This is very good thriller. I like very much black humor what make film in second level.I'm always like Patricia Highsmith novel, but it's very hard make movie because filmmaker not always understand the humor what Patricia make in charactersBut this films understand that very well. CAST is PERFECT!Barry Pepper is a good Tom Ripley!Claire Forlani and Alan Cumming acting travesty in art people. it's very funny

I randomly watched the movie in the TV,having no idea what i was going to see. Not bad but pretty fake at some point but even with the the cliché' of trying to be unpredictable,i enjoyed it.Tom Ripley with his friends are trying to hide the death of their talented painter-artist friend and make money out of his name pretending that he is alive but this isn't an easy job to do,Tom Ripley in his try to not be revealed is willing to do anything.....It is an average movie but it keeps your interest to watch it till the end,Barry Pepper's (Tom Ripley)acting was good and Claire Forlani(Cynthia) was the hottest in the movie,i enjoyed her sexy scenes and dialogs the most.So just fine to watch it but yet there is anything great to remember from the movie

The theory that a dead painter's work will increase the value of his pictures, is at the center of the story. Contrary to what we might have thought, young star Derwatt, a man who seems to have arrived in the world of art in London, does not quite rate as having the clout to push prices up if he is not around anymore. Derwatt, who loves to drive at high speeds suffers a fatal accident right after his adoring fans have bought all his paintings.Tom Ripley, who is now living in London, shows no means of earning an income and faces eviction from his apartment. He runs with an arty crowd, that includes Derwatt, Bernard, an undiscovered, but talented painter on his own, gallery owner, Jeff Constant, and Cinthia, who seems to be a groupie into that scene. All of them have witnessed the accident and decide to have Bernard produce canvas as though they were Derwatt's ; after all, the guy can certainly imitate his friend's style to almost perfection.Enter Neil Murchisson, a collector of Derwatt's paintings. He has come to buy more for the museum in Ohio he represents. Since all the production is sold, Ripley and his friends decide to press Bernard into creating a few pictures imitating Derwatt. Murchisson, who insists in buying the next batch of pictures, pushes a check into Jeff's hands, who in turn is convinced by Tom Ripley to continue the charade, knowing no one will find out the deceit.Ripley, who has met the gorgeous Heloise Plisson at the opening, decides to follow her to France. Ripley, who comes into some money after the phony Derwatt's come into the market, decides he wants Heloise for himself. He is amazed by what he finds when he gets to France. Heloise, not only is gorgeous, but also she is immensely rich. Her father, who sees right through his daughter's friend, is powerless because the young woman is smitten from the start with Ripley, the gold digger."Ripley Under Ground", adapted from a Patricia Highsmith's novel, and directed by Roger Spottisgoode, doesn't quite have the punch that other, more successful films based on this character had achieved, most notably, in Rene Clement's "Purple Noon", and in Liliana Cavani's "Ripley's Game". Those earlier films have powerful and charismatic actors, Alain Delon, and John Malkovich, in the central role. Barry Pepper, an otherwise excellent actor, does what he can with his Tom Ripley, but doesn't quite pull it. "Ripley Under Ground" is by no means horrible, but it could have been better.The basic problem with the screenplay by W. Blake Herron and Donald Westlake, is that it never settles into either a crime story, or an Euro-thriller. The best thing in the film is the ensemble cast that was gathered for it. Alan Cumming does quite well with the straight part, of the ambitious art dealer. Jacinta Barrett plays Heloise with charm. Claire Forlini, Douglas Henshall, Tom Wilkinson, and Ian Hart do good work for the director. Willem Dafoe appears as the American art lover who falls prey to the ambitions of these assorted group under the guidance of Tom Ripley.There is an ironic twist at the conclusion of the film, which comes quite unexpectedly, but we had already sensed was a possibility.

Filmed back in 2004, but left on the shelf for 3 years, 'Ripley Under Ground' aka 'White On White' has been released on DVD in Europe.Barry Pepper plays Ripley as something of a low-key rock-star - long hair, a close shave and charisma to burn – and the tone of the thing is far lighter than any of the previous incarnations - 'Purple Noon' ,'The American Friend', 'The Talented Mr. Ripley', 'Ripley's Game', etc.Some early reviewers have referred to it as a 'comedy', but it's not, really. Unfortunately, the lighter tone actually hurts the film a bit, because this outing paints Mr. Ripley as less of a menace and sociopath than any of the Ripley films that have preceded it.This interpretation apparently sprang from a comment that Ms. Highsmith made about the films adapted of her novels: She apparently felt that the films missed the humor of her character and the droll wit of her dark plots. But the humor in this effort tends to undermines the suspense.Beside having freed Mr. Pepper from the short-haired grunt roles that he usually plays, the film really allows Alan Cumming and Claire Forlani to shine in ways that they usually aren't allowed to when they are shoe-horned into American accents. She is officially excused from having participated in 'Meet Joe Black'.It's a good, but not great film. The delight was seeing Barry Pepper stretch-out in the kind of role he's seldom given.I typically enjoy the Ripley films and novels for their psychopathy, but this was different enough to be enjoyable. If you come across it on cable or the Shanghai bootleg carrels try not to overlook it.*** out of *****