You could never have made a service comedy like On The Fiddle during the World War II years in the United Kingdom. When the UK was fighting for its very life with Hitler only hours away by air, a film with the central character of a conman slacker like Alfred Lynch would have gone over like a lead dirigible. You could do it the USA with us thousands of miles away, but not then in the UK.Lynch is a fabulous character though, a cockney conman who gets pinched peddling his wares at a recruitment station line and then has to enlist to prove those were his intentions being there. But once in the service he sees Ferengi like lucrative opportunities to make business killings. His best friend turns out to be an amiable and diffident Sean Connery who just cheerfully accepts life as it comes. He and Lynch become quite a team in their business enterprises and in their skillful avoidance of where the fighting is until almost the end of the war.The film also has in it the presence of American comedian Alan King of our Army Airs Corps who is as skilled an operator for the Yanks as Lynch and Connery are for their king and country. King was a rising star at the time, Ed Sullivan always had him on his variety show several times a year and no doubt his presence helped sell the film on this side of the pond.Two great British character actors are here as well. Cecil Parker playing a most pompous air marshal who just can't quite put these guys out of business. Their enterprises do come to his attention. And Stanley Holloway plays a butcher with whom they go into profit selling black market beef from the RAF Commissary. And to hear them tell it, Lynch and Connery are doing a patriotic service as well as making a few bucks on the side.It's been said that Sean Connery shows no gift for comedy. If you saw A Fine Madness you might have some grounds for saying that, but in On The Fiddle, he's quite droll in some of the lines he drops. Anyway his fans will not be disappointed.

A charming little piece, harking back to life during the 2nd World War, with the same rose-tinted spectacles worn by Captain Mainwaring in The BBC comedy series 'Dad's Army'. But this isn't a period piece; it's a comedy. And an interesting one of note because it features Sean Connery in one of his earliest lead roles, before the 007 role catapulted him to stardom.What raises this above the usual comedic fare is the excellent bond (pardon the pun) between the two mismatched characters. Connery is the conscience, and manages to keep his companion in moral check. But he also yearns for front line action, anathema to his colleague's sense of survival. Thus the cheating character is one we can sympathize with and actually believe he's looking after Connery's best welfare.Of course in the end they do finally see action, and after most of the film playing second dumb fiddle, Connery takes the lead and convinces his buddy to make the correct moral choice, helping save the lives of allied soldiers.The only one real flaw is the sudden ending which is humorous only really in its abruptness, but overall I found this film to be an entertaining surprise. Great underplayed role from Wilfrid Hyde-White, and spot some British favourites in early roles.

A film that hasn't "dated", a good script and full of all the reliable British actors of the time. Alfred Lynch is superb as the main RAF "spiv" charachter supported by a subdued Sean Connery. The US comparisons with Sgt Bilko are very valid and in the same way that Bilko had the strength in some brilliant minor cast members, so it is with "On the Fiddle". A really good "watch" for Sunday afternoon TV and although there are a few touches of "farce" around it captures the feeling of ordinary Service life towards the end of World War II extremely accurately. Alfred Lynch was a real class British actor who drew brilliantly on his East End background for many of his films. I was sad to hear of his untimely death just before Christmas (2003).

Sean, you know I think that you are absolutely the greatest actor in the world, but I can't commend you for this. Comedy just isn't your strong suit.However, it wasn't all your fault. Some of the stuff was just too hard to understand. Alfred Lynch did a decent job, but you gotta wonder where the lines came from from the beginning.Once again, Sean... I apologize.