The film opens with the character Fabian having a heated discussion with two of his lecturers. He tries to elaborate on his philosophies on life and society, how eradication of bad (evil) elements is the only way to progress. From his conversations with his law school friends, we understand that he has left college due to depression and discontent in life, his disillusionment with his country, whose history is marred by betrayals and unpunished crimes. His upbringing and behaviour makes us realise he's a sociopath, feeling distant from almost everything around. Trying to put his theory into practice, he murders an unsympathetic moneylender, and unavoidably (unplanned), her daughter as well.Loosely based on Dostoyevsky's 'Crime and Punishment', Lav Diaz's four-hour saga explores how a certain crime affects the lives of three individuals - highly intelligent but depressed Fabian who commits the murder, poor and good-hearted Joaquin who's wrongly convicted of the murder, and Eliza (Joaquin's wife) who now has to work endlessly in order to take care of her two kids and Joaquin's sister. The guilt consumes Fabian and drives him to insanity; though he evades getting caught, he feels his soul is corrupted forever. Joaquin maintains his innocence and incorruptible goodness, hoping it results in eventual justice. And Eliza keeps on persevering in the face of injustice, and carries on with her life in eternal despair. Thus, in the three characters we see hope, despair, and the lack of both.Mostly taken in long takes, with no close-ups or background music, Lav Diaz immerses us into the lives of these three people, with scenes mostly covering their routine activities or conversations. Even without the usual sentimental gimmicks, Diaz gives us his pessimistic and heartbreaking worldview, where life is punctuated with inequality and injustice. I wouldn't exclude a single minute from the movie's 250-minute runtime (which many viewers complain about) because the film progresses at the right pace, giving us enough time to contemplate on the themes surrounding the story - existence, evil (its presence, and whether to destroy the source of it, or evil itself), crime, blame, morality, conscience, injustice, perseverance, hope, universal love and fate; without contemplation and debate (internal or otherwise), watching this film would be wasted potential. For example, blame; who or what should Eliza blame for their situation? The justice system which wrongly but swiftly convicts her husband, or their lawyer who inefficiently pleaded their case, or the murderer who ran away from the scene, or the moneylender herself for being so unscrupulous that her husband attacked her earlier, or the accident which caused the moneylender to have a vicious grip on their lives, or herself for stopping her husband to work abroad before all this mess? So, who is she supposed to be angry at?With spectacular setting and talented actors (especially, the talented Miss Angeli Bayani), Director Lav Diaz efficiently weaves an sweeping and symmetric tale, in which all the elements make complete sense by the end. No matter how much or what I write, it couldn't possibly illustrate the film's complete worth. Ultimately, 'Norte' is poignant and devastating, and is bound to leave a scar on one's soul.

An absolute masterpiece from Philippines, inspired by Fyodor Dostoevsky's "Crime & Punishment" but told through real events & political / social problems of the director's country… This is the first 4 hour movie that didn't even feel that length, perfectly paced, beautifully shot, deep & reflective, gripping & awe inspiring… this is the human condition in it's most naturalistic state… Can't wait to see another one of this brilliant film makers films which have running times up to 11 hours… a masterpiece that will take some time to wipe form your memory…http://samuellbronko.tumblr.com/post/117757930882/norte-the-end-of- history-2013-lav-diaz

Lav Diaz's 'Norte, The End of History' is set in the northwest region of the Philippines. This drama is split between the lives of two men, Fabian (Sid Lucerio) and Joaquin (Archie Alemania), whose lives intertwine unexpectedly.Fabian is a smug, self-absorbed man of privilege in his early thirties, a once gifted law student who dropped out for reasons unknown. He spends his time annoying his friends with his ill-conceived lectures on the defining theories of humanity. Joaquin is a poor man, who has a wife Eliza (Angeli Bayani) and two children. A serious leg injury wipes out their hard-earned savings.Loosely based on Dostoyevsky's 'Crime and Punishment', these two men have one thing in common, both are in serious arrears to local money lender Magda (Mae Paner). Both men take matters into their own hands, with differing consequences. Fabian flees, Joaquin is sent to prison. Over the next four years, Joaquin tries to make the best of a horrible situation, whilst Eliza struggles to provide for her children. Fabian is consumed by guilt, driven to the point of madness.Diaz looks at how the people of the Philippines have coped with their changing economical circumstances, people who have grown up in a dysfunctional country where they are encouraged to work outside of the country to make more money. Fabian rages against the memory of his parents being absent, and of being brought up by his maid. Joaquin and Eliza wanted to avoid this, they didn't want their children to be without their parents, however poor this would make them. Its a balancing act we all face, we gain one at the expense of another. Which is more important?Diaz is renowned for extremely long films, some for over 6 hours, 'Norte, The End of History' is only 250 minutes long! He favours long takes and slow tracking shots, illustrating the slow and monotonous rhythms of life. Its beautifully filmed, interspersed with some superb drama from an excellent cast are huge swathes of emptiness, especially in the second and third hour. The final hour is cruel and deeply disturbing, but the overall impact of these tragic moments of devastation are weakened by the preceding stretches of nothing.'Norte, The End of History' is an ambitious film, by a fascinating director. Its a shame your patience wasn't tested to such extremes, as such this film is only for the most dedicated viewer. Sometimes, a film is just too long for its own good.

Norte: Hangganan ng Kasaysayan (Norte, the End of History) clocking in at 250 minutes is utterly breathtaking in scope and visually remains a staggeringly beautiful, poetic masterpiece. On a symbolic level, it is a transcendent story of exploration, self-discovery and redemption, realistically portraying the strength, and equal fragility, of the human condition. The film elaborately investigates the relationship between man and his socio-political circumstances - in this case the extreme poverty of the Philippines in correlation with brutal capitalism on the rise. Most importantly however it explores the spiritual relation between humanity and God.Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.