Pillow of Death
Pillow of Death
NR | 14 December 1945 (USA)
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Attorney Wayne Fletcher and his secretary have an affair. When Wayne's wife is found smothered to death, he becomes the prime suspect. As the police investigate the murder, a psychic with questionable motives tries to contact the deceased woman. Soon, Wayne begins seeing visions of his dead wife, and other people involved with the case begin to be killed, one by one.

Reviews
kevin olzak

1945's "Pillow of Death" marked the last of Universal's six Inner Sanctum mysteries, adding some genuine supernatural elements to its undernourished brew of a script. Lon Chaney again stars, here as wealthy attorney Wayne Fletcher, whose affection for his secretary, Donna Kincaid (Brenda Joyce), has her family in an uproar, since he's still legally married to wife Vivian. The disapproving Kincaid matriarch is Belle (Clara Blandick, "The Wizard of Oz"), who, like Vivian Fletcher, has fallen under the questionable spell of a spiritualist who calls himself (I kid you not) Julian Julian (J. Edward Bromberg). Wayne decides to ask his wife for a divorce, only to return home to a murder scene, Vivian having been smothered to death by pillow (thus the title). Every damn character is so determined to railroad Wayne for the crime, that even a patently phony séance depicts Vivian's spirit accusing him herself. It's this aspect of the film that makes one fervently wish that Chaney will again be innocent of all charges, not one likable character in the entire sour bunch, apart from the old man obsessed with food (naturally, he's the next to go). Even lovely Brenda Joyce (his wife in "Strange Confession") doesn't escape intact, winding up in the arms of the juvenile trespassing neighbor (Bernard B. Thomas, only seven other credits on his resume), whose obnoxious ego resorts to body snatching in his maniacal effort to win her over (sneaking around at all hours of the night proves him irresistible). This entry's rudimentary police detective is the forgettable Wilton Graff, quite a comedown from character star J. Carrol Naish, from "Calling Dr. Death." One positive aspect of the film, unlike all previous entries, is the (apparently) genuine presence of Vivian's ghost actually communicating with her husband on two occasions, first luring him to the graveyard (her crypt empty), then lending him some help in the climactic clinch (that bedroom door didn't just close by itself!). In the 17 months since beginning the Inner Sanctums, Chaney changed from a still-handsome, believably suave professorial type to a noticeably older frazzle of his former self, the only monster titles done in that same period being "House of Frankenstein" and "The Mummy's Curse." With only "The Daltons Ride Again" and "House of Dracula" still ahead, it's apparent that the actor himself saw the writing on the wall at Universal. Included in the popular SHOCK! package of classic Universals issued to television in the late 50s, "Pillow of Death" appeared twice on Pittsburgh's Chiller Theater- Sept 8 1973 (following 1967's "Journey to the Center of Time") and Oct 16 1976 (following Al Adamson's "Blood of Dracula's Castle").

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loves_the_oldies

I recently purchased the Inner sanctum box set with all 6 of the Inner sanctum movies and was not disappointed at all.I really enjoyed Pillow of Death, OK its a corny title but it had everything in it if you enjoy old dark houses, whodunits,murders in the night etc.Lon chaney gave a decent enough performance in it and was supported by a good cast including the lovely Brenda joyce and the solid J.Edward bromberg i have read a few reviews which slate this film so i watched with trepidation and was pleasantly surprised it is a great little B movie which universal made in the 40's to much credit, it is atmospheric with many twists and turns moving along at a lively pace, i personally didn't find it dull or slow..if you enjoy the old black and white horrors from this period i am sure you wont be disappointed..just watch it with no great expectations and im sure you will see its not as bad as it has been painted. Without giving anything away it will keep you guessing all the way through..enjoy it for what it is.

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Michael_Elliott

Pillow of Death (1945) * 1/2 (out of 4) Final installment in the Inner Sanctum series has a lawyer (Lon Chaney, Jr.) suspected of murdering his wife. After her death he gets involved with a group of psychics. This film, even at 61-minutes, dragged along and bored the hell out of me from the start. Chaney is very bland here as are the supporting characters. The story really isn't too interesting and all the spiritual stuff comes off silly.This is certainly the worst in the series but you can now view all six films via Universal's DVD collection.

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MisterWhiplash

I'm not sure why the filmmakers decided to name this little below-run-of-the-mill clap-trap Pillow of Death because, frankly, it's false advertising. Call me shallow, but finding a movie like Pillow of Death- and then finding that there are practically NO pillows- is quite a surprise. Of course, the Inner Sanctum mysteries, as they were called, were little one-hour (give or take a minute) features involving some strange murder, or a demented doctor, and always involving the thin-mustached Lon Chaney Jr. This one features a plot that is of not too much consequence, and is pretty forgettable. It involves the death of some rich guy, played by Lon Chaney, and who might have killed her. He is looked at as a prime suspect, but is he the killer? Aren't there other people about in the mansion who could have had some motive? And what about supernatural elements? These all lead up to a payoff that is only mildly ridiculous, and not enough to save what has been otherwise a fairly dull affair...plus, where are the pillows? As a joke, though also as a test, my friends and I tried to count how many times a pillow does pop up in the film, and we counted twice- once about 41 minutes into this 67 minute film, and then during the climax. But otherwise there's no other significance for it having that title, except to lure viewers in with the astounding contradiction of pillows (soft and inviting) and death (crushing and cruel). There is some death, to be sure, and some whacked out characters including an old lady with a gas hose and a young guy who keeps on using a secret door and creeping around for no reason in a nice suit. But it all leads up to not that much, and even at such a short length it doesn't leave too memorable an impression, except as a disappointment for not living up to a title with so many possibilities.

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