Billy "B-Movie" Beaudine Directed this Monogram Movie with about as Much Creativity as His other 300 Films. Competent and Quick the Man who went on to Helm..."Jesse James Meets Frankenstein's Daughter" (1966) and "Billy the Kid vs Dracula" (1966) along with many Others that "Bad Movie" Archaeologists have Dug Up and Poked Fun. This is a Transparent Plot Paraded Out for Non-Discerning Wartime Audiences. There are some Amusing Cultural References about Sinking the Japs and a Reference to "Superman" that made His Comic Book Debut only Three Years Earlier.Pop-Eyed and always Poking Fun at Himself and His Race, Mantan Moreland is On Hand for a while, "Feets don't fail me now!", but is Surprisingly Absent after a Brief Gin Guzzling Opening. John Hamilton (TV's Perry White) is the "Villain" along with Three Leading Actors that no one can or Should Remember, because They basically Show Up, Read Lines and Annoy the Audience.The Title is Better than the Movie and the Movie is Better than Being on the Bottom End of a Bomb Run.Note...A Title Card shown at the end of the Movie asks for 80,000,000 Theater Patrons to "Buy Bonds Now", and many did. Movie goers were generous Patriots throughout WWII and helped the War effort substantially.Note 2…Someone on IMDb should remove the poster on this title page. It is almost as embarrassing as this Movie.

Racist overtones aside, there is a lot to recommend in this remake of The Sphinx where horror icon Lionel Atwill played a dual role, one a killer, the other his alibi. To prove you can't be two places at once, a deaf and mute philanthropist is off doing good deeds while the other is on nefarious sprees. The outcome is obvious but the method of revelation is what makes it more fun and intriguing. Replacing Atwill is an obscure actor named John Hamilton, a George Zucco look-alike who lacks the sinister image of both Atwill and Zucco. B fan favorite Joan Woodburry is the feisty reporter who fights for her belief in Hamilton's innocence while Dick Purcell is the detective trying to prove just the opposite. On the right side of the law are J. Farrell MacDonald and Warren Hymer, still typecast as a buffoon.There's racial overtones concerning the cowardly black porter played by Mantan Moreland who first encounters Hamilton then runs to his gin stash upon discovering the film's first corpse. Director William Beaudine speeds up the plot by instilling lots of humor, particularly a sequence with Hymer on the phone with his nagging wife who squeals like an old record on the wrong speed while Hymer hides the phone in a desk drawer. Like other Monogram remakes of their earlier films, this is even better than the original. It is pure entertainment without pretension made during the war ear that needed diversions like this.

This is directed to the guy who gives the kudos in "Phantom Killer" to Jack Benny's valet/chef/chauffeur/right-hand-man Eddie "Rochester" Anderson. You got it wrong, fellow. That was not Rochester playing Nicodemus, the janitor who sees a man talk who can't talk. Nope. It was the great Mantan Moreland. BTW, this low budget Monogram 2-reeler is fun, especially if you're a fan of the dozens of Old Dark House mysteries that were produced in the 30s & 40s. Mantan, who died in 1973 at age 71, is probably best remembered these days as Birmingham Brown, Charlie Chan's driver and cohort to Charlie's Numbers One, Two & Three sons in 14 Charlie Chan movies from 1944-1949. Mantan also had solid roles in "King of the Zombies" (1941), "Dressed to Kill" (1941) with Lloyd Nolan as shamus Mike Shayne, "The Strange Case of Dr. RX" (1942) with another great, Lionel Atwill and many other fun films. He acted into the 1970s when he appeared in such TV series as "Love, American Style" and "Adam-12." Mantan has deservedly been remembered in beloved fashion by many and needs to be recognized here.

This is not great film art. However, I found it fun. It does its job: It is breezy at times. It has romantic elements between Joan Woodbury and Dick Purcell. And it is frightening: The central concept, that a man who can neither hear nor speak and is never at the scene of the crime is a ruthless killer, has a nightmarish quality.Ms. Woodbury gets several costume changes. They aren't always logical. She plays an ambitious newspaper reporter. In one sequence, we find her interviewing a central character while wearing an evening gown! (Yes, it's in the daytime.) Discovering films from Monogram is generally fun. Sometimes they don't pan out. This one, whether or not it is a remake of "The Sphinx," does. It held my attention without fail.