The more desperate his fight on the desert's scorching sands , the more adored he was in her arms ¡ . Gregory Peck as captain Lance who gave Fort Invincible his name ¡ . Richard Lance (Peck) is a honorable cavalry officer to roust renegade troopers and a tribe of Indians Apaches . Cavalry captain is saddled not only problems with Native American but irritability among his own undisciplined troops . Lance is wrongfully framed by his girlfriend (Barbara Payton) and underlings of killing lieutenant Holloway (Gig Young) massacred along with a patrol by Indians . Richard Lance eventually puts the bridle on tight and struggles to win his soldiers respect while warding off violent Indians. Richard along with a group of soldiers have to defend a left fort surrounded by Indians until arrival reinforcements who are using a Gatling machine gun . The angry Apaches (led by Michael Ansara, usual in Indian roles) are out on a rampage of killing , seeking vengeance against the white intruders, and with the aim for eliminate them.This is an acceptable , conventional tale with action galore about a hard-bitten officer who goes to hell and back while assembling a detail of misfit cavalrymen to hold-off rampaging Indians and later on regaining the respect of his soldiers and his sweetheart . Gregory Peck and a top-notch all-secondary-star-cast as Ward Bond, Steve Brodie , Warner Anderson , Neville Brand , Jeff Corey and Lon Chaney Jr as the Arab ; all of them shine in this gripping story about a surrounded garrison . Furthermore as protagonist girl appears Barbara Payton ( who acted in important films as Dallas, Drums in the deep South , Kiss Tomorrow) , she turned to be one of the saddest stories from dark chronicle Hollywood . Attractive blonde sexpot and her life eventually disintegrated,mostly by her own doings . She was the subject of a spread in Confidential Magazine in the early 1950s when then fiancé Franchot Tone allegedly caught in bed with Guy Madison . Tone later married her , despite the indiscretion, besides she had a tempestuous relationship with Tom Neal. But happened the downfall , her once enticing countenance now blotchy and once sensational figure now bloated,Barbara sank deeper into the bottle and had several brushes with law , among them public boozy , bad checks and ultimate prostitution . The 39 years former star was found on the bathroom floor. Director takes a fine penned screenplay creating a cavalry-Indians tale that is far from ordinary , exploring the anguish of soldiers and including jarring burst of violence , however it packs a predictable ending . It's the habitual theme about an unit stranded by enemies and their grueling efforts to break the siege, issue imitated many other times . Gritty and passable written Western from Edmund H. North and Harry Brown , based on the novel by Charles Marquis Warren ,also Western filmmaker .The picture contains nice moments though partially unsatisfying and disappointing for the reason of the deeply claustrophobic environment . Well produced by William Cagney , James Cagney's brother , this Western is predictable and conventional but entertaining. Thrilling and stirring musical score by the classic Franz Waxman . Cinematography by Lionel Lindon enhances the dark tones especially on the besieged fort .The motion picture is professionally directed by Gordon Douglas . He's an expert on adventures genre as ¨Black arrow¨ and ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward ; but he's mainly specialist filmmaking Western , his first was ¨ Girl rush (1944)¨ and in the 40s directed ¨Doolins of Oklahoma¨ and ¨The Nevadan¨ for duo Harry Joe Brown-Randolph Scott . He went on directing Alan Ladd's (as Jim Bowie) vehicles as ¨Iron Mistress¨ and ¨The fiend who walked west¨ which resulted to be a Western rendition to ¨Kiss of death¨. In the 50s he proved his specialty on Western in the films starred by Clint Walker as ¨Fort Dobbs¨ ,¨Yellowstone Kelly¨, ¨Gold of seven Saints¨ and about legendary bandits as ¨Doolins of Oklahoma¨ and ¨Great Missouri raid¨ . After that , he filmed ¨Chuka(1967)¨ that bears remarkable resemblance to ¨Only the valiant¨ , the remake ¨Stagecoach (1966)¨ , ¨Rio Conchos¨ with Richard Boone and considered the best Western and finally ¨Barquero(1970)¨with Lee Van Cleef and realized in Spaghetti style.

I would suggest that Only the Valiant is one of the most original and intriguing and in some ways weird movies that Peck ever did; daring , surprising and one of his few best westerns (--no, no, of course, not a western really, but a military chronicle, which sometimes is better--). It's quite low—budget, but, oh, very original and striking. It's one of those treats a true buff sometimes gets; movies that no one yet told you they exist. You say—'that sounds intriguing, or interesting'—and it surpasses your expectations.All in all, the script shows a level of maturity unusual for the westerns—and it somehow reminded me, obliquely, of ULZANA; it's also straight no—nonsense suspense.Peck looked dashing as a young and tough, somewhat gloomy and stoic officer; and there are many unexpected touches—like the blonde babe kissing and flirting with the one she's decided not to marry, perhaps a feeling of hers for justice and retribution ….Even genre—wise, ONLY … is so much more than a military tale—it is as well an action drama, a suspense movie, a commando/ action thriller—the weirdest combo imaginable; a bunch of soldiers in a special mission to counteract and stop a possible Native's attack …--the insane decision not to take all the available troops to the place where those Natives could be stopped—but only a handful of people …--and this plot never takes a crap route—as most would and did …. The interest for humans, for people and their reasons and actions never falters.A due word about Peck himself; he performs with brio, and though I usually find his famous movies to be rather insipid and boring, in such small outings I find intact all Peck's somber and even chilling glamor. He was an unusual star.I gladly recommend this extraordinary movie.

...I saw this movie when it first came out in France, in my hometown, 54 years ago, I was nine, and today I still remember each black and white frame, especially the black ones, because it was so tense, scary, those sneaking attacks through that dark pass in the mountain, the two soldiers, prisoners forced to fight each other by their captors, the last battle with the uncovering of the wagon with the Gatling in it firing away, the last fight between Peck and the chief, and the Happy End which let me take back my breath. I haven't seen it since then, and I don't know if it would be a good idea to see it again today, it was such a fabulous moment for the kid I was.

This film, released in 1951, has the usual elements typical of the westerns released during the 50's; the cavalry needing to protect the territory from a murderous band of Indians, an officer determined to see that task through, and the men with him with various character flaws that he has to merge together into a cohesive unit. This small band must hold on to a fort located close to the Indian village until reinforcements arrive. The Indians know, all to well, that the small band is undermanned, and could be wiped out before the help comes. One major difference for this film, "Only the Valiant", is that it attempts to play out the usual storyline, but at the same time, deliver the message that duty is a paramount concern to be shared by all, even if they don't accept that charge.Gregory Peck embodies the tight-lipped captain of the troop that has to prevent the Indians from breaking out into the territory. The troopers that he takes with him to the small outpost are the dregs of the troop at the fort; they, in turn, have gripes or weaknesses that cause them to wonder if the captain hasn't taken them out because of their general lack of devotion to a cause. Eventually, the captain and the small band confront the hostiles, and at the same time, each confronts his own flaw. The cast includes western stalwarts such as Ward Bond, Gig Young, Neville Brand, Lon Chaney, Jr., and Warner Anderson. A sleeper of a film, and a good solid western for fans of this genre.