In a typical nod to Bollywood-meets-Quentin Tarantino style of film- making , debutante director Sai Kabir explores the dark underbelly of power and politics in the alleys of Chambal with Revolver Rani.The most powerful factor in this enterprise is of course,Kangana Ranaut,essaying the titular character with ferocious intensity.As the eccentric,moody, and sexually ravenous bandit turned politician Alka Singh who has just lost elections to her wily rival,Uday bhan Singh(Zakir Hussain) she sets the stage on fire whenever she delivers a public speech with her local lingo or when she is on bed with her toy- boy Rohit(Vir Das)- an opportunistic chap who dreams to make it big in Bollywood using her money power.Shimmering with rustic appeal, Revolver Rani regales with its notoriously built characters- who are like scorpions trying to sting each other and their fragile alliances.Its all about guns and goons where Alka's softer instincts and her dreams to build a home in Behnice(read Venice) with Rohit rarely find a place.The plot derives the sly humor from some interesting elements,viz,the exploitation of Alka's beau in the fame of politics or the repeated banters of Uday's siblings who are always scheming to kill the uncrowned queen of the ravines. Kabir's direction is largely experimental ,signifactly endorsing to Anurag Kashyap and Tigmanshu Dhulia school of cinema.With an edgy narration, he tries to showcase the extreme dimensions of Alka's character- ranging from her impulsiveness to her craze for phasion(fashion)-fun and gun to her vulnerability.While some sequences are over-stretched with redundant dreamy songs , they are compensated with genuine comic moments.A hyperactive TV reporter's speech and a series of ostensibly orchestrated attempts that follow to cover up Alka's low-key nuptial ceremony with Rohit before the media do make up for a hearty laughter.Kangana reins in her Rani avatar with full gusto.Vir Das is getting typecast with every role as a coc-snorting disillusioned wannabe.Piyush Mishra is superbly authentic as the dubious Mama.Zakir Hussain impresses as the conniving politician of the rival party and he is perfectly aided by the testosterone-charged Kumud Mishra. Overall, its an apt star-cast which lends meaty performances.

'Revolver Rani' is a proper Bollywood satire, consisting of intelligent writing, dark humour and terrific parodies. And I never expected Hindi Cinema to properly pull off such a thing. Other than the smart screenplay, it's Kangana Ranaut's terrific acting prowess which makes the satire effective. The films takes a lot of hilarious jabs at mob rivalries, politics, religious and cultural issues, Bollywood industry, and most of all, our very human nature.Kangana plays the role of the lead protagonist Alka Singh, who is a gun-blazing mob-head and political leader. Brought up without parents, and only by her uncle, she's a cold-hearted leader seduced by an aspiring actor only for his gain. It's the political rivalry between the two mobs which forms the basic premise of the story. The supporting performances are quite commendable, especially that of Piyush Mishra, who plays Alka's uncle.And people who are calling it a remake of Kill Bill are out of their minds. Other than one or two inspired moments from the Taratino Violence saga, the movie is completely original.The movie can only be enjoyed by people who can understand political satires and like black comedies.

kangna plays a bold role in this movie and the supporting actors are also good. most of time is movie das have playing a good character is is just amazing act performed by him as the critics said this that theSometimes the characters die and film lives on. In some cases, the film dies, the character lives on. Sai Kabir's directorial debut Revolver Rani falls in the latter category. This Tigmanshu Dhulia's production venture is nothing, but the celebration of undying spirit of Revolver Rani played by Kangana Ranaut -- who is as aggressive as she is vulnerable. The film in the entirety fails, but not Revolver Rani, who's not only larger than life, but larger than the film itself. - See more at: you can also watch this movie on downloadkar.com which is most popular now days,

Indians love slapstick humor but seldom appreciate dark comedy humor though things are changing with a certain segment accepting films like "1:40 Ki last local", "Go Goa Gone", "Shor", "Ishqiya" series (& the few others made recently).Debutante director Saikabir's Revolver Rani is an unapologetic creatively outlandish, pulp-fiction meets political satire that provides doses of Tamasha. The dark setting, the straight face yet wacky humor in an otherwise intentional loud scenario, witty lines, eccentric music (a masterstroke by new music director Sanjeev Srivastava), crookedly weird verbose villains, unpredictable characters – it is a rightful tribute to the one & only QT. (There's also tribute to Robert Rodriquez – the initial credit & the metallic bra is homage to Machete. There's also a tribute to Scarface in the climax scene).When was the last time you saw a black comedy based on a shocking female protagonist (that also the leader of a political party) who is neurotic, psychotic, egoist, wicked & even a nymphomaniac. When was the last time you saw a Hindi film where the hero is the toy-boy of the female protagonist. Add on to it there are dozens of eccentric characters like the calculative sex-maniac mama, MJ (who resembles the iconic pop-star) & three weird political personalities. There's a news reporter who uses random Shayeri to describe the situations & she is bound to bring the house down with "Sim Sim pore pore" thing.Spoilers -The brutally twisted climax was handled deftly which was kind of cursor to Kill Bill. If a 2nd part is made I hope Rani takes brutal revenge like the Bride & please no more emotions, softness...Spoiler EndLike Go Goa Gone (of 2013) this was a fresh attempt in Hindi cinema But RR got diluted by the emotional element in the stretched second half. Though needed to inflict conflict, the director outdid the sentiment part while the dark, wacky humor got relegated to backstage. It seemed like the producer had forced the director to add sentimental elements to suit the sensibility of a wider audience.Kabir has a flair for Hollywood films & knows his art – the use of minimalist light, apt background music, frames depicting layers, one hope he remains consistent next time. Without lifting scenes he took cues from Kill Bill and suitably changed it for Indian sensibilities. He knows the violent region of Chambal and the brutal game of politics prevalent thus instilling realistic flavor to the eccentric proceedings.He got ample support from other departments. Debutant Sanjeev Srivastava rocks the show with his inspired background music which had retro beats strategically mixed with rock to portray the pulse of the characters. The use of 90s songs used effectively and the use of the siren sound from Kill Bill was a masterstroke. The songs were nice but it hampered the screenplay in the second half.Suhas Gujrati's camera deserves a special mention who lends voice to each of his frames.With revolver Rani, Kangana stamped that she is miles ahead of her contemporaries as Alka Singh aka Rani isn't an easy character to portray which she dared to do & how. Personally I loved her more in this film than Queen (She was superb there too) but when compared Queen had a softer tone which is generally liked by a larger segment. Another strong point - Supporting actors like Kumud Sharma, Zakir Hussein, Vir das, Zeeshan Qadri (definite from GOW).. And obviously, the ever talented & extremely choosy Piyush Mishra sir (as Mama). (By the way those who loves his voice, he also sung two songs in the film).Overall, those who are new to the genre can give it a try. It's like tasting alcohol for the first time, the initial gulp would be heavy & shocking but gradually one either gets use to it or rejects it completely. For the "avid" drinkers like me who enjoys Tarantino (& likes) the film has a rocking 1st half and a superb climax. The initial 45 minutes of the second half diluted the otherwise decent attempt.P.S: At societal level, let all the unwanted girl child of India turns a rebel like Rani & beat the sh*t out of men in this regressive patriarchal society...