Starts out bad and has some pretty bad (shitty) parts, but is full of some excellent moments. I was surprised that a bus crash where children were "ground into hamburger", as described in the film, may be considered that funny in the Philippines. Half of the movie is filled with the usual cliché Filipino film plot lines but half the film rises above that and is quite interesting and entertaining. Plus it is actually funny. It tips the hat to many films. What I like the best is the tip of the hat to Filipino films and directors. The scene where a character explains what socialism is and some other political ideologies common in modern society, including the Philippines, is very funny. We end up caring about the two main characters in this story, who are way in over their heads in this gangster gone awry world they have found themselves in.

First off I'm a critic on all genres of film and for me Direk Gallaga's Pinoy Blonde is a mixture of cult classic flicks and how the time frame filming method was used to all wood-by film goers you'll think that this is nothing but a rip-off of all cult classics such as kill bill and a film bombarded with cameos, but its more than that, its about independent filmmakers giving lecture to the best flicks that came up and turned both Hollywood and Philippines cinema lines from Lino Brocka and Ishmael Bernal, substantial quotes from Spiderman to kill bill, and the ever famous Vilma Santos Burlesq Scene being told again. People from this generation don't know anything about that and this movie can educate them especially the young aspiring indie film makers. As the time frame filming goes, it is said in a lot of film schools that it is not possible to incorporate it in a movie, but as far as is goes two movie pulled it off. "Breaking The Waves With Emily Watson." and now for the first time in Philippine cinema "Pinoy Blonde." A Cult hit that I consider a genius masterpiece. It takes a real film buff to understand this movie and I mean serious.

This is a movie who doesn't require the audience to think things through and analyze until their noses bleed. Pinoy Blonde doesn't require the audience to take it too seriously.For a moviegoer like me who doesn't think highly of Filipino films, I have become an even bigger fan of Unitel Pictures (the producing company) when I saw Pinoy Blonde. The movie is absolutely funny.This is one of the few movies who don't try to solve the world's problems, or make sense of the ills that plague our society. It only asks the audience to sit back, take everything in and laugh. If you think that you need to ponder on things when you see the movie, you are doing yourself a great disservice.

First off, I am a big fan of Peque Gallaga. He is one of the most brilliant and gifted filmmakers to come out of the Philippines. I have seen his Shake, Rattle & Roll series more times than I could count. I thought Magic Temple was the work of a true artist and Gangland was pure visceral genius. And if there is one true great epic film in Philippine cinema, it would be his masterpiece Oro, Plata, Mata.So upon entering the theater, I was excited beyond belief. His first film in almost 6 years. But halfway through the screening, I was already checking the time, wanting the film to end already. Pinoy Blonde is a overly reflexive, self-indulgent, pretentious film masquerading as a satire that relies on pop culture references to hide its flaws, mainly in the script, the story structure and character development. From the start, it was already a mess; a mish-mash of different plots and scenes that lead to nowhere. The fast pace of the film and its vibrant visual style didn't hide the fact that the filmmakers simply had no focus in making the film. You'd keep wondering what the end result would be; is it a social commentary? is it merely an exercise in visual style? an attempt at a witty screenplay? Even the film itself can't figure itself out as it doubles back and forth through ideas and concepts, with the two lead actors' overly loud exaggerated performances not helping the equation. As the film ends, you feel visually assaulted but at the same time, emptiness. And that would be the last thing I'd think of feeling after seeing a Peque Gallaga film.With a film filled to the brim with brilliant ideas, they are never pulled off well. It simply comes off as "trying too hard" and as an example of cinematic excess, big, bright, visual eye candy signifying nothing. A big disappointment from one of my favorite directors.