On Easter Island, the tribes are in a ritualized competition. Every year, each tribe sends a warrior to the Birdman competition to see who will rule the island. Noro (Jason Scott Lee) comes from the ruling tribe 'long ears'. His clueless grandfather chief and his ruthless priest demand larger Moai. He is in love with Ramana (Sandrine Holt) from the tribe 'short ears'. His long time friend Make (Esai Morales) is also in love with Ramana. The demand for Moais has eaten up the resources of the island as scarcities and ecological damage rule.The problem for this movie is the foreign nature of everything. Some of it is laughable even if it's true. Writer/director Kevin Reynolds needed to be especially careful about the unintended comedy. Maybe it's an impossible task given the strange craziness. The story is a mix of Romeo and Juliet and an environmental documentary. There's none like it.

To judge from the derision heaped on this film, one could be forgiven for thinking it must be totally unwatchable, however, that definitely is not the case. The film was shot on location and despite liberties taken with history, it is an absorbing look at a mysterious culture that has virtually disappeared.1400 years ago, Polynesian seafarers settled on the most remote island on earth, Easter Island or Rapa Nui as they called it. Although most of what is known about their history is speculation based on archaeological evidence, it seems the island went through an intense period of statue (moai) building, followed by an equally intense period of tearing them down. In the course of which, Rapa Nui was denuded of trees and its society decimated by warfare and famine. To regulate their dwindling resources, the islanders conducted an annual ocean race with the winner's tribe ruling the island for a year under their leader, the Birdman.Kevin Reynolds' movie is about these events. In fact, every event in the island's history is in the film. What took over 1000 years to unfold takes place in what seems like a single season. Time compression is one of the major criticisms of the film.The writers constructed a Romeo and Juliet love story around the characters played by Jason Scott Lee, Sandrine Holt, and Esai Morales. This aspect of the story is quite effective due to their convincing performances. Less convincing are passages of silly dialogue between Eru Potaka-Dewes, and George Henare playing the reigning Birdman and the High Priest respectively. However, these are exceptions; the rest of the script effectively moves the story along and explains why things are happening to this doomed culture.The making and moving of the moai are highlights of the film as is the birdman competition; an event so gruelling that by comparison, a modern triathlon seems about as difficult as an egg-and-spoon race. The film recreates the event at the actual location: the cliffs at Orongo. Today it is forbidden to scale these cliffs but it seems the film was shot before the restriction existed.The score by Stewart Copeland, the former drummer of the band Police, features a blend of choral, orchestral and new age elements. A traditional score may have worked but this one is inspired, delivering a sense that time is running out for Rapa Nui.Much bare skin is exposed in the movie and nearly all the women appear topless. Gratuitousness is another charge levelled at the film, however the alternative would have been Dorothy Lamour sarongs. Historical evidence suggests the costume designers got it right, which probably pleased the marketing people who no doubt had an eye on the box office.Rapa Nui offers a very different cinema experience. It is not without the odd gaffe, but it is also totally unique and utterly compelling as well.

An odd subject of Civil War on Easter Island is the primary focus of "Rapa Nui", a dry and dull would-be love story from director Kevin Reynolds. The Civil War comes between the upper and lower class groups of the Chilean island. The richer and more powerful group wants the poorer citizens to make larger Moai statues (those famous heads that still stand even today) and it becomes clearly evident that this could mean more loss and degradation for those with little say. A love blossoms in the typical tradition and naturally it is bound by the classes. "Rapa Nui" is just not much of a production. I honestly got nothing worthwhile out of the movie and I really felt numb and completely empty by the final moments. Turkey (0 stars out of 5).

The island itself is stunningly beautiful and the film makes good use of this, especially the race at the end which is compelling in its apparent difficulty for the actors. As for the accuracy of the film it is mainly based on guesswork, so the whole racial element is for the benefit of drama. What surprises me is that some of the other reviewers wonder how an advanced civilisation can be so racist! Take a look at your own society and wonder! As well as a love story there is a competitive element, and an explanation about what happened to the island. If Easter Island interests you this film will entertain. As for the nudity, don't be so prudish!