Whatever anyone may say about Subhash Ghai's 'Pardes', I personally found it very entertaining, engaging and charming. The film may be slightly stereotypical, it may be a bit incorrect, but should it really matter to me as long as I enjoy it? The portrayal of the US may have been flawed, but the film's issue was in my opinion dealt with convincingly. Besides that, the story was very lovely and the film was according to me believable and moving due to the performances, the music and the overall writing.The film is about a young Indian girl named Ganga who lives in a rural village in India with her extended family. Her father's best friend, Kisohrilal, who's been living in the US for over 20 years, comes to visit them. Kishorilal is immediately charmed by Ganga and wants her to marry his young son Rajiv. Ganga's father agrees to the proposal and soon comes Arjun, Kishorilal's faithful nephew, who is also a good friend of Rajiv, to organise the engagement before Rajiv, who's never been to India, comes to see his bride. Arjun and Ganga befriend each other, but the real trouble starts when Ganga is taken to LA to live with Kishorilal's huge NRI family before marriage. The social, cultural and economical gaps rise, and Ganga finds herself lonely in a world which is very distinct from hers, where no one except for Arjun seems to understand her. There also starts the realisation that Ganga and Arjun are actually in love.The film is according to me beautifully narrated and Subhash Ghai's direction is very good. Technically the film might have been better as the cinematography was not that good. I did not see 'Pardes' as a social film or anything of that sort, but more as a romantic drama, and in that genre it was very well-made. I don't think Ghai tried to show NRIs in a bad light, because such differences and difficulties are to be expected in any kind of transition from one country to another, particularly when moving from a conservative and traditionalistic society like that of India to a liberal country like USA. There were many great and touching moments in the film, my favourite being when Ganga talks to her father in India on the phone and feels very lonely and sad. The romance between Shahrukh Khan and Mahima was very well portrayed and the two had a wonderful chemistry. While discussing Shahrukh Khan's best performances, many seem to overlook his work in 'Pardes', but this is according to me one of the finest performances of his career. As Arjun, he is kindhearted, and atypically subdued, sensitive and extremely vulnerable. Khan played his role with restraint, depth and sincerity rarely seen by actors of his bracket in those days. The film's brightest spot may be the gorgeous Mahima Chaudhary. She is not only one of the most beautiful actresses to have graced the Indian screen, she is also an extremely talented actress. Her smile lightens up the screen, and she is so compelling, moving and charming as the smart, sensible and no-nonsense Ganga that there seems to be nothing easier than to fall in love with her. This is a marvelous performance and easily one of the greatest debuts by an actress in Hindi cinema. Why she did not go on to reach any particular heights in her career is still mystifying. Another newcomer, Aproova Agnihotri, who plays Rajiv, fails to impress here and it was not a good idea to start a career playing an unsympathetic character. Amrish Puri is outstanding as Kishorilal, and the rest of the cast provide good support.Nadeem-Shravan's soundtrack includes some very melodious tracks. I liked Kavita Krishnamurthy's rendition of "I Love My India". This film also marks the breakthrough of Sonu Nigam, who became a star with the song "Dil Deewana". A soulful, melancholic and very romantic song called "Zara Tasveer Se Tu (Meri Mehbooba)" was beautifully sung by Alka Yagnik and Kumar Sanu. To sum it up, 'Pardes' is a wonderful romantic drama and that is the reason it was appreciated upon release. I recommend 'Pardes', for its story, music and superb star cast, particularly Khan and Mahima.

The character of Shah Rukh Khan in this movie, is the perfect son-in-law. I think every girl who sees him in this movie would fall in love with his character Arjun. This unselfish boy, who is brought up in a home where some of them treated him like dirt. The persons I truly disliked were the 2aunts. Looking like witches and being really arrogant about the money they owned and their dislikes of any one with less money (I call it the American syndrome). Mahima Choudrey was and is gorgeous, the role of Ganga was really a bit too much, but I could understand her point of view. The scene with the snake was quit weird, the director could have solved that in another way. Don't know what the point was of this particular scene. Also the last song of the movie was totally uncalled for. I won't spoil it by saying why, but that song could have been edited somewhere else in the movie.

This movie makes all of us NRIs or better known as ABCDs look like value-less and immoral pigs. Mr. Ghai should have actually researched the way of life of NRIs in America and UK before he even wrote the script on this movie. But as with all Hindi movie-makers, they don't even research the topic their movie is about and do something that unsophisticated Indian audiences would believe (which is just about everything on the big screen) This is the MAIN reason why most commercial Hindi films lack credibility and Pardes being one of the most notorious examples that supports my theory. One example of this increduality is how smoking and drinking are treated in this film. In India nobody smokes? drinks? Another is the assumption that Air India and more unbelievably Indian Airlines flies to American (and moreover to L.A. aka Vancoover, where the movie is filmed). In my life experiences, I have never ever met an NRI (or even a white guy) with the selfish, stuck up attitude as exuded by Amrish Puri's son in Pardes. So congratulations, Mr. Ghai, you have convinced several millions in India that us male NRIs are all egotistically womanizers and pigs. This treatment is also true for NRI females. Amrish Puri's wife in this movie is also portrayed as a "chudail" What's up with that? Well...you all know how I feel about this film. But I recommend you see it just to see how many stupid mistakes that Mr. Ghai has made.

Many claim this movie as one of the best of 1990s Bollywood for its family values. Its family values are only true to a point. It hails Indian values, and makes a not so subtle statement that America is the home of debauchers and drunkards. It insinuates that wayward immigrants to America have to be "redeemed" by Indian virtue. It was so comically bad, hence, the 3 rating.