Run for the Sun
Run for the Sun
| 30 July 1956 (USA)
Run for the Sun Trailers

Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope of getting the biggest scoop of her career. Mike falls for Katie. On a flight to Mexico City, their plane crashes near a remote hideaway of Nazi war criminals in hiding. The Nazis want to stay hidden and plan to dispose of their new guests

Reviews
MartinHafer

Mike Latimer (Richard Widmark) is a famous novelist who's dropped out of circulation. A reporter (Jane Greer) is undercover--trying to wrangle an exclusive interview with this mercurial man. However, although she is able to make contact with him and befriend him, he doesn't know she's a reporter. What they both don't know is that the plane he's flying them in across the Central American jungle is going to conk out...and leave them stranded in the middle of no where. Does it sound like it couldn't get any worse? Well, it can. Although they are saved from the wreckage, their benefactors turn out to be Nazis hiding out in the jungle and they're not about to let the pair escape if they can help it. Soon, it's a long and torturous trek through the unforgiving jungle...with these nasty jerks in hot pursuit.While this isn't one of Widmark's very best films, it is quite good and the Nazi theme worked since it was only about a dozen years since the war ended. Tense, well crafted and well worth seeing. Besides, Greer nearly died making this film....so don't you owe it to her sacrifice to see the movie?!I originally planned on giving this film an 8...it's really good. But near the end, Latimer takes out one of the baddies and then doesn't bother picking up the guy's gun as he makes his escape. This simply makes no sense and annoyed me.By the way, early on you see the reporter looking through a magazine with a cover story about Latimer. While the magazine looks a lot like LOOK magazine, its name is SIGHT....a rather clever little play on words.

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ebiros2

I never was a fan of Richard Widmark, but it's interesting how you can tell a good movie when you see one. I saw about 10 seconds of this movie and there was something about it that was different. I could tell that it's worth seeing, so I did. The movie didn't disappoint. There's realness to the character that I don't get from watching movies made more recently, and the whole movie was - good. Now I can see why there are Richard Widmark fans out there. He's fantastic in this movie.The plot is pretty shallow if you compare to newer movies. Nazis hiding in Latin American jungle, and a plane crashes bringing Widmark and Greer to their "estansia". But somehow, the movie has reality that's not seen in newer movies. I'm just not sophisticated enough to express what makes this movie that way.The last 10 minutes of this movie is just superb. I doubt if you can make this movie better even if it was remade. I have renewed respect for Richard Widmark's talent as an actor.

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Robert J. Maxwell

Rather fun. Widmark is an Ernest Hemingway figure who is suffering from writer's block and has hidden away in a tiny Mexican village where he spends his time fishing and drinking. Jane Greer is on the editorial board of a New York magazine who disguises her identity and seeks him out to write a tell-all piece about him.When the time comes for Greer to leave, Widmark offers to fly her from the minuscule airfield of San Marcos (not the one in Texas) to Mexico City, but Greer innocently places her metal notepad next to the compass and the airplane gets lost over the Mexican jungle.After the crash, which is ill-handled by the producer, Widmark and Greer find themselves guests at an ancient but elaborate hacienda in the middle of the bush. Their hosts are Trevor Howard, who turns out to be Lord Haw Haw in hiding, and Peter van Eyck, his companion who claims to be a Dutch archaeologist but is really an escaped Nazi. It's always interesting to see which cultural group the Thought Police will use as villains. One might think, well, 1956, maybe a secret band of Soviet terrorists spreading communism among the Yanomami, but, no, they haven't forgiven the Germans yet.Widmark begins to twig early on. He's heard their voices somewhere. As Lord Haw Haw, of course, Widmark would have heard his propaganda broadcasts in England during the war. And when, at dinner, van Eyck says he's studying the pre-Mayan cultures of the area, Widmark, in a tone full of suspicion, remarks that he didn't think there were any cultures before the Mayan. Of course, he's wrong. Where does he think the Mayans sprang from, a nest of ants, like myrmidons? Anyway, all that is prologue. The last third of the movie is an exciting chase through the bush, borrowing heavily from "The Most Dangerous Game" and "The Hounds of Zaroff." After they escape, Widmark and Greer plunge through jungle and rivers armed with nothing but a bush knife and the various traps Widmark manages to set to knock off the men and dogs who are in hot pursuit.There is no poetry in the film. Widmark may be a writer but after a brief exchange with Greer in a cantina, that persona is quickly dispensed with and he becomes a traditional macho anti-intellectual hero in an adventure movie. And when the duo in danger hide a few feet away from Howard and van Eyck, I thought of a similar moment in Fritz Lang's "An American Guerrilla in the Philippines," when Tom Ewell is under a log a few feet from a Japanese patrol. His feet are bare, and they rest on an ant hill. It's a wrenching scene and there's nothing like it in this film from Ray Bolton. All it would have required is a moment's creative thought. Some goofs are obvious too. Widmark manages to escape from a building by killing an armed man with a trick. He leaps over the body and rushes off without bothering to pick up the rifle and arm himself.That lack of originality doesn't spoil the movie. It's engaging at first. Then it becomes tense -- and the tension lasts until the end. Widmark is almost always likable, even as the heavy, and Greer exudes class. You know, though, if Howard and van Eyck were nowhere near civilization, where did they get all their booze from?

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whpratt1

Viewed most of the films that Richard Widmark starred in, however, I finally discovered this film being shown on TV in the wee hours of the morning and found this to be a great film Classic. Richard Widmark, (Mike Latimer) and Jane Greer gave an outstanding performance together, sometimes fighting like cats and dogs and struggling to get away from Trevor Howard, (Browne) who plays a very wicked character who will stop at nothing to get just what he desires in life. This entire cast of actors all gave an outstanding performance, but Widmark and Greer really put their heart and soul into this picture. Jane Greer experience a spinal injury during the making of this film, and years later she became very ill and needed surgery, which corrected her problem. It was during a scene in this picture where Jane goes through swampy water which contains many dangerous viruses.

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