I was hired to play a Metis warrior. I already had longish hair, and, at the costume fitting, I was asked not to shave. A lot of First Nations people were hired; the first day (and the first ten minutes!) on the set, I struck up a conversation with a young Native man, and he made an anti-Semitic remark about "the Jews" he believed were the bosses of the production. A more pleasant observation: I overheard a young Native man, in an attempt to get acquainted with one of the buckskin-clad young women, ask, "You Ojibway?" It was very sweet; they were teenagers. Production had to be halted when one of the lead actors, it was rumored, took LSD and disappeared into the nearby woods . . . I spent some of the shoot in a trench with a rifle, positioned next Cloutier (Riel) and the real great-grandson of Louis Riel, who came in from Saskatchewan and was also hired on as an actor. After some time cheek by jowl, he said: "You don't talk much for a white man." In the same trench with us was legendary performer Don Francks, with his genuine braids and affable hipster warmth and sense of humor. I still run into him occasionally when I'm in Toronto. He is often barefoot. There were some mishaps with actors who claimed they could ride but, in reality did not have the skills or experience to handle a charging horse. There was an accident where some outdoor lighting equipment fell on a young Native woman. At lunch, we were all given a bottle of beer. Not being much of a beer-drinker, I was able to trade those beers for other treats. It was interesting to observe the Native guys ragging on each other. They would "dis" one another over their perceived (real or not) "whiteness." Once, on the bus back to Toronto after a day on the set, one of the guys called me "White Man," with some hostility. He was not perceptively any more dark- skinned than myself, so I shot back: "Who you calling "white?" His own insecurities regarding his own bloodlines must have kicked in because he backed off rather sheepishly. My first name and prominent cheekbones must have helped. The Native guys had names like Peter and Robert; some had reddish hair. Go figure. Good times. Peace and Love, Wolf Krakowski, Kame'a Media: www.kamea.com

I cannot believe how attractive Raymond Cloutier is in this movie!!!!! it has made me want to delve further into the story of Riel as a wonderful Che Guvera like figure in Canadian history. The ten -point scale doesn't even begin to describe the brilliance of this film. it combines the brilliant Canadian landscape with the epic struggle of the Metis people to achieve a government that respects their views and accepts them as people equal to the English running Canada at that time. It shows Riel's legendary faith in God(he was catholic)and his close communication with God. he is also a great thinker before his time as he wishes for Canada to be a place where all people are equal not just the WASPS running Canada at the time.

I enjoyed this movie when it first came out in 1979. Currently, I am waiting to rent it from the library. I am in the process of researching and writing about Louis Riel as a personal writing project. The life story of this man has always interested me. I grew up in St. Boniface, Manitoba, where Riel was born and raised. I remember visiting his grave in the grounds of St. Boniface Basilica as a small girl.The makers of this movie take certain poetic license in the making of the movie. However, this does not in any way detract from the overall sweep of events in examining and analyzing the life of Louis Riel. It is a good two hours of engrossing entertainment in depicting an important period of Canadian history.Like one of the other posters, I feel they could have found an actor who looked more like the real Louis Riel. At the very least, Raymond Cloutier should have had a moustache and beard like the real Louis had. Apart from that, though, I really enjoyed this movie and am looking forward to seeing it again.

As Canadian fare goes, this is very good. The original historical story is already very dramatic, so little was added for the screenplay. Also, the fictional parts were usually plausible enough. The film's strongest feature was Plummer's performance as John A.My biggest complaint was the makeup on Raymond Cloutier (Riel). He should have had a moustache, and perhaps a beard at some times. The physical appearance of the historical Riel is very familiar, and I found it annoying that the film did not respect it.It is unfortunate that there isn't the money to make a really top-notch production based on the Riel story. I found myself thinking of the excellent visual images in films like Dances with Wolves and Last of the Mohicans. Perhaps this story will find its way into the cinema again in the future.