I hate reading the cover blurb on a movie that makes it sound like an action/adventure and then I have to sit through something like this.They're supposed to use code-words like 'psychological thriller', so you know whether you really want to rent the movie, let alone watch it.I guess you could compare it to other movies with off-the-wall twists if you really had to, but I think that would be doing those other movies a disservice.The acting and story can be quite melodramatic and over the top at many points (if intended) so, if you were expecting this sort of movie, you would probably be a bit more forgiving. But the movie continually goes from weird to weirder and was not what I was looking for.If you've seen other, similar movies (John Cusack , Identity) then you've already seen a decent movie and there's really no need to rehash a good concept with bad acting and bad writing.If you watched the movie and liked it, fine. But it's really not what you would expect from the DVD slip cover.

(1.) Cheesy acting and script. The dialogue sounded like it came from a high school drama class project. Quality acting credits? As is typical in these movies it is nearly invisible. Lots of TV videos, shorts or such movie classics as "She Alien", "Savage Island", "Return of the Killer Shrews", "Pimp Bulies", "Swamp Shark". (2.) Creating a lot of confusing, is it a dream or is it real, subplots only works with a quality script, plot and acting otherwise it's just arrogant look at clever me, "I can confuse you." writing and directing. (3.) Storyline: Some homeless guy bumps his shopping cart into some wealthy chick's shopping cart in the middle of a mostly empty parking lot. "Whoops, sorry, I didn't see you. How clumsy of me." Within the next 10 minutes he's recruited to come live with her and her husband and, oh, also kill him. But she doesn't know that the husband hired him as a cheap private eye to check on her. To make this a love quadrangle, is another boyfriend, who has been recruited by the wife to steal her husband's prized painting and sell it to some accent laden crook in a warehouse for 5 million - sure! Private eye shoots all the people involved in the painting heist, steals the money, and for some bizarre reason decides to just put one bullet into the gun afterwards, then spins the chamber and walks around in broad daylight and the rest of the movie like it's fully loaded. Does not make sense storytelling, does not equate with good storytelling. The final result is, quite implausibly, the wife lives and private eye dies. Anybody else that appeared in the movie is just forgotten about.

To explain anything in this movie would be to deprive you the most zig- zagging movie this side of MEMENTO, but I'll try:The movie opens to the sound of gunfire, and a lone man walks of a hangar, holding a suitcase. He returns to the house he was living in and finds a woman in the bed, tied to the bedposts. Flash back a week, and we see Mickey Lewis (Steven Man) running into Katrina Webb (Katherine Randolph) with a shopping cart. The two strike up a conversation. Turns out, Mickey is an artist, and Katrina needs a painter - for her house. They meet Arthur (Steven Bauer) , the husband, who is leaving for a business trip. The two pair up, then discuss their future which involves leaving her husband and robbing him through their conspiracy. But it seems that the whole set-up WAS a set-up, and through double cross and triple cross and all other types of crosses, Mickey ends up shooting Katrina. Good, solid, pulpy fun.Roll Cred-But then, the movie takes a wild turn on the far side of crazy that involves a bar and hotel in the middle of nowhere, a mysterious stranger, and something that is representative of the Three Fates, with the woman-child, the fiery Latino, and the mature matriarch. Throw in fits of unexplainable migraines and extreme claustrophobia, and you've got a ride that keeps you guessing until the very end - the very, VERY end.Now? Okay - Roll Credits1 in the GUN is really four movies. It starts off as a trashy romance novel, full of intrigue, lust and forbidden love, with a touch of Grindhouse-like violence (take notice of the obviously fake blood used in this part), then veers off into the Twilight Zone for a surreal trip on the wild side, then makes some revelations that reveal truths about the beginning of the movie, and ends with a realization that everything was a lie. You get four versions of the same story, told by the same person. Each story has a version of the truth, and frankly you're not really sure if the final truth is the Absolute Truth (so help me, God).Steven Man is pivotal as the artist-turned-house painter-turned- murderer-turned-gumshoe. His transitions through the four phases of the movie takes you on a just as a confused journey as he experiences. His ascent into Truth is as much as a revelation and a surprise as any movie I've seen recently. Katherine Randolph is picture perfect as the femme fatale, both enticing and conning Mickey into her elaborate trap. The entire story revolves around their interactions, both real, imagined, perceived and revealed. As the story progresses, Mickey learns that he knows nothing, and the events surrounding him creates his reality. Robert Davi lends his talents as Vinny, a stranger who befriends Mickey at the bar in the middle of nowhere. There cannot be more said without revealing any (and all) of the surprises, as the story twists and turns more times than the Magic Mountain Roller Coaster, but I can assure you, this ain't no joyride.On my personal rating scale of with "5" being drop everything and see the movie now; if you're female, bear the producers' children and "0" being burn down the theater, murder the movie staff, and violate their dog, this movie should get a solid "4.5," using my patented Bell-Curve for B-Movies. 1 in the GUN is a poor title of the movie, but like the movie itself, it's significance is explained throughout. It's a movie you have to watch from beginning to end, because the story has so many "What The F***" moments, that if you came in the middle of the movie, you would be as lost as Mickey was as he transitioned from story to story. Everything is explained, but nothing will make sense unless you've seen the other vignettes. This movie is a definite "Buy," because even after the truth is revealed (sorta), you'll want to go back and see how the truth fits in the other scenes.

Going to the Los Angeles Premere of this film I found that the movie itself was very well done. Great use of camera angles, well acted, and to storyline grasped you into caring about it characters. Although, the first 20 or so minutes of the movie are a bit slow moving and you don't really get to know the characters very well you still are captivated by what is yet to come.By mid movie we, as an audience, are becoming more and more involved in the plot line where it will take us. The characters have become fully developed and we want to know more about what exactly is happening.As the end of the movie nears we find various different characters have some type of link to the main male character's past. Further blurring what is real and what is not.By the end we find that the character is doing soul searching while he is dying in the back of a car and feels guilty for the lives he helped to destroy. In his own mind he is trying to let these sins go before he dies and is willing to "burn in hell" for what he has done. What a great independent film!