From the very beginning, lot of the scenes in this film are utterly unnecessary. Some reviewers called it existentialism, but did you guys really know what's existentialism means? I don't know about it. But at least I know that loving making in group sex on the beach, talking about masturbation when you were lonely or hungry in a bar, could hardly wait to take off your underwear to let the man easily penetrate you from behind....got nothing to do with the existentialism. Feeling lonely in a crowd space, in a deadbeat city, dealing with so many walking-dead old patients everyday....but neither such depression nor such frustration would be qualified for existentialism. I really don't know what's the purpose of making this film, and some reviewer wishing this film could go on and on and never end....Well, if existentialism mixed with women seeking men, men seeking women could be really that fun, then existentialism needs Viagra to sustain it to go on forever.

The other reviews here have easily fallen into the trap that Independent Films often provide. Start with moody cinematography, a lack of a rational plot, a heroic main character who finds life baffling, and a non-ending ending: There you have the formula for praise. Since I already know the deal, I often find myself at odds with the majority of reviewers. Take my advice--write down the scenario I just outlined, watch this movie, and see if I haven't nailed it. There is one character we will find appealing--a sweet old father who is tied to the hip of his daughter (and she his) and is slowly dying without knowing it. The love she freely gives to him is in direct contrast to her inability to connect in a romantic relationship. Her main use of men is for sex, which she adores, but prefers to have with random guys who she never wants to see again. She mistreats the one man that professes to love her (I think he just likes her body), even pretending to her father that he is really her boyfriend (the much wiser Dad couldn't care less, wanting his daughter to choose her own happiness. But Veronica is incapable of happiness. She wanders through the public psychiatric clinic like a catatonic, barely functional, and showing neither insight nor empathy for her poor, hapless patients. We are given no idea as to why she became a doctor or chose this specialty, for her disdain for it begins to show itself on her first day of work, and only grows worse with each passing day. Meanwhile, her two best friends can only babble on about the absence of men in their lives and merely urge Veronica to "snap out of it." Yeah. Anyone who has ever suffered from depression knows how helpful THAT phrase is (NOT)!!!! The movie ends with Papa hovering near death, Veronica feeling content with that because she bought him her childhood house as a present. She has somehow been promoted to work at a private hospital with a huge pay raise. We are given no clue as to whether this is going to help her escape from massive negative ennui. Ahhh, but the saving grace for many Brazilians appears to save the day: floating immersed in the Sea (capital letter essential), with thoughts of a nude orgy on the beach which may or may not be a memory or a fantasy, she tells herself something unmemorable, which gratefully releases us from her empty self. If you like that, you are welcome to it.

What a beauty! For once, I was so drawn to a movie that I never wanted it to end. If you are into fast-paced action with lots of vituperation, this is not for you. But if you like your movies to be profound, slow-paced, insightful, and thought-provoking, you will enjoy this movie. Also, it has none of the heartbreaks that you see in a movie like this.Veronica is a newly-minted medical doctor, undergoing her residency. She shares her life with her aging father, on whom she dotes, the way he must have done for her when she was young. The beauty of the relationship between father and daughter alone is sufficient to love this movie.She secures a psychiatry consultation in a public hospital, but she finds herself drawn to her patients, experiencing many of the same doubts, insecurities and existential malaise which plague her patients. Her love life also suffers to the same extent; she can't seem to find her footing.Having drifted for a while, she finally catches a break which allows her to reset her life, her love and her family, and finally everything has meaning.

Brazilian screenwriter and director Marcelo Gomes' fourth feature film which he wrote, premiered in the Contemporary World Cinema Section at the 37th Toronto International Film Festival in 2012, was screened in the Horizontes Latinos section at the 60th San Sebastián International Film Festival in 2012, was shot on location in Brazil and is a Brazil-France co-production which was produced by producers João Vieira Jr. and Sara Silveira. It tells the story about a woman named Verônica who lives in a Brazilian city with her father Jose. Verônica has recently gone from years of reading books about medicine to diagnosing people, but all though she has two good friends, a loving father and a romantic relationship, this transition makes her question her own personality.Finely and subtly directed by Brazilian filmmaker Marcelo Gomes, this quietly paced fictional tale which is narrated by the main character and mostly from her point of view, draws a mindful and intimate portrayal of a doctor's meetings with various people who comes to her with their problems and her relationship with herself, her father, her friends and her lover. While notable for it's naturalistic milieu depictions and fine cinematography by Brazilian cinematographer Mauro Pinheiro Jr., this character-driven and reflective drama about a woman who begins trying to diagnose herself and looking deeper into her own being after having finished her medical studies, depicts and internal study of character and contains a good score by composer Tomas Alves de Souza.This at times humorous, atmospheric and self-scrutinizing story which is set in the municipality and metropolitan of Recife in Brazil, is impelled and reinforced by it's cogent narrative structure, subtle character development and continuity and the commendable acting performances by Brazilian actress Hermila Guedes and Brazilian artist, actor and author W.J. Solha. A minimal, existentialistic and sensual fairy-tale.