Don't believe the hyped reviews here. This film is basically a poor man's Eternal Sunshine of the Spotless Mind. For me the plot took far too long developing. The plot device of a man with amnesia is one of the great cinematic clichés. I felt this film didn't really take off until it was revealed that the protagonist was the subject of a memory blocking drug. By that time it was too late. Even then it was merely a repeat of Eternal Sunshine of the Spotless Mind imho. I thought the notion of our mystery man having changed for the good was the strongest idea in the movie. If only that had been the primary focus of the flick rather than spending two thirds of screen time milking the mystery then maybe this would be something special. The acting was good which meant this was a bit of a waste of talent from what I could see. It's easy to be critical and bloody hard to make a good movie. Just wish more time had been spent on the script in this case.

This movie about a man who wakes up in the desert with no memory is a fascinating look into what part our memories play in who we are and who we perceive ourselves to be. Writer/Director Henry Barrial uses a mystery to take a fresh look at relationships, memory and consciousness. This film is much better viewed without to much knowledge of the plot, allowing your subconscious to follow the clues to the surprising ending. The movie is being billed as a science fiction thriller, which it is, but it's a thoughtful, psychological study rather than what passes for most box office Sci-Fi these days. You won't find gratuitous explosions here!Pig is a well crafted film, with care taken to make every scene relate to a greater whole. The desert and Los Angeles scenes really capture their location in a way that isn't often seen. I enjoyed seeing places I am familiar with but which rarely making into the movies. Finally, the acting is superb. Rudolph Martin does the heavy lifting of carrying the film with little dialogue and we care about his character from the beginning. All the actors are great in their roles and the chemistry between them is believable and compelling.

Pig, is a brilliant, intelligent story, that belies its lo-fi budget. At first glance, it appears as a simple sci-fi story of a desperate man, caught up in a game of mystery. But, looks can be deceiving, and writer/director, Henry Barrial, presents a much deeper tale of loss, pain, and morality. The viewer is drawn into "The Man's" life, and cannot help but feel his sense of loss and confusion. Pig explores the worlds of deception, mind control, and the state of the human condition. It is the ultimate story of adaptation and survival, and asks the viewer to think. Does Lukas Ernst, played with subtle genius, by Rudolf Martin, win, or lose his inner battle? Is what is in a man's heart and soul more powerful than his memory? You'll have to decide for yourself. This is one of those rare movies that will leave you with a quiet uneasiness, and a yearning to return for another round.

Pig simply ticks all my film choice boxes. Intelligent, with insightful character performances, and a complex plot; this is a film to make you think. From the opening scenes you sense you will be on a very uncommon journey, it begins slowly and builds in intensity without ever losing sight of the tension needed to keep the audience engaged. The final conclusion is a dramatic tour-de-force. Deliberately ambiguous, you can make of it what you will, personally it was deeply emotionally moving. Writer/director Henry Barrial proves beyond any doubt that he is a master craftsman. With a beautifully judged, subtle and intelligent performance from actor Rudolf Martin in the leading role, there is nothing out of place, nothing that jars the senses. This film is, simply, one of the best and most rewarding features I have seen on a big screen in a very long time.