Alex, an unsuccessful film student, sees the chance of his life when he learns that Blue, the attractive woman who moves next door, is a professional contract killer. He has the idea of making a documentary on Blue and her professional occupation and persuades her to take him and his neurotic room mate/sound assistant Lars on a road trip across the country to Miami, where she has to eliminate her last target.There are quite a few things that are wrong with Road Kill. First of all, you see the budgetary constraints on every corner - boring locations, boring and sometimes quite poor editing, horrendous sound - during the numerous car scenes, the sound of the road is sometimes actually louder than the voices of the actors. There is only one real action scene, and it's staged pretty poorly.But the biggest flaw of the movie is how extremely unrealistic it is. Sure, I shouldn't have high expectations in that department from a low budget movie about a hit woman and a film buff, and I don't. But the amount of the suspension of disbelief demanded by Road Kill is too great even for a tolerant film viewer like me. So this cold blooded professional assassin is so professional that she tells a complete stranger everything about her job after a couple of beers? And then, seemingly out of utter boredom, says yes when he wants to film her on her way to her next target AND actually killing the guy? She even buys extra bulletproof vests for Alex and Lars! What's in it for her? How does she expect to be made unrecognizable in Alex's cheap, low budget documentary, when she is in every frame of it, speaking about pretty much everything from her life? What would her employers think about that? And how can Alex release his documentary without being confronted with the accusation of being an accessory to several murders? The other problem is that Blue's character itself is completely unbelievable. I just didn't buy, even for a second, that she is a ruthless, cold blooded assassin. That's not even Jennifer Rubin's fault, really - she obviously had to fight with her underwritten character, but I actually really liked her performance. Overall, the actors' performances is where the movie actually redeems, at least partially, some of it's faults. I was pleasantly surprised by Eric Palladino and Billy Jane as Alex and Lars respectively, because, while playing utter cliché characters, they managed to make me care for them and were never annoying (which is often a problem with low budget movies about some students/geeks/losers).As mentioned before, this movie doesn't have many action scenes, and the one that is there isn't very impressive. But it compensates with a couple of really memorable scenes that are full with pretty dark humor - the best example is the extended bar scene, where the barkeeper serves tequila with torn off human toes in it. The short appearances of Tony Denison are also very entertaining. And of course there is the scene, where Alex runs out of film just in the exact moment of culmination of his documentary - Blue killing her target - so he frantically stages the murder with the already dead man. This is also the point where the movie comes the nearest to being a satire in the vein of such films as "Man Bites Dog" (which has a similar story), certainly never being nearly as intense. One can't help but think that there is a lot of missed potential here, because the question of Alex's implicit involvement in Blue's murders just through his presence and his filming is only scratched at on the surface. Thus, this movie won't leave you thinking about it for days, it won't shock you as "Man Bites Dog" may. But despite all its numerous flaws, Road Kill manages with the help of nice acting performances and some memorable scenes to be quite entertaining and... strangely likable.

reviewed by Bryan McFadden The true strength of this film lies in its clearly defined and original characters. The film has a clear sense of direction and the motivaltional complexity of Blue's character is an asset rather than a liability. Jennifer Rubin gives a powerful performance as Blue, a killer who does not take herself too seriously, but suffers from deep childhood trauma. Rubin plays the character with a careful balance between passionate intensity and lighthearted humanity. As a result, Blue is an easily believable character who elicts the sympathy and respect of the audience. This film is rich with entertaining allusion, notably the refence to the nose bandage in Chinatown. A truly wonderful film.

I like the movie although I had wish there was more angst for Alex(Erik). I also thought they would involve the loan sharks more. Over all I really enjoyed the movie I think because of Erik Palladino and am looking for him in more movies. He's an excellent actor and Road Kill was no exception. Nice job Erik!!!!Keep up the good work.

Writer director Leutwyler has a unique idea here but he doesn't know if wanted to do a comedy or a drama. Alex, Palladino, is a film student getting tuition money from a local loan shark, Mr. Z. It seems his films all bear a striking resemblance to bad imitations of Jackie Chan's martial art works and his professor is threatening to end his college career unless he can come up with something original and Mr. Z is threatening him with more unless he can make his payments.Well, his new neighbor, Blue, Jennifer Rubin, turns out to be a hired killer who wants to get out of the business after one last job. Bingo, he gets the idea of making a documentary film about her career and last job. Naturally she goes along with the idea and Alex's roommate, Lars, goes along as his sound assistant. Sort of a combo "The Whole Nine Yards" and "Three for the Road"?But what we now have is a poorly shot and boring Los Angeles to Miami road trip with Blue bearing her soul and Lars killing any humor with poor sight jokes about his lactose intolerance.If that isn't bad enough we have a stop over on the way home so that Blue can get revenge on her pedohilic step father and Alex can fight over the moral dilemma of having filmed a paid killer in action.Rubin, a genuinely attractive woman and underrated actress is wasted in this mess and Palladino, who shows some comedic ability, is as confused as the writer/director is. Anthony Denison has a few funny scenes as the polite, art loving loan shark but this is the kind of movie that should have been given a D by any honest Professor of Film.