"Nightmare Honeymoon" tells the story of the honeymooning couple who decide to consummate their marriage in the woods.Unfortunately the couple witnesses a murder and when they try to run two rural killers knock the husband unconscious and rape the wife.After dealing with his wife's trauma the husband finally decides to find and kill rapists..."Nightmare Honeyoon" is pretty tame in comparison to Silverstein's "A Man Called Horse".The rape scene is off-screen and there is only a little bit of violence.The script lacks punch and tension too.Admittedly the climax is pretty tense and there is an aura of heart-breaking despair,so I wasn't completely disappointed.7 rapists out of 10.

An early prototype for things to come? I know it was completely different to what I was originally expecting. A rural shocker in something of a survival mode, but in the end it was a stormy drama of horrific elements and sombre tones. David (who just came back from spending two years in Vietnam) and Jill have just been married, and on that day they flee the reception at her family's plantation to escape from her father's protective leash and his displeasure of her marrying a 'Yankee'. On their way to New Orleans for their honeymoon, they stop off at bayou motel where they witness a murder. While trying to flee, they're discovered by the hit men, as David is knocked out and Jill pleading for his life is raped. They arrive in New Orleans, but the scarring ordeal has really hit Jill hard, and causes an uncomfortable rift between the couple. So David goes about trying to track down the killers. Rather than being a straight-forward low-budget revenge film magnifying the violence and profanity like plenty of grindhouse exploitation features of this ilk accustomed themselves in the mid to latter end of this decade, director Elliot Silverstein's late-night, southern slice while remaining gristly durable and still lingering on a sadistic front, chooses to rather imply it, letting the dark, moody atmospherics of the character's genuine transformations infuse the uneasy emotions and confronting tension in very slow-measured style that has a worthwhile pay-off. This works because of the carefully laid out script of the gloomy social commentary ("No one cares") and examining the unremitting affects and pain that go to trouble and engulf the newly wedded couple (the husband angrily seeking retribution and the wife being traumatically unbalanced) and secondly because of the seamless performances by a hard boiled Dack Rambo and the ravishing Rebecca Dianna Smith as David and Jill. Also a gleaming John Beck is fantastic as the aggressively unhinged hit-man / rapist and Pat Hingle is always a delight as Jill's protective father. Jay Robinson kicks in with a small, but colourful part. However the story isn't without its flaws namely that of many open ended plot ties. Director Silverstein's efficient direction is boldly compact making perfect use of the vivid locations to stage the conflicting dramas and pressured induced suspense (plenty of nocturnal sequences). Elmer Bernstein's raucously brooding score leaves a mark. Amiably effective in its shaming psychological make-up. Ps. Seeing that director Nicolas Roeg was originally tagged to the project, before leaving after only 5 days into the shoot would've made it interesting to see what he could have made of the material.

The luridly titled Nightmare Honeymoon is a cut above the typical "made for TV" (type of drama. Newlyweds, Jill and David, take a wrong turn and run into sadistic killers, on their way to their honeymoon in New Orleans.What might have been just another predictable story of action and violence is instead a more interesting exploration into the couple's grappling with the aftermath of their emotions. Dack Rambo, as David, and Rebecca Dianna Smith, as Jill, give insightful performances dealing with the tensions of the need for protection and revenge. (Possible spoiler follows.)After surviving being caught and beaten when they accidentally witness a criminal execution, the couple seem barely surprised when the local sheriff seems hardly interested. Their subsequent decision to proceed on to New Orleans, instead of immediately returning to Jill's nearby, next state home and the love and support of her father and large clan family with roots of over 100 years in the area, seems a bit implausible at first. Then, one must remember the film, released in 1973, was during a time when rape victims often feared the shame and humiliation almost as much as the rapists.In spite of saying they cannot pretend the rape did not happen, they proceed to New Orleans checking into their honeymoon suite. The visual beauty and sumptuousness of the honeymoon suite (David says, "I didn't know there were still places like this.,) can barely be taken in, let alone enjoyed, given the shock of their experience.Realizing they cannot go forward with their lives, and choosing not to go back to involve her father, the recently returned Vietnam Veteran, David, decides that he is going to find the killers. Production values are definitely a cut above. The scenes in New Orleans bring nostalgia for the "Grand Lady."The film is filled with a great cast of well seasoned character actors and the strong experience of the cast is evident. I'm not sure why the credits list the female lead of Rebecca Dianna Smith last, under "other cast"! Especially given her accurate, thoughtful performance.

A newlywed couple sneaks out of their wedding reception to get a head start on their honeymoon. On their way to the hotel they witness a murder and get held at gunpoint by the two killers, one of whom rapes the wife while the husband is unconscious. The man and wife are unable to return to normal and so set out to seek revenge.This is a psychological horror film in every sense of the word- no blood and guts here, just pain and shame and emotional scars. The tone turns rapidly from Joy to Impending Dread, and never switches gears again. I love late-night horror films and almost any B-movie made, but this is a surprising disappointment in which all of the right ingredients fail to gel.Why the opening sequence about the bride's father "hunting" the newlyweds? What was the point of David being a Vietnam vet? Why does Pat Hingle as Paw give a sunset monologue about how deeply he loves his daughter- and then disappear from the film? Extended sequences in which Jill expresses her emotional trauma by howling in anguish and weeping in agony (mascara tends to run) were only aggravating and depressing- nowhere near scary or thrilling. I suspect these scenes were left in only to pad out the film, which still clocks in at a lean 95 mins.I would love to recommend this movie to you- on any level. I would love to say there's something to see here beside the beautiful Southern locations and towering Gothic willows. "Nightmare Honeymoon" doesn't really work on any level. When you wake up at 3 AM from a deeply disturbing nightmare you get a glass of water... and go back to sleep.GRADE: C-