One Is a Lonely Number
One Is a Lonely Number
PG | 19 June 1972 (USA)
One Is a Lonely Number Trailers

A young woman has difficulty understanding why her husband walks out on her. Alone for the first time, she finds life difficult to cope with and for a time lives with the hope that her husband will come back to her.

Reviews
edwagreen

While very much clichéd, I thought I was going to see at first a prelude to 1979's "An Unmarried Woman" with Jill Clayburgh. The film begins with a professor of English leaving his wife and she struggles to understand the breakup.Men are not portrayed well here. There is the professor who has a 19 year old on the side, the suave employment agency guy who has more than hiring on his mind and the Monte Markham character, the guy who falls for our heroine only for us to discover that he is married. The only redeeming man of quality is veteran Melvyn Douglas, as an aged grocery store owner who knows the score having experienced life to it fullest with his now deceased wife. When Trish Van Devere thinks he has died, her visit to the morgue is memorable as we see the cold side of the attendant. To him, a dead person is rather a stiff.As the brassy blond experienced with divorce with her divorce league, Janet Leigh steals every scene she is in.The modern day ending of achieving freedom is overstated here.

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JLRMovieReviews

Somebody's always saying goodbye, as an Anne Murray song goes. Here, Trish van Devere's husband has left her. After arguments and differences, the last straw was when she threw his copy of Milton out the window of their New York apartment. Being alone was the last thing she expected to be after her four years with James, but now she's alone. Of course, she's got girlfriends (like Jane Elliott) who want to hook her up, but she's so depressed and in shock. Oh, and yeah, she needs a job now. The employment place maybe has something, if she's nice to him. But he's a creep. There's the old man who runs the grocery store, whose wife died a few years ago. He's nice to talk to, played by Melvyn Douglas. She takes a job as a lifeguard, of all things! Between all her highs and lows and meeting a possible suitor in Monte Markham, she tries to find her independent soul. While the film does reflect the loneliness and despondency of her situation, it does not wallow in it and therefore manages to entertain the viewer while relating to her pain. The supporting cast is very good, but the film belong to Ms. Van Devere. Watch "One is a Lonely Number" and learn that you need not feel weak and dependent on another, and that as one you can be strong.

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Poseidon-3

This is a little-known, but rewarding seriocomic film about the tribulations of a young woman in the throes of a divorce. Van Devere plays a 27 year-old wife who watches (in a hilariously pretentious opening sequence) as her husband packs his things and walks out on her. Completely unprepared for this, she must jump the hurdles of a society who, at that time, didn't make things easy for a single woman. She "gets a job, gets a lawyer and gets laid" as the leader of a woman's league advises her. None of these things come easy or without pitfalls, however. She must tolerate a slimy employment recruiter and take on the unlikely task of being a lifeguard. She can't decide whether to have her lawyer castrate her husband or let him off easy. She finds the dating game to be more than a little daunting. She must get her feet wet and take the plunge in a new world (symbolized not too subtly by her occupation and an imposing diving board.) The film is a bit soapy, trite and pat at times, but thanks to the eventually endearing work of Van Devere (who's in virtually every scene), expert pacing and some excellent supporting players, it comes off as very enjoyable and pleasant. Douglas, who in this period was building an impressive resume of excellent supporting performances, shines as an elderly produce shop owner who is fond of the young lady. Leigh, in her last really glamorous big screen appearance before turning gaunt, gets off several snappy lines as the women's league leader. Elliot, legendary for her work on "General Hospital", is a very bright, attractive presence as Van Devere's best friend. Markham has one of his best big screen roles as a man trying to break through Van Devere's defenses. The film is a fascinating time capsule of early '70's fashions/hair and viewpoints on women and their roles at the time. As a lifeguard, the leading lady has to do a whole myriad of things that no one would do today (actually, no one her age could probably even BE a lifeguard today!) including rubbing lotion on a beached whale of a woman and putting a swimsuit on a naked child! The film raises questions as to how much women gained or lost in the sexual revolution, but also shows how much things have changed. To it's credit, the film avoids a lot of things (heart-tugging deaths, extraneous problems of the friends, loud confrontations, etc...) that would be inserted into a film today, giving it a much more realistic atmosphere. The musical score is effective, but the choice of song for the seduction scene is excruciatingly awful. Viewers will want to keep a mute button handy for that!

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Tirelli

Some movies present such basic, utterly simple storylines, that the only thing that can actually save them from turning into mediocre flicks is how they are executed. And that's the case of Rebecca Morris' 'One Is A Lonely Number'. It's the simple tale of a recently divorced woman, Aimee, who slowly discovers how to get along with her life, growing through pain, loss, heartache and the dealing of loneliness. If you think it's familiar, you're right. The same subject has been brought up oh so many times throughout the last three decades - mostly on campy tearjerkers - but they can't be compared with this one.Trish Van Devere ~ Day Of The Dolphin, etc... ~ surrenders completely to her role, and gives the performance of a life time. Melvyn Douglas... well, what can I say about him?Plus, bits from a very sarcastic, cynical Janet Leigh, fresh from such flops as 'Hello Down There'.It's all delivered to you from a gentle, bittersweet point of view. The pacing is perfect, for it gives the film a reality touch. The music... well, four words for you... Michel Legrand... Bossa Nova.And some scenes deserve special attention... Trish's reaction to King Lear, and sobbing on Douglas' shoulders. Trish's seduction of Monte Markham and finally... the last scene...Have a box of Kleenex handy. Do yourself that favor... :)

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