Louis de Funes. Geraldine Chaplin. and Olivier de Funes. a car. an accident. and a lot of adventures. a film who remains great for the gift to be almost perfect. politic and business system, mass media and marriage, religion and public image, youth and exotic refuge each is discovered by viewer in brutal light. a film about honesty. and a spectacular comedy. Perched on a Tree is one of film who reminds more than present. entertainment of high class, it is, in essence, painful honest reflection about society and its different masks. and , more important, one of Louis de Funes's comedy, with the same smart use of clichés and the great man who becomes detail for the others. and, sure, the wise end, who is memorable. a film who remains inspired option for understand contemporary events in the right light.

-Perched on a Tree (French title: Sur un arbre perché) is a French comedy movie from 1971, directed by Serge Korber, written by Pierre Roustang, and starring Louis de Funès. French comic Louis De Funes stars as Henri, who has a very unfortunate accident while on his way to arrange some sort of shady deal on the Italian border. He has tried desperately not to let his better impulses get control of him; nonetheless, he has already picked up a hitchhiker (Olivier De Funes) and a married woman in distress (Geraldine Chaplin) when his car runs off the road, falls over a cliff, and lands in the crown of a tree. The efforts of this threesome to cope with the situation and get rescued constitute the body of this film..

This is not a comedy. It has funny parts, yet that is not enough to have a comedy. What makes things worse is de Funes' fame. Himself a great actor, yet the audience is used to see him as a funny man. So used that people just don't understand what they are seeing with their own eyes. After all, they read de Funes on the poster so they paid to be amused, so in a way it's not their fault. It's the typecasting Hollywood actors try so much to avoid.This is both a drama and a portrait of the post Second World War (post deGaulle to be more precise). I wouldn't go as far say it's the drama of the french society after the boom of the '60s. These are not regular characters, these are types. And the few funny scenes are only to make the pill easier to swallow. And not every scene is funny, even if the audience laughs - the scenes when de Funes' character escapes certain death are not funny, are terribly real.You have almost everything here: the influence of cheap entertainment (the TV movie preview), the influence of news media (both the fact that the ones to be saved are finding out from TV what is going on and the crowd drawn up by the publicity), the unfaithful young wife looking for temporary relief, the socialist young man looking for adventure, the big corporation doing something else than declared, the big corporation ready to do anything to reach its estimated profits, the church, the honorable wife, the 20th century entertainment, etc. Even the fact that although everybody is working hard to justify their job, nobody is helping in any way and the rush for cheap thrills experienced through a third party as people want to know how does it feel, yet nobody is ready to trying for themselves, not even the guy sent to the rescue.This is a must see, but leave the comedy expectations as theater door.Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch

Consider this: Three people in a car, driving of a cliff that goes a thousand feetinto the ocean. Halfway down the precipice there is a pine. That carlands in this tree - mid ways between the world and ocean. Noone has seen the accident. No one know they are there. How can they survive? This is a sit-com of incredible humorous value.