I am a huge fan of zombie movies. However it seems like lately anyone with a camera can make a movie. And if you want to that is fine. But for the love of all things good you should NOT be allowed to hype up a movie you were in just because you were part of it. It does no one any favors.Thankfully I saw this on TV and didn't waste the cash to rent it. But for the first time in a long time, I enjoyed the commercials more then the movie itself.Basically the acting was a half a step above adult movies. The sound needed a lot of work. It kept getting some type of buzzing interference at random parts, it may have been when things were edited in, who knows, I wasn't about to rewind and listen again. Overall after the first ten minutes I kept hoping the zombies would just up and eat everyone so it would be over.If you like movies that attempt to be gory with a cup full of red water being thrown about then this may be for you. Dead Alive gore this was NOT.This movie kind of reminded me of Day of the Dead 2 Contagion. But not in a good way. Both were forgettable and just did whatever they wanted with the plot because it was easy or convenient, regardless of how hard it was to continue watching.Top three LEAST watchable zombie films I have ever sat through. 1 out of 10 to offset all the people involved that are giving it high marks.

Well, not a great flick for the average horror film fan. But if you are obsessed with zombie flicks you will either love or hate this movie. They broke all zombie film rules that Romero took his entire career to create. But it was a likable, humorous b-film if you like the old school straight to TV horror comedies!! Romero would never give this film the time of day - but hey if I were to produce/direct a zombie film - I can't say I would have done a better job. Think Evil Dead but maybe slightly more gore and less entertaining! This film was very slow moving. I couldn't make it to the end I had to turn it off. It was illy in the sense that the zombies weren't your typical Romero zombies - I cant say much more without giving any spoilers. The cinematography and editing had a lot of mistakes, but for a low budget I guess not horrible. For film folks - they broke the 180 line like once or twice in every scene. The acting was not great, but on a low budget you cant afford great actors. The beginning of the film had continuity problems. I was confused after the first five minutes as to what was really going on and there weren't even any zombies yet. In a genre such as horror/zombie flicks you don't want to make the audience think to much in the beginning you want to attract them with an awesomely zomberrific first 10 minutes to keep them glued to the edge of their seats for the rest of the film. But hey if you are like me and you'll watch anything zombie then try it out but you may be better off watching the dawn of the dead original again for your millionth time.

If you like blood and gore, Eric's Forsberg's "Night of the Dead, Leben Tod" is for you. It is awash with blood and slimed with gore. Plus it's a lot of fun. The audience at Hollywood's Shriekfest laughed out loud -- that is when they weren't gagging, squirming in their seats or covering their eyes. Not only that, but for an ultra-low budget horror film, it has an especially well-written story with sympathetic characters, believable acting, good production values and a kick-butt musical score.Louis Graham is sentimental and mad as the conflicted Dr. Schreklich whose "experiments" are driven by love for his family -- unfortunately with horrific consequences. Deirdre Lyons as the snarling, sexy Schatzi would make a perfect "Fangoria" cover. As the pregnant Anais Sturben, exotically beautiful Joey Jalalian is convincing in both her feminine fragility and in her new-found strength to save her child and husband. Gabriel Womack, who plays Peter Sturben, is an action hero in the making, yet he has the sensitivity to play the soft side of a husband who loves his wife and child so desperately that he will do anything for them, despite pangs of conscience. David Reynolds ("House of 1000 Corpses"), as the doctor's creepy assistant Gunther, not only revels in the blood and gore, but is given an added dimension by his touching relationship with Nurse Krakenhaus played by Silvia McClure. The Autopsy Ghoul, Charles Schneider –- who is also responsible for directing the second unit -- meets his end with a memorably grisly death. And there is nothing scarier than a seven-year old ghoul -- Lola Forsberg as the doctor's daughter, Christi -- that can take down a full-grown man! Tom Devlin and his team from 1313 FX have pulled out their whole bag of tricks to provide the "gore-rific" make-up effects for the film, including severed heads, bashed brains and gallons of blood. His efforts have already garnered several film festival awards. Art Director, Daniel Lavitt, deserves credit for setting the scene with a hospital full of pickled body parts and dinners bound to turn your stomach.The cutting-edge editing by Mary Ann Skweres keeps the story moving and helps to sell the effects by not lingering on them long enough to show any flaws. An unflinching commitment to take the film's bloodiest sequences to the limit is achieved by the quick jump-cuts that add a relentless intensity to the pacing and never let the viewer catch a breath. The orchestral score drives the audience on this bloody joy-ride of a film. Composer Bob Bayless, who has worked with top Hollywood composer Jerry Goldsmith, draws on suspense, horror, drama and rock elements to compliment the emotional complexity of the story while adding a few scares of its own."Night of the Dead, Leben Tod" might make you gag, squirm, cover your eyes or even laugh, but it never compromises the horror that makes it an instant cult classic!The film is produced by Cerebral Experiment with Hollywood Dell Digital Studio providing post production services.

This film made it into a lot of festivals. It's second fest was last night and it won. Best make up effects.I love exceptional gore and when I work on a film I always strive to fill the screen with blood. In the case of Night of the Dead, Leben Tod, the people behind the make-up were tireless and eager to kill things. So, Congratulations to Tom Devlin and 1313 Effects for their hard work and abundant body parts. Also a big congrats to Gage Hubbard for his contributions, they were amazing ... and Kazuyuki Okada who was always on set ready with the blood. As well, a nod to the second unit director, Charles Schneider who has a romance with gore like no one else. Also, as good as the make up was it was made to look its very best by the excellent editing of Mary Ann Skweres.This award is for the make up artists, the visual team and the film itself. Congrats to all.THIS MOVIE IS AN EXPLOSION OF SANGUINIS INNARDS