I absolutely love this movie. I enjoyed and was pleasantly surprised of the twists and turns. There are quite a few surprises with unexpected many highs and lows which keep on the edge of your seats. Just when you thought you knew who the bad guys are ... you are indubitably brought into another realm of reality which further tests your abilities of predictable accuracy in anticipating the next set of outcomes. The movie moves at a nice pace. Beau Bridges and Aidan Quinn also brought some unexpected results in the direction where this movie was headed at times. Again, who is the good guy and who is the bad guys. The 2 main lead stars are a bit unknown and they gave a good rendition of seasoned veteran stars. Hope this review helps those who choose to watch this movie. Thanks Dan

As the owner of a Ford Ranchero, I always get excited whenever I see a Ford Ranchero in a movie, therefore, I got all excited when the blue 1973 Ford Ranchero first showed up in this movie. In real life, Ford Ranchero owners do not appreciate their vehicles being called an El Camino. Not that we have anything against the Chevrolet El Camino, we just feel that people need to know better, especially if you have one in a movie. The '73 Ranchero in this movie repeatedly gets called a '67 El Camino. That really upset me, especially since it was the most talked about vehicle in the movie. Anybody's defense cannot be that it looks like an El Camino, because El Caminos look like Ranchero. The Ranchero was introduced in 1957 whereas the El Camino wasn't made until 1959. I understand that the story doesn't really have anything to do with cars, but they need to get these simple facts straight.

I thought the kids were fantastic. I really liked all their characters a lot. They did not make the best choices, but how many of us did at that age? I mean, they are just kids. So, I think they definitely came across as likable and relatable. Plus, Haley Webb is incredibly hot in this movie! She definitely brings a lot to the table in that regard. Otherwise, I thought the story was pretty exciting and it had lots of thrills! Also, all of the action and intense moments definitely kept me going, right up until the end of the movie. I would recommend this movie to action-seekers and I'll be watching it more than once for sure.

Rushlights stars Josh Henderson and Haley Webb as an unscrupulous young couple trying to pull off a seemingly simple con; all they have to do is drive to Texas, pass Webb off as a recently deceased acquaintance, collect an inheritance, and skip town before anyone gets wise. Of course, if the con really were that simple, there'd be no movie, so Henderson and Webb end up getting wrapped up in some predictable small-town intrigue involving Beau Bridges and Aidan Quinn—middle-aged brothers who are, respectively, the town's sheriff and its top lawyer.Unabashedly pulpy, Rushlights brings to mind the noir chap's churned out by the studios of Hollywood's Poverty Row in the early 1950s. It has a few of the better qualities of sub-B noir—above-average camera-work, a rogues gallery of bit players—and all of the flaws. It even has the sort of slipshod pacing—complete with abrupt, anticlimactic dissolves—that is usually associated with productions trying to conserve film stock.Whatever pleasure could be derived from the movie's generically twisty plotting is negated by cardboard characterization, indifferent editing rhythms, and a score that sounds like it was pulled from a production music library. Henderson and Webb are non-presences cast in roles that are less characters than collections of plot twists; because Rushlights spends so much time on two protagonists that nobody bothered to write or play, it ends up feeling overlong (even the blandest '50s quickies at least had the virtue of only running an hour). As if to make up for the blandness, director/co-writer Antoni Stutz—whose only prior feature is the Traci Lords/Julie Bowen vehicle You're Killing Me—throws in a lot affected violence; pseudo-shocking stranglings, stabbings, and bludgeons are a regular occurrence. As a result, the movie resembles a flavorless meal doused with hot sauce.