Co-directed by Julie Cohen ("American Veteran") and Betsy West, RBG is a celebration of the life and career of 85-year-old Supreme Court Justice Ruth Bader Ginsburg, also known as the "Notorious R.B.G," a reference to the famous rock star "The Notorious B.I.G., and the title of a book about her by Irin Carmon and Shana Knizhnik. The documentary is a tribute to the accomplishments of the diminutive and pixieish woman whose legal career has promoted the cause of gender equality, abortion rights for women, laws governing search and seizure, and other social issues. The film does not pretend, however, to offer a balanced, objective perspective of Ginsburg's strengths and weaknesses as a jurist or examine any valid disagreements with her legal opinions. The only negative discussed is (what some consider to be) her inappropriate comments about a 2016 Presidential candidate. The film opens with some carefully selected name-calling from unseen accusers who call her a variety of pejorative words such as "vile," "wicked," "zombie," and "witch," words you would normally only see strung together in a presidential tweet. Interviewed are former President Bill Clinton, Playwright Arthur R. Miller, Finist icon Gloria Stein, and Utah Senator Orrin Hatch, as well Ginsburg's children: Jane, a professor at Columbia Law School, James Steven, a music producer, and granddaughter Clara Spera, a graduate of Harvard Law School who refers to her grandmother as "Bubbie," an endearing Jewish term. The film highlights major aspects of Ginsburg's life including her confirmation hearing in 1993, her 56-year-marriage to the late New York tax attorney, Martin D. Ginsburg, her two-time battle with cancer, and her struggle for acceptance as a woman at Harvard and Columbia Law Schools, and her frustration in seeking to find employment as a law clerk after graduation. Though the film has a serious purpose, views of Ginsburg doing push-ups at the gym, attending the opera, talking to high school students wearing Ginsburg T-shirts, and watching a spoof of her by comedian Kate McKinnon on "Saturday Night Live," provide a lighter side to her personality, one that we rarely see. She even jokes with the late arch-conservative jurist Anthony Scalia, and makes a humorous comment about her falling asleep at the State of the Union address. After her tenure as a law professor (one of only twenty female law professors in the country) at Rutgers University, Ginsburg became active in the ACLU's Women's Rights Project, and the most compelling part of the film is the discussion of some of the landmark court cases she was involved with. In her capacity as general counsel for the Project, she argued and won five of six cases before the United States Supreme Court. When she argued her first case, she said, "I knew that I was speaking to men who didn't think there was any such thing as gender-based discrimination, and my job was to tell them it really exists." The cases include Frontiero v. Richardson (1973) which challenged a statute denying a married female Air Force lieutenant the right to receive the same housing allowance as a married man. In Weinberger v. Wiesenfeld (1975), she represented a widower denied survivor benefits under Social Security, opposing the statute that allowed widows but not widowers to collect special benefits while caring for minor children. In one of her arguments, she quoted Sarah Grimké, 19th century abolitionist and attorney, who wrote in an 1837 letter, "I ask no favors for my sex. I surrender not our claim to equality. All I ask of our brethren is that they will take their feet from off our necks." After being appointed to the U.S. Supreme Court by President Bill Clinton in 1993, her opinion was a determining factor in allowing women to attend the Virginia Military Institute for the first time. She also authored the majority opinions in United States v. Virginia, Olmstead v. L.C., and Friends of the Earth Inc. v. Laidlaw Environmental Services, Inc. Though she considered herself to be cautious in her approach to the law, when the court made a sharp right turn, her dissenting opinions presented a counter argument to the majority. Among others, her voice was heard in Bush v. Gore (2000) which decided the 2000 Presidential election, and in Shelby County v. Holder (2013), a decision that found Section 4 of the Voting Rights Act of 1965 to be unconstitutional. It is clear from RBG that Ginsburg's appeal has gone far beyond her legal opinions and that she has now become an icon to millions of people throughout the world. Emma Goldman once famously noted that she did not want any part of any revolution that did not let her dance. Ruth Bader Ginsburg's lifetime of support for human rights has allowed many to dance, some for the first time.

The trick in reviewing this movie is to separate what you think of the subject, Supreme Court justice Ruth Bader Ginsberg, from what you think of the art of the movie. What I think of Judge Ginsberg is not relevant to this site, so I'll restrict my comments to what I though of the movie, which I just saw this afternoon.I thought this was really a very well put together documentary. A real effort was made to find people who have known RBG at different points in her life, from her childhood in Brooklyn to the current day. Some of the commentary is negative, especially at the opening, most of it is positive, but without fawning. Much of the movie is funny, which is a real achievement given that Ginsberg herself is not a particularly funny woman, nor is the law usually a barrel of laughs.It does a reasonable job of explaining the development of her career as a lawyer and judge, and shows that, to a certain degree, her most important work was done before she arrived at the Supreme Court. It keeps things moving, and never lost my attention.It allowed conservative like Oren Hatch and Anton Scalia to express their views about her. They were both able to distinguish what they thought of her legal opinions and the respect they had for her legal mind.A well done documentary.

An amazing movie about an incredible woman. This movie has reaffirmed my career choice, career goals, and my general existence. When I say I want to grow up to be the tiny woman on the Supreme Court, this is what I'm talking about.

This tiny woman is a giant for our times. She has staunchly followed her leading to make women's equality a reality -- slowly, one measured step at a time, and succeeded in a quiet, determined way. Watch her story and you will believe that anything is possible!The film keeps your attention because it shows her human side, her heart, and her determination -- all together in this wonderful woman. Her wonderful love story, her deep friendship with arch conservative Scalia, her enjoyment of theatre and opera, her wonderful sense of humor, her symbolism of the different collars she wears with her justice robes and, most of all, her unswerving path to fight for equality for both women and men of all races and backgrounds, all of this makes for an inspiring and interesting story. The RBG is her nickname, Notorious R.B.G., a pun from rapper Notorious B.I.G. She has become a cultural icon but, more than that, she is a giant for our time. So much I didn't know before -- it's a really special film -- you will enjoy it and it will stay with you! Go see it and bring your friends and family.