characterization and this film is weak in this section.Music was average but the locations were good and gave pleasure to the eyes.Overall it is an Indian version of Sherlock holmes which could have been better but was marred by a bad plot.Still it could be watched once as it a bit different from usual bollywood flicks. RATING : 6.3 out of 10

Hindi Cinema has given us very few brilliant investigative crime dramas and when it comes to films based on any particular detective figure only, then we have rarely gone into that specific genre with a serious vision. Interestingly Bengali Cinema has many movies made on their cult detective icons such as Byomkesh Bakshi, Feluda and more. But Hindi Cinema has recently realized this void and now coming up with a series of detective movies in the coming months beginning with SAMRAT & CO. made under the reputed banner of Rajshri Productions venturing into this rare genre of crime movies for the very first time.However, the sad news is that a clean attempt made into this less explored genre remains the only merit of this amateurish detective film and it has been surprisingly directed quite casually without taking care of all the 'must have' ingredients required for such investigative thrillers. On a lighter note, probably having only a Sherlock Holmes kind of character along with a funny Watson looking into an interesting case brought in by a charming girl is only what a detective film is all about as per the writer and the director, as I personally felt while watching it.Elaborating on the same, a detective movie made on a particular case first of all has to move out of the TV serial mode essentially to make it big enough to be presented as a complete theater experience. In fact that is the very reason why many films are not made in this risky genre, since they don't offer any repeat value, once the secret is out revealing the real killer. Therefore you often get to see enjoyable Detective Serials being made with several episodes for the channels, but rarely a major film made on a single case.Secondly, the case adapted for the film should be so engrossing in its own that it can keep the viewer focused and glued to the proceedings for at least two hours with new clues and development thrown in every 10 minutes.Thirdly and most importantly the culmination of such films should be shocking as well as entertaining enough that the viewer feels annoyed (on his own misjudgment) yet immensely satisfied with the disclosure made by the detective describing the complete process of his investigations in the last reel.But surprisingly, none of the above is there in SAMRAT & CO. and the film still follows the same old overused pattern of 'every suspect, dying one by one' as its uninteresting story progression incorporating many other added subplots without any clear vision. Moreover the pattern of direction makes you wonder about the kind of team behind the product, who probably have never read Indian detective novels of writers such as Ibn-e-Safi, Ved Prakash Sharma, Colonel Ranjit and the pioneer Surendra Mohan Pathak with his famous characters of Sunil, Sudhir, Vimal and more. Plus it seems they even missed out enjoying the interesting detective heroes of the Comic world too wherein we had Rajan-Iqbal, Mama Bhanja, Babloo, Inspector Manoj, Amar-Akbar, Colonel Karan and many more, much famous among the kids and also in the grown-up comic lovers, continuing with their childhood passion lovingly.Anyway moving ahead, even if you ignore the weird hair-style and 'speaking to self in a fast mode' tactics of detective Samrat, still there are many more sequences in the film which force you to call it a childish attempt in a serious genre, made by an over enthusiastic team. For instance, the narration leaves several questions answered in the end which is a clear indication of an unprepared script with lots of visible loopholes. Too many characters are stuffed into the proceedings in order to make it thrilling enough forcibly. Characters are singing songs in the middle of an ongoing investigation, just to fill in the commercial needs. In the same mansion at a hill station, one character comes out of the washroom saying its too cold in here and the other is wearing short skirts as if its summer time. Strangely so many digitalized, backdrops have been used unnecessarily to give it a different feel. The detective starts fighting with the killer in the end on a dangerous hill top, perhaps to fill in the action requirement of the distributor as it seems. And lastly just like a typical Hindi film hero, the intelligent detective also finds his true love in the young daughter of the dead as if she was just waiting for a crime investigator only all her life till now.To say the truth, this certainly isn't the film matching up to the Rajshri standards from any angle featuring such over the top and irritating performances by the lead characters including Rajeev Khandelwal (didn't he read the script before signing it?). Also I found accomplished performers such as Priyanshu Chatterjee feeling quite uncomfortable acting in such mediocre movie made in the name of 'Dilchasp Rahasya Ride', which neither has anything 'Dilchasp' nor 'Rahasyamayi' in its 2+ hours of duration, taking the viewer on to a funny ride.Summing up, the background score is the only decent feature of this poor film but since one cannot spend both his time and money for this one factor alone. So simply skip it and watch the American TV Series "True Detective" instead, if you really wish to see something spectacular about detectives.