In Seoul, the thirty-three year-old Jung Sun-jung (Jeong-hwa Eom) sees an abusive stepmother beating up on her stepdaughter in the bathroom of a department store and she stabs the woman to death with a stiletto. Detective Oh Sung-ho (Seong-kun Mun) interviews the little girl and watches the tape of the surveillance camera of the department store, finding the lead of Sun-jung. However he does not disclose his discovery to his partner. Sun-young works in a car dealer of Porches and then she kills a young woman in a massage house and later her lover in his apartment. The partner of Sung-ho finds the sticker of cartoon character Princess Aurora in each victim and Sung-ho meets and has sex with Sun- jung that is his ex-wife. She steals his handcuffs and kidnaps a taxi driver, killing him later. Then she abducts and kills the son of the owner of the restaurant Hanseung. Sung-ho finally discloses to his chief Byun Sang-ho that the serial-killer is his ex-wife and their six year- old daughter Oh Min-ah that they called Princess Aurora had been abducted, raped, killed and dumped naked in a landfill on the day of her birthday exactly one year ago. They discover that Sun-jung has kidnapped the defense attorney Kim Wu-Taek that had defended the killer Hong Gi- beom that was sent to a mental institution instead of prison. The police and the press head to the landfill where Min-ah was found expecting to meet Sun-young and her hostage."Orora Gongju" a.k.a. Princess Aurora is another great Korean movie of revenge of a mother. The story is very well constructed, with an excellent screenplay that discloses the plot like a puzzle like most of the Korean films. The story begins with a serial-killer murdering people apparently without any connection but in the end there is an explanation for each death. The direction and the performances are also top-notch. My vote is seven. Title (Brazil): "Princesa Aurora" ("Princess Aurora")

For those of you that like the amount of cruelty and bloodshed in Lady Vengeance, this film will seem subtle.The acting of the female lead is convincing enough to warrant the 106 minutes of it.At first, the movie seemingly revolves around a young woman who kills mercilessly for justice. However, as the story continues, her actions became methodical and preempted. Only at the very end of the story do we actually get to know the angst, grief and pain that forced her into such a state of mind.This movie, although Korean, also reflects on the other Asian societies where wealth, materialism and self-centredness are overshadowing the importance of kindness and virtue.

But not the best that has been produced in that land. If your looking for the revenge master, look no further than "Park Chan-Wook" (or you can put the Park at the end, like it's done in Korea) and you'll get the best! Having said that, the story presented here is not bad. Not bad at all and the acting is quite good also. But the pacing, the rhythm and the overall flair of this movie, never quite feels right. The script could've used a few rewrites and I'm pretty sure, there could've been a few better fleshed out characters. But this still is very emotional and you might not like what you see, especially concerning the ending (and yes the last sentence is intended to be understood in more than one way!)!

From the initial looks of the trailer and the poster Princess Aurora looked like a calculating, comic book-inspired revenge drama. While it's definitely about revenge, I think the screen writers have grown a bit lazy with this particular subject in recent times. ** The following comments contain some spoilers**Story here deals with an on and off lunatic, Jung Soon-jung, played by Jong-hwa Eom. She was a mother once, now left carrying mental scars. Meanwhile she keeps herself busy by killing off random (or aren't they?) mean people. Her deeds challenge the authority as after consecutive killings the only thing they uncover is the sticker of a cartoon character next to the victims. Maybe the investigation is stalled due to her ex-husband, a cop trying to become a pastor, working on this case. Before the film was able to get to the motives of the story I was irritated with a few things. The police work and psychology behind this case was made to look insignificant and felt undetailed and tension free for the most part. The death scenes were formidable, although a bit too easily conceived by the leading lady. The sex scene between the unmarried couple served no purpose, and instead should have focused on telling us something of their past. A particular scene in the spa where a staff member hears a noise, which people even next door couldn't, and after walking an endless corridor misses to see any traces of the killer, was quite dubious. The film eagerly tries to clinch for a deeper impact as Soon-jung captures the lawyer who trialed the serial killer to a mental institution instead of a prison. Jong-hwa displays her acting chops as she dangles him from a crane above the cops and press, while speaking in her daughter's voice. Sung-keun Moon, playing her ex-husband cop, achieves zero to nothing while noting how neglectful he was when the wife asked him to look for their child, to what he suggested that she should file a police report. The film gets down to the mechanics of the story, voyeuristically revealing the day the girl was abducted along with the people who Soon-jung thought were liable for her murder, with moderate conviction. The girl herself was left to brood the busy streets, but instead of going up to someone or getting noticed by anyone for hours, she decided to instead take a cab for which she didn't have enough fare, resulting in her getting kicked out and later picked up by the killer. But the further butchery of probability didn't stop there, as the vengeful mom got sent to the same cuckoo's nest where the killer was kept. Conveniently seated a table away from him to be exact. ** End of spoilers ** In conclusion, Princess Aurora was an unconvincing revenge film which might have gotten some slack 5-6 years ago, but now it gets crushed by the opposition. 2005, which early on seemed like a candidate for a year as remarkable as 2003 and 2004 in Korean Cinema, provided fewer truly remarkable features, but here's hoping for a better, stronger 2006.