I dont agree with other people's comments about this movie, well maybe that they're dumb and dont understand the plot of this movie which is not very hard to understand and very interesting. This movie keeps you in a suspence until the end and u feel good at the same time when you're shocked. Excellent acting, casting and dialogs, its worth a watch. i'll give it 8/10

So bland I barely managed to sit through it. A combination of the most dull cliches from every true-crime movie I've ever seen. Predictable plot goes nowhere verrrry slowly. Joe Pantogliano is excellent and barely recognizable. Unfortunately he barely appears in this movie. Carrie-Anne Moss is more feminine and interesting than she was in The Matrix, but she gets about 5 minutes of screen time and less than 10 lines. John Hurt is pretty good in basically the same role he always plays. His character was sort of interesting, for a while. Everything else about the film is breathtakingly average. Even the gunfights are absolutely basic, bare-bones and old hat. Don't waste your time, watch The Matrix or Blade again. And if you just want to see Carrie-Anne naked, go hunt for The Soft Kill, because you won't see that here (the one thing that could have given it SOME value).

This was not a terrible film. It was merely a poor execution of current noir film styles. The pacing was slow. The script was melodramatic in places. It is unfortunate that the dramatic pause has become an overused device. The lighting was film school quality at best. Just because the subject matter is "dark" doesn't mean that I should be unable to see the actors. The editor seemed to be overly entertained by nifty but superfluous techniques. Much like a verbal pause, the film pause can become tiresome and overused. I cannot blame the actors for their flat delivery, I have seen them all in other films giving dynamic and believable performances. If the actors were doing what they were told, then we have to blame the director. The plot was very contrived. It took elements from a number of hit movies (Usual Suspects and City on Fire among them) and smothered them. A number of clichés were employed in an attempt to make us care about the characters. They all failed. In a three dimensional world, two dimensional plots get you nowhere.

A poor rip-off of Tarantino and Steve Soderbergh. You could see everything coming from a mile away, and all the fancy cinematic tricks, such as flashbacks, looping chronology and those annoying mini-freeze-frames whcih occur throughout the movie don't help it one bit. Worst of all was Nick Moran's acting. I don't know who he is, but he seemed like he was reading his lines from the first time off a cue card. It was like watching him in a fifth-grade play. I'm sure this director could do a lot better, with maybe better material next time. After all, it's only his first movie. I'd give him another chance. But that Nick Moran yahoo, he's better learn how to bus tables or mix drinks. BTW, Carrie-Ann Moss looked superb.