The title of the review is describing what the W.R.E.N. Service is. However it is incorrectly spelt. WRNS is the correct abbreviation as it stands for Woman's Royal Navel Service and phonetically pronounced as Wrens.

I first saw this wonderful little film at 16 years of age and have never forgotten it.Michael Wilding and Anna Neagle ( in particular) carry the film with an English understated romance atypically bubbling under the surface - although Neagle's warmth is palpable. It is a curious but clever mix of war, romance, adventure and ethics.I think the stand-out and almost jolting point for me was the judiciary's comment - at the end - alluding to the fact that the child (of the second wife) would always be illegitimate.They don't make them like this anymore.

SOME PLOT SPOILER HEREIN, BUT NO GIVEAWAY OF THE ENDING. A chance meeting in war-torn Piccadilly, connects a well born Marine and an ex-hoofer Wren. They marry in haste, clearly meant for each other. War separates them, and she is missing, believed drowned, when her ship is torpedoed by the Jerries. She ends up on a desert island with some chirpy lower-classes and a creepy Canadian, who tries to move in on her. Meanwhile, back in Blighty, the marine plunges into grief (in an understated British way), but perks up, when he meets a jolly Yank gel, whom he marries. Meanwhile the Wren and her pals are rescued and she dashes back to the Marine's country seat, and...I shan't spoil the rest for you. Despite its descent from light drama into glum (and rather drawn-out) melodrama, this is a likable film, very prettily shot by Max Greene, and well directed by Ms Neagle's hubby, Herbert Wilcox. Michael Wilding is particularly good as the chap. (Apparently neither Rex Harrison nor John Mills were available for the part, so Wilding got it, and a good job too.) He has a delightful lightness of touch, with strong emotions burning quietly beneath. His lover, the slightly stodgier, scrupulously gracious Wren, Anna Neagle always reminds me of the nice girl at school, with whom one can't really find fault, but wishes had more oomph. Wilding brings out the best in her, and their scenes together really sparkle. It's a shame they spend so much of the film apart. There's an occasionally witty script from N. Phipps, a peculiar dance number, and very good work from the supporting cast, but a curious bit of casting in Michael Laurence as a distinctly creepy Canadian, who keeps up a constant, tense assault on our Anna. I wonder if the drama might have worked a bit better if he were genuinely likable, but not quite as likable as Mr Wilding. As it is, he's simply creepy, and we (the audience) don't want him to get a look-in. I originally saw this old hit, on the TV in Spain, in 1966, dubbed into Spanish. It works better in English, mainly for Michael Wilding's subtle style with a line, funny romantic or sad; and Brenda Bruce's very likable and emotionally truthful second-fiddle to Ms Neagle.

Anna Neagle plays a WREN (equivalent of the American WAVE) who bumps into a recovering (he was at Dunkirk) Michael Wilding in Piccadilly, London during an air raid.Fortunately Michael has a flat nearby and Anna is convinced for safety it is better to spend the night there.After a whirlwind romance they marry but Anna has been on a secret radio course (cannot tell Michael - wartime discipline) and is bound for the Far East (Singapore).Before this Anna has a chance to show off her dancing pedigree and dances to a strange blend of Beethoven's "Moonlight Sonata" and 1940s swing music.At her naval college she makes friends with a Canadian sailor who fancies her.Unfortunately her ship is torpedoed and Anna, along with her Canadian boyfriend, best girl friend (Brenda Bruce) and a few survivors, are shipwrecked on an uninhabited island.They decide to make a bid for survival and are rescued in the nick of time by an American ship before the sun, exhaustion and thirst can overtake them all.Back in New York and after a decent hairdo, proper clothes, food etc. the survivors make their own way back home courtesy of our American allies.As they have all been missing for so long they have all been legally presumed lost and meanwhile Michael has made friends with then married an attractive American WAVE who has been picnicking along with some other U.S. personnel, outside Michael's grand country house.The WAVE loves England.She and Michael now have a son half English and half American.A bombshell is about to land on this idyll.Under English law at the time a child born out of wedlock cannot assume legal rights of inheritance and Anna is on the way back to reunite with Michael.She meets her American counterpart and the baby she had and when she realises they are married she flees in search of Michael.Michael is giving a recital on piano of "Piccadilly" to the troops and when he has finished Anna makes herself known.I will not divulge more and invite readers to seek out how the film ends as it is surprising.This is another wonderful film from the Neagle/Wilding partnership which they produced under Herbert Wilcox.If you have seen some of their other films, this is well up to standard.I rated it 7/10