What is love? and can you explain it. Using three meetings at different locations , Rohmer creates a parable on the intricate and surprising nature of love. The first story about a rendezvous at seven is the best. Insidious in its nature, it plants the seeds of doubt that blossom into the tale of two women and two men, each seeking and expecting divergent results. Filled with coincidences, all three tales are, it presents the surprises we don't see coming.The second story which is kind of dull or more demanding depending on taste, follows a couple meeting up in many public locations. The female character is afraid to meet in private despite the urgings of her male lover and when she does make the leap, the consequences will forever change the relationship.The goat of the pack is the final vignette, a story titled after a Picasso painting that features prominently in story. Again the obvious is pushed aside for the unexpected and there is a certain breezy, plush ending to the proceedings that seems to jar with what has become.A comedy in three parts, there is a chorus group that is interspersed and opens each story. Cherubic in nature, the songs present certain adages on the nature of love and life.A mixture of his moral tales with his comedies and proverb series, it is the lesser of each but sub-par Rohmer is still superior to most filmmakers. His low frills style of film making which a previous reviewer called cheap tells him how little he knows about the edict of the French New wave, the only die-hard adherent remained Rohmer, his rules, a quantifier closer to the Dogma'95 tradition of cinema. It is cinema of the heart at its finest.

I first saw this in a cinema and was immediately disappointed with its low-budget production values. The sound and lensing is very poor, so much so that the blurred effect of the projected image eventually gave me a headache. However, the three individual stories of love save the film from its shoddy technical features. The first has a clever climax; while the second deals with complex issues in a sombre way, leaving the third to close this dynamic in its own unique fashion. The real star of the film is Paris itself, used as a constant backdrop to the trials and tribulations of the film. This is really a film for lovers of Paris rather than Rohmer's directorial style and is probably one of his most accessible film to date.

A nice Rohmer film. Fans of his work will like it a lot, and it's not likely to win over any non-lovers or even newbies. I'm a big fan myself, so it won me over effortlessly. I'd rank it lower than most of the Rohmer films that I've seen, but, then again, I've never disliked one of his films and most of them I absolutely adore. Rendezvous in Paris is made up of three short stories about near-affairs in Paris. The first, "Rendezvous at 7 O'clock," is about a young woman who finds out that her boyfriend sees other women. Through a set of amazing circumstances, she meets his other girlfriend. The second, "The Benches of Paris," is the best. It is about a teacher who is trying to seduce a young woman whose relationship with her longtime boyfriend seems to be on the rocks. We watch them as they walk around the parks and other scenic areas of the French capital. The third, "Mother and Son 1907," is about a pretentious painter who comes up with elaborate philosophies about his love life. He is set to spend the weekend with a Swedish girl, a cousin of a friend, but, when he runs into a beautiful, young, and married girl outside of the Picasso Museum, he has to run after her. The acting is great, especially Aurore Rauscher, the woman in the second section of the film. Rohmer paints these relationships so perfectly; they seem so simple, but they are rife with complexities. Contemplating them makes my head swirl. 8/10.

This little film (actually 3 separate films) looks as if it was shot as a college film school thesis. The characters all seem to be students, academics, and artists, exactly the kind of people who populate such films! The characters don't seem to be experiencing any romantic epiphanies, either, but rather the filmmaker seems to be exploring the kind of questions of how-do-you-fall-in-love-and-who-with that are so ... collegiate.I found it mildly diverting; my wife found it a good cure for her insomnia.As a travelogue, it provides a great tour of the parks of Paris, and glimpses of the Metro and city streets.