OPERATION VALKYRIE (originally titled STAUFFENBERG for its 2004 television release in Germany) is a condensed, powerful, and realistic telling of the attempted assassination of Adolf Hitler by his own military supporters on 20 July 1944. Unfortunately now in the shadow of the highly touted VALKYRIE released this past year as the Hollywood version of the incident OPERATION VALKYRIE is getting little attention from viewers. Now that it is available on DVD perhaps it will gain the importance it deserves. For one aspect, the film is written, filmed and acted by Germans and the result is a different kind of felling than the later VALKYRIE: the tenor of the film suggests a growing lack of hope and a recognition of the insanity of Hitler by the a larger portion of the German populace than we have been lead to believe. It bears more a sense of reality than of a thriller movie. Sebastian Koch is wholly credible as Oberst Claus Graf Schenk v. Stauffenberg - a devoted military man under the spell of Hitler's influence in the early years of the rise of the Third Reich who gradually pays attention to the rumors and reports of Hitler's aloof response to his murders of thousands of people. In a particularly touching scene a Polish Jew named Polja (Katharina Rivilis) recounts the horrors that the war has imposed on her family and her descent into insanity from Hitler's plan and execution of that plan for the genocide of the Jews. Stauffenberg is so deeply touched by this crowning encounter that he requests immediate transfer to the African Front and it is there that he is nearly killed in action, losing a hand and an eye. From the moment he awakens in a Munich hospital he begins his plan to exterminate Hitler (an impressive mute role by Udo Schenk), a plan that ultimately fails and results in Stauffenberg's assassination - a film clip of which opens the film before the credits. The cast is excellent and the pacing and forward momentum of the story as written and directed by Jo Baier makes for a film that strikes the viewer in bullets aimed for the mind and heart. If too much of the peripheral activity of the times around the 1944 event is edited, remember that the film was originally a made of television experience to be viewed by the German populace and accepting part of the history depicted is still tainted by the horror of the Hitler guidance of Germany. Well worth watching. Grady Harp

This film was made in Germany for a lot less than what Tom Cruise made his overpriced epic for... and it is a far better movie.What does it do right. Hey, for starters, it's in German. You get the feel for the language and the culture that you simply don't get with Cruise's overpaid Hollywood buddies doing bad optional German accents.Secondly, it's a more honest look at Von Stauffenburg the man. Von Stauffenburg was a guy who initially supported the Nazis. (In fact, almost all of the July 20 conspirators did, they only turned against Hitler when Germany started losing the war. Kind of like Congressional Democrats!) You also see how his religious convictions guided him. Certainly, God would endorse his actions because he was in the right. (Well, uh, no. What a kookie prankster, that God.) Essentially, you get less drama, more character interplay and study. Almost all the same characters are here in this film. The only character who is kind of given the short shift is Hitler himself. He only appears in two scenes and get very little dialog. Sorry, if you are going to make a film about killing Hitler, we need to see more Hitler.Historical details are gotten right. For instance, General Beck commits suicide, but this movie points out he botched his attempt and had to be finished off. This one focuses on Von Stauffenburg more, while Cruises version goes into strange discussions of internal German politics that slowed down the plot.Now, the only reason this film is getting a second look is because some clever people decided to re-release it alongside the Cruise movie.

There is no question to honour the activity and exploit of Stauffenberg, but if you are not enough informed about the background of this heroic deed, you are getting really fast an uncritical illustration. It is historically incorrect to focus the whole "coup d'état" of the 20 July 1944 on Stauffenberg. It seems that it was Stauffenbergs own motivation to fulfill the assassination, but there were a lot of other people, who were involved in the preparation. Beck and Olbricht were leading characters long time before, for example. In this movie they just appear as minor characters compared to Stauffenberg. At least it should be "mentioned" that there were two other tries to kill Adolf Hitler the days before the 20th July. I know that it is almost impossible to realize a historical moment as the 20th July in less than two hours, but there were as well a lot of scenes which could be deleted: for example Stauffenbergs "turning point" in Tunesia and this "more funny scene" with this Swabian guy or the long discussion with his wife wasn't that important for the plot...more concentration of basics would have been better. However, I am a great admirer of Sebastian Koch and he was acting fantastic as Stauffenberg. Very deep and clear and not exaggerated at all in opposite to some other characters in this movie. (O. Dietrich was horrible as Goebbels...he should continue to make comedy!)

The assassination attempt on Hitler in July, 1944 is one of the most important events in modern German history. It has been reconstructed dozens of times - none have really been successful. "Es Geschah am 20. Juli" and "Der 20. Juli", both in 1955, were the first early attempts of "Vergangenheitsbewaeltigung" in Germany, both were made for the cinema screen, both with well-known actors of the time that were old enough to experience the event.Several re-filmings (To name two more successful ones: Operation Walküre, The Plot to Kill Hitler) were less successful. Filming in color was not enough to make a good story out of a weak one."Stauffenberg", on German TV was a much advertised and, rumor has it, expensive event. The cast filled with actors the audience is used to seeing on TV, not one a really good one.The plot is ok, but runs through the timeline very quickly, starting in 1933 and running to the Summer of 1944 in about 3-4 minutes, without delivering any input. Too little emphasis is placed on the historical context to show the drama of the situation, and if the attempt was to portray the characters decently, not enough is done here. Without historical knowledge of the time, it is hard to follow the characters, their roles and positions.Hitler and Goebbels (portrayed by Udo Schenk and Olli Dittrich) both look like they have just climbed out of their tombs. The attempt to make them look really evil, fails. In his short appearance, Olli Dittrich makes of Goebbels an insecure, hysterical zombie - it made me laugh.A few moments of the film did keep me on edge, although I knew the outcome, especially shortly before the execution of Stauffenberg and the other "enemies of the state" - a plus.Yet: I am still waiting for THE excellent portrayal of the event.