Run for Cover
Run for Cover
NR | 29 April 1955 (USA)
Run for Cover Trailers

An ex-convict drifter and his flawed young partner are made sheriff and deputy of a Western town.

Reviews
Leofwine_draca

RUN FOR COVER is a somewhat bloated Hollywood western of 1955, directed by that maestro of the genre, Nicholas Ray. It's one of his lesser movies that suffers from a script which more often than not descends into pedestrianism in the dragged-out romantic sub-plot involving a farmer's wife. The unusual opening has an innocent guy mistaken for a train robber before turning the tables and becoming town sheriff instead. James Cagney, aged so much that he's barely recognisable, is okay as the hero, but the script gives him little meat to work with throughout and the excitement level is low.

... View More
ma-cortes

The story of a man apart who brought faith to a youth , love to a woman, justice to land . At the beginning takes place a trilling start when a man called Matt Dow (James Cagney) and his newcomer pal Davey Bishop (John Derek) are mistaken as two train robbers . Dow , who has a few secrets of his own , clears his name and ends up as the new sheriff and he appoints Davey as his deputy . Matt romances a foreign woman named Helga Swenson (Viveca Lindfors) and settles in to a peaceful existence only to find that the boy grows restive . The boy is crippled by a bullet provoking his fury and bitter slide into badness . This odd little film seems to be an offbeat Western , though also packs conventional scenes . It contains a superficially conventional script , drama , snappy scenes , action , thrills and shootouts . The characters are well constructed , the talks are fluid , concise and expressive and address special attention to gestures , glances and movements ; however , some excessive familiar touches cannot overcome a little boring screenplay . It lacks the baroque , bizarre excesses of Johnny Guitar , Nicholas Ray's first Western . At the end takes place the usual dispute between protagonists , James Cagney and John Derek , both of them share a mythical confrontation . Good acting by James Gagney as an ex-con becoming sheriff who tries to curb his own anger at the injustices he has suffered ; this is the second of three westerns that Cagney made , his first western was "The Oklahoma Kid" (1939) and his third and final one was "Tribute To A Bad Man" (1956). His embittered young as well as antagonistic companion was middlingly played by John Derek . The support cast is pretty good , being magnificent played by a group of splendid secondaries such as Ray Teal , Ernest Borgnine , Denver Pyle , Grant Whiters , Jack Lambert and final film of Jean Hersholt. Colorful cinematography by Daniel L Fapp , though rereleased in black-and-white and an alright remastering being necessary . Producers acknowledge with thanks the cooperation of the department of Interior National Park Service for the scenes photographed in the Aztec ruins , National Monument Aztec , New Mexico .The motion picture was professionally directed by Nicholas Ray , though some moments results to be tiring and slow-moving . Nicholas has a sensitive handling of actors and provides an exact compositional sense . Ray is a classic director , his films deal with a deep description of civilized societies , he believes that corruption is an essential part of it , that society punishes sincerity , innocence and love, vengeance and greed determine the behavior of people. Other ordinary themes is the gulf between generations : the older and the youngest . Nicholas Ray is concerned adolescence and youth, to which he devotes a later work , just like "Rebel without a Cause", 1955 . He denounces violence in American society and shows the rough face of frustration and sexual repression . As the great and stylish filmmaker Nicholas Ray working at the peak of his powers in Knock on Any Door with Humphrey Bogart and again John Derek . Other successes of this master filmmaker shooting all kinds of genres are the followings : Wartime such as Flying Leathernecks , Bitter victory , Noir : Party Girl , Wetern : Johnny Guitar , The True Story of Jesse James , Adventure : The Savage Innocents , Wind Across the Everglades and the epics : 55 Days at Peking ,Kings of Kings .

... View More
MartinHafer

While I would never say that "Run For Cover" is a great western, it is a lot better than you'd expect--especially with its odd cast. I think the reason it works for me is that the film is very difficult to predict and is very unusual. In other words, unlike 98% of all westerns, this is NOT formulaic nor is it predictable. For these reasons alone, it's worth seeing.As I mentioned above, the cast is odd. While Jimmy Cagney did a few westerns earlier in his career, they really weren't all that good because his brash Eastern persona just seems completely out of place in the West. However, here he isn't bad at all--and his part is much more understated than usual. As for the second lead, John Derek, he is simply pretty--and nothing like a guy you'd expect in a western. But, he's not bad in the film.The plot is very strange and I don't want to give too much of it away because it would ruin the film. It begins with Cagney and Derek meeting up on the trail. In a funny scene that turns deadly serious, the two are shooting at a hawk (I assume it was a stunt hawk) and some guys on the nearby train think they are being robbed--so they toss the money out--right into the path of Derek and Cagney! I say it's deadly serious, though, because soon a posse shows up and shoots at the two without even asking questions! Derek is hit and not surprisingly, Cagney is darned angry! The town feels a bit bad for what's happened and they offer Cagney the job of sheriff. He's mad...but eventually agrees to take the job and makes Derek his deputy. Where it all goes from there...see it for yourself. Suffice to say that Cagney and Derek both have big secrets that only come out later. Well done all around--I assumed, incorrectly, that this film was just another western--and I am thrilled I was wrong.By the way...watch the final scene between Cagney and Derek. It's incredible!

... View More
dbdumonteil

"Run for cover" occupies a curious place in Nicholas Ray's brilliant filmography.Sandwiched between "Johnny Guitar" and "Rebel without a cause,it suffered accordingly.They say Ray himself disliked it.And however,in "Run for cover" he opened up as he never did before.In "knock on any door" ,Ray had already displayed a "father" -"son" relationship between Bogart and John Derek (who takes on here roughly the same kind of part he played at the beginning of the fifties).Ray would reach his peak with the following work ("Rebel" ) where Plato wanted Jim to be his dad and began to think of a new family with his pal and Judy.Davey is a tragic character .He seems to be born under a bad sign ,he is known to have a very bad reputation wherever he goes.It's obvious in the scene of the train:whereas Matt (Cagney) wants to give the money back to the town,Davey is thinking of the life he could lead if this loot were his.Matt knows that Davey needs someone to become a man .Alone he would walk on crutches .His leg is a transparent metaphor.Maybe he thinks of a new family he would rebuild with Helga (Viceca Lindfords).The relationship between the mature man and the Swede is full of tenderness and human warmth,a permanent feature in Ray's canon (see the lovers of "they live by night" and the teenagers in " Rebel without a cause".Like Jeff in "lusty man",Matt had a raw deal and he wants to make the best of the years which he's still got to live.Jeff will help Wes become a man in the cruel world of rodeo,but it's a different matter with Davey Bishop (what a surname!).It's remarkable that violence appears twice after scenes depicting children: the first time when Matt is making a wooden gun for a boy ;the second time in the church as a choir of little boys and girls is singing a canticle to praise the Lord."Rebel without a cause" is probably Ray's most underrated work.Davey remains his most moving character ;without any mawkishness ,the director paints the picture of the rebel with a cause,who cannot understand why he should work for eight dollars a week when there's plenty of money to take.The last line is my favorite in any Ray movie.In its own special way,it preserves the viewer from despair.

... View More