A contract is put out on hard-boiled police homicide detective Harry 'Nails' Niles (Dennis Hopper) and his partner Jack Willis. Nails survives an ambush but Willis is killed. With vengeance on his mind, Nails searches the L.A. underworld to find Willis' murderers. In between, he has sexual escapades with his ex Mary (Anne Archer).John Flynn is a B-level crime action director. Nails is a standard hard-boiled detective. He's hard drinking, hard driving, and hard fighting. While Hopper is great at the hard drinking and living, he's not as real in the hard fighting. He's in his 50's but the hard living adds at least another 10 years. There are things that he does well and others that fit less well. There is the prerequisite body double nudity for Archer and also there is old man butt from Hopper. The plot has nothing out of the ordinary. It is somewhat divided in two which feels disconnected. The dialogue can be clunky in its noir writing. This is crime noir at its hard-boiled basic level. I really wish the cinematography is better.

In the post-The Wire world we now dwell in, we are forced to look upon the action/cop thrillers of the 1980's and early 1990's with somewhat fresh eyes. We now understand how a city is run, and how bureaucracy and politics can stand in the way of, say, the police force, getting their job done. No longer can a leather-jacketed, cocktail-stick chewing cop- on-the-edge cast aside the need of a search warrant and simply kick the door down. It used to be that as long as he drags out his man either in cuffs or in a body bag, and saves the girl, nobody will care about his disregard for the law, and if they don't, I quote Rambo, "f**k 'em!". But the enlightenment set by The Wire causes something like Nails, a made-for-TV, obscure little title probably forgotten by whoever has actually seen it, to fall from 'terrible' or 'run-of-the-mill', to 'outright laughable' due to it's complete lack of procedural logic and sense.'Good cop with a bad attitude' Harry 'Nails' Niles (Dennis Hopper) and his partner Jack (Earl Billings) are lured into a trap by some gangsters, leaving Jack dead and Harry mourning. Getting no help from his police department, of which none attend Jack's funeral, Harry decides to use his street know-how to scour the criminal underworld of L.A. in search of vengeance. He discovers a dirty trail full of conspiracy and possible police cover-up that seems to lead all the way up to rich slumlord Noah Owens (Keith David), who is helping fund a Senator's campaign run. Battling alcoholism and a very bad temper, he must also try and win back his estranged ex-wife Mary (Anne Archer) before the gangsters get to her too.I would probably have never even been aware of this film's existence had it not been for the poster in some cinema magazine or other back in 1992. My brother and I remembered it due to the hilarious title and equally hilarious tagline, so the temptation to actually go ahead and watch this proved too much. It's not quite as bad as I was expecting, given Hopper's energetic, but hardly convincing, performance at least managing to keep me half-interested. Common in early 90's movies, the technical aspects of the film are dreadful, and the action scenes are dull, with a few car chases and machine gun fights scattered throughout. It's so full of plot holes and weird narrative twists (Harry is paying his ex-wife, who is an important member of the Senator's campaign trail, for sex) that is best experienced on full mental shut-down, or else you're in danger of throwing things at the screen. Befitting of its obscurity, and a reminder of how bad the 90's really were.www.the-wrath-of-blog.blogspot.com

This was the most clichéd and predictable cop/tough-guy/partner movie ever made. The throw-away films of Norris, Van Damme, Seagal, Stallone, and Schwarzenegger have plots that seem labyrinthine compared to this.Starting with the film title, "tough" sounding nickname/surname, if you can think of a cliché in an action movie, it is used in this one. It just seems that Larry Ferguson farmed the writing out to a first year class studying film conventions and plot telegraphing. Cookie-cutter main character? Check. Partner? Check. Superior? Check. "I'll get you yet" rival of main character? Check. Villain? Check. Storyline? And how! Hopper should have let this one pass him by.

The brief view: Anne Archer - wooden as ever. Dennis Hopper - over the top as usual, it almost pathetic to see him resort to all of the cliche'd devices of a so-called out of control cop. Companion movie to Hopper's "Backtrack", both of which are awful.