Parole Girl
Parole Girl
| 04 March 1933 (USA)
Parole Girl Trailers

A woman convicted of fraud aims to take her revenge on the man who put her inside after being released on parole.

Reviews
blanche-2

Mae Clarke, she of the grapefruit in the face, and Ralph Bellamy star in "Parole Girl," a 1933 film.Clarke plays Sylvia, who works a department store con with a male partner. He accuses her of stealing his wallet and yells "stop, thief," they both go to the manager's office, he finds his wallet, she sobs, and the store pays her off. Unfortunately the police alert the store to the con artists as she's sitting in the office. Terrified of going to prison, she begs the manager to let her go. He wants to, but when he checks with the man above him, Joe Smith (Bellamy) he says he has no power to do that. She begs and sobs, but it's no go.Sylvia winds up in prison, serving for a year, but she manages to not only start a fire, but work to put it out, and then faint - all part of her plan. She is released due to her heroics. She's not interested in returning to con work. She wants to destroy the life of Joe Smith.Sylvia approaches Joe while he's smashed and stages a fake marriage, knowing full well he has a wife from whom he's separated. She then blackmails him with his bigamy. They have to act as a married couple until Sylvia's parole is over. Guess what happens.This could have been an ordinary movie but it isn't, thanks to the nice work of the two stars. Clarke is an underrated actress - she was excellent in the 1930 Waterloo Bridge, which is much grittier than the Taylor-Leigh version. She was a very honest actress, not at all over the top, even though it was the style of the day.Bellamy, of course, is super. This film was just after the beginning of his awesome 60-year career.Entertaining.

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Michael_Elliott

Parole Girl (1933) ** 1/2 (out of 4)Silly but extremely entertaining drama from Columbia has Mae Clarke once again taking "C" level material and raising it a notch. This time out she plays a troubled but smart woman in a con game with a man (Hale Hamilton) who pretty much owns her. She ends up in jail after getting caught ripping off shopping stores and once behind bars she swears vengeance on the insurance man (Ralph Bellamy) who refused to give her a break and demand that she go to jail. This is an extremely bizarre and strange little gem that will certainly keep fans of "B" movies entertained because you'll never quite know where the thing is going. For starters, the story itself is downright stupid as we're never really given a good reason as to why this woman would be so angry with this man. Why not the judge, store owner or the con man who got her into the racket? You also have to consider the fact that she's never seen this man so how she actually manages to do her thing is never quite clear. Another funny thing with the story is that it of course has to have a few twists and turns, which includes the woman eventually falling for the man but soon her scam backfires once again with a twist that I won't ruin here. Clarke turns in a very good performance and it certainly ranks as one of the best I've seen from her. She's very believable in the early scenes of fear as she begs not to be sent to jail. She's also believable as the hell bent femme fatale out for revenge. She plays both sides of the coin perfectly and her chemistry with Bellamy is very realistic and makes for an interesting 65-minutes. Bellamy, one of my favorite character actors from this period, manages to have all the charm and dignity that we've come to expect from him. Marie Prevost is quite annoying but that's the way her character was meant to be. This film has certainly been forgotten throughout the decades and I'm sure not too many were overly interested in it back when it was released. I'm sure most people, like myself, will be drawn to it because they're fans of FRANKENSTEIN and want to see Clarke in another role. Those people will certainly want to check this film out but fans of "B" movies will as well as the movie goes fast enough to not have any dull moments and in the end it's the perfect filler if you're up late at night and need something quick to watch.

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howdymax

Parole Girl. I love that title. This is a forgotten little gem from Columbia, but really was a perfect fit for Warner's. Surprisingly directed by Eddie Cline, who was best known for his association (and patience) with WC Fields. He created some of the most memorable comedies on screen, but managed to put together an interesting and sympathetic effort in this movie.It stars Mae Clarke, best known for getting a grapefruit in her mush by Jimmy Cagney in Public Enemy. Other than that her movies were mostly forgettable as far as I can tell. But she did a great job in this one. She plays a young girl lured into a series of schemes by an old family friend played to the hilt by Hale Hamilton. I have to admit, I wasn't familiar with his work, but he certainly performed here. When Mae is caught by a department store dick in an extortion scam, she is sent up the river for a year. She blames the department store manager, played by Ralph Bellamy, for the pinch and promises revenge. After her release she meets up with him, and through a complicated series of maneuvers,convinces him they married. Since he was already married, she threatens to ruin his life if he doesn't play ball. Her plan is to take him for everything he's got, but of course, it all backfires on her. I bet you will never guess what happens.This was pre-code and there are a number of examples of that naughty dialog that we all loved so much. This is a B movie well worth watching. The entire cast does a credible job with a really stand out performance by Mae Clarke. She was appealing and sympathetic without being annoying. That is sometimes a fine line to walk, but she did it.

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jramaro

If you find yourself sleepless at 3 am and you've got an hour and fifteen minutes to kill with Turner Classic Movies, you can do worse than this charming romance that, while mostly predictable, takes you places and keeps up a good pace."Parole Girl" comes with a competent cast, pre Hays' era sexuality, and a time capsule visit to 1930's America. I counted at least six improbable plot devices, but, oh--who cares? Bellamy was believable. And I fell in love with the intelligent, cunning Mae Clark.What guy, sleepless at 3 am wouldn't hope to find himself in Bellamy's predicament with a woman as alluring and devious as Mae Clark's character?

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