According to dai-tyler from Staffordshire, I am not qualified to comment on this film because I didn't see it the first time round. Well, I'm going to ignore that because I think dai is ignoring the fundamental criticism people are making of this film. We are not saying the television series wasn't brilliant, it was absolutely brilliant. We are not saying the performances of the actors are inadequate, they are certainly anything but. The fact is that this film is an almost complete rehash of the same jokes and scenes that were used in the TV series. I would rather watch the TV series any day. I can only assume from his comments that dai never saw the TV series that spawned the film, because the original vintage was so much better.Watching the film, I feel rather sorry for the great Leonard Rossiter and Frances de la Tour, as they really deserved more from this script than the same scenes they had played in the TV series. The best thing about the film is Denholm Elliott playing the part Henry McGee played in the TV series, only Elliott gives a more credible performance than McGee. Not for the first time in his acting career, nor the last, Elliott arrives in a supporting role and becomes the best reason to watch.

Obviously, the the responses here were written many years after the film was released and cannot be taken in context. Back in 1980 in post labour England, this film was bloody funny. We were glad of something to laugh about and Rising Damp, with its sympathetic mockery of a complete social strata, was one of the best British sitcoms of its period, if not ever. It struck a chord in almost everybody and in true British fashion, we laughed at the Rigsby in ourselves. America had nothing to touch this type of humour because self debasement was not amusing to our overseas cousins. Leonard Rossiter was one of Englands finest actors, on stage, on TV and in Movies. His commitment and professionalism were second to none. Richard Beckinsale was, although young, a perfect comedic foil to Rossiter and should, by all rights, be classed as an all time great. Had he not been taken so young, I feel sure he would, by now, be classified as one of Britains greatest comedy actors. Frances De la Tour found her finest television moment in Rising Damp and, for me, never quantified her undoubted ability with further roles. If you did not see the film at the time of its release, you are not qualified to comment, simply because you cannot understand why it was funny, the humour of the moment.

The film version of 'Rising Damp' came out two years after the television series ended. Like many fans I duly went along to the cinema when it opened. I came away bitterly disappointed. Eric Chappell could not have spent very much time writing the script; most of it is rehashed ideas from old episodes. At the time of the film's release, the 'Rising Damp' series was still being repeated regularly on I.T.V. so the public was being asked to pay to see something they'd seen already. At least the 'On The Buses' movies boasted original screenplays.Secondly, Richard Beckinsale had died the year before, so they eliminated the character of 'Alan' as a mark of respect, substituting art student 'John', played by Christopher Strauli of 'Only When I Laugh' fame. It simply wasn't the same.As another poster has pointed out, Rigsby's boarding house looked nothing like the one used in the series, being bigger and altogether cleaner.Director Joe McGrath was one of the directors who worked on the original 'Casino Royale', a film steeped in surreal humour. 'Rising Damp' also has its share of 'Walter Mitty' style fantasy sequences, such as the 'Saturday Night Fever' parody. Personally, I found them horribly out of place. A case of 'over-egging the pudding'.On the plus side, Leonard Rossiter is as magnificent as ever as the seedy 'Rigsby', as are Frances De La Tour as 'Ruth' and Don Warrington as 'Philip. Its just a shame the film isn't worthy of their talents.When Rossiter died in 1984, it was shown by I.T.V. as a tribute, with its final scene - showing Rigsby laying prostrate at the foot of the stairs - removed in the interests of good taste.

TV to Film adaptations are notorious for their failure to transfer any of the winning elements that made the show popular. I can't think of a worse proposition than to make a motion picture of the great sitcom Rising Damp. A sublime series that worked for it's performers, scripts and just as importantly it's claustrophobic setting. Even episodes that ventured outside the dingy house in which the characters share, it was often to a single set location for the whole of the second act. In a twenty five minute sitcom, those restrictions can be played up to create some magnificent comedy. On film however, the effect is quite the reverse.Also Richard Berkinsale had tragically passed away by the time came to make the movie. The fourth and final series had been without him due to contractual obligations elsewhere and it left the final run of episodes wanting (though two or three shows still managed to be perfect).Yet despite this Rising Damp the movie was by far and away the finest film adaptation of all time. While not capturing the sheer brilliance of the series, there were plenty of hysterical moments littered throughout the film.First off the three remaining performers are in perfect form. Infact the film was worth making simply as a reason for Lennerd Rossiter to be given an Oscar. Something he was inexplicably denied! His total mastery of the screen as Rigsby is breathtaking. The script is mostly TV episodes mashed together into an episodic structure. Considering the enormous success of these scripts, it would seem a perfectly good idea. However, anyone familiar with the series will notice how must funnier it was on TV and will be wanting to see something new. Eric Chappell's scripts does contain some new material and it is these moments that distinguish the film as superior to other adaptations. The Rugby scene is a particularly brilliant example.10/10