Getting lucky in catching the charming 1951 movie Two Tickets to Broadway,I decided to keep a look out for other similar titles appearing on the BBC. Finding the only DVD around to be a Warner Archives edition that would cost £15 to import (!) I was happy to spot that the BBC iPlayer had an obscure gem,which led to me getting ready to perform a morning song.The plot:Becoming blind from an accident, classical musician Dan Evans sinks into dark seedy clubs where Evans is paid in beer and burgers. Catching some of his act at a slightly more up-market club, socialite Cathy Mallory asks Evans if she can become his benefactor.Still bitter about his blindness,Evans rejects the offer.Shortly after his exchange with Mallory,Evans quits the club. Keen to track him down,Mallory gets bandleader Chick Morgan to arrange a secret encounter between them. Wanting Evans to feel that she understands where he is coming from,Mallory changes her name to Mary Willey,and pretends to be blind.View on the film:Learning to play the piano for the film, Dana Andrews gives an excellent performance as Evans,whose joy behind a piano Andrews makes sing,which masks the blind bitterness that Andrews covers Evans eyes with off-stage. Trying to stop Evans from catching her real sight, Merle Oberon gives a terrific performance as Mallory,with Oberon lapping up Mallory's Melodrama glamour with a breezy,loved up atmosphere.Taking some big leaps in the credibility of Evans and Mallory's romance,the screenplay by Frank Fenton/Dick Irving Hyland & DeWitt Bodeen shade some of the gaps in by allowing Evans to open up about the darkness around him,which never becomes bitterly melodramatic,thanks to the writers retaining a playfulness between Evans and Mallory. Crisply showing Andrews play Evans music,director John Cromwell and cinematographer Lucien Ballard looks into his eyes by engulfing the nightclubs in striking low- lighting which reflect Evans view. Stepping on the beach,Cromwell gives the romance a stylish elegance of overlapping images opening the love between Evans and Mallory,as the night song sings.

This film predates my birth by ten years, but after just seeing it on TCM, I had to weigh in. Overlong? ...well probably, and certainly contrived, given the plot. But somehow, it works, and does so beautifully.Both Andrews and Oberon do the best they can with their characters: he, a blind pianist playing in dives; she, a wealthy socialite who likes to go slumming. Enamoured by him, she feigns blindness in order to insinuate her way into his bitter existence. Both Hoagy Charmichael and stalwart Ethel Barrymore add comic bite and the requisite amount of wisdom as they lend their support to the ruse. And there are some cleaver twists which keep the game running just when one would think they would otherwise send it careening off the tracks. And it's hard for me to think of another film in which Merle Oberon was more beautiful.Set your reality check to its lowest setting and enjoy this classic sudser. And, if you're not a fan of classical music, this film just might change that!

This is basically a story dealing with loving someone for whom they are.Dana Andrews gives another wonderful performance as a blinded pianist who is bitter about his accident that left him like this. By chance, he meets the wealthy Merle Oberon, who falls for his music and pretends to be blind herself.When she sponsors a musical context knowing that he will win, he will have the money to have the surgery. With his sight restored, he doesn't get in touch with her leading her to believe that he is still blind.When the two come together as sighted people,you would think that Andrews would recognize her voice.Oberon does well as the wealthy dowager. Ample support is given by the craggy voiced Ethel Barrymore, her aunt, who plays along in the scheme as well as Hoagy Carmichael, the guy that Andrews lives with.A fine follow up for Andrews after doing such a wonderful job in "The Best Years of Our Lives," the year before.

If there's one thing to be said for NIGHT SONG, it's that at least it does put the spotlight on some nice classical music. But you have to wonder what they were thinking when they dreamed up a story that has blind pianist DANA ANDREWS being wooed by a woman (MERLE OBERON) who, in order to get close to him, pretends that she is blind too. Then, when he gets his sight back (thanks to a successful operation the wealthy woman sponsors), he sees her for the first time but feels guilty about the "other woman" whom he met when he was without sight. Well, with a plot like that, you know there's going to be an inevitable happy ending somehow--or is there? If that sounds like a silly description of the plot, it is. But that's the story we're supposed to swallow if we want to get any enjoyment out of the whole thing.MERLE OBERON looks lovely (but hardly changes her expression when she's supposed to be wildly in love with Andrews), and DANA ANDREWS looks a little uncomfortable feigning blindness. HOAGY CARMICHEL is a welcome presence as the owner of the joint where Oberon catches Andrews playing piano, and ETHEL BARRYMORE gives another one of her arch performances as Oberon's knowing aunt.John Cromwell directs it in leisurely fashion but it all adds up to an improbable tale with both stars looking a bit uncomfortable in what can only be termed an "unbelievable" tale. The concert music supplied by Leith Stevens is underwhelming even given its symphonic treatment.