When one enters a cinema noting that 90% of the audience is female, one expects 'chick lit' or a weepie. Sarah Watt is a great storyteller, but chick lit is not her scene. In episodic form, she portrays an ordinary family as they experience near-tragedy and misfortune, but come out of it with just a little bit of luck. This is a love story, and it portrays how a close family can overcome great stress by knowing love for each other. The key character is Natalie, played by Sacha Horler, a brave actor who can handle difficult parts superbly. Watt ignores the old rule: never appear with children and dogs. The children are truly very good, the dogs well-behaved. Does it help that members of the author's family are well represented? Look for 'Antoinette'. This is Watt's husband, William McInnes in drag. Another important character is Margaret, the one-time junkie pop singer, who essays a change as a priest, then surprises us all in the end. One hopes that this film reaches the rest of the world uncut. There is some strong language, but it belongs. Watt cleverly inserts the odd 'plant'. We wait in vain for the realization - Watt is an animator after all. And, yes, the audience came out smiling.

On the face of it this is pretty mundane stuff, a year in the life of an ordinary Western Suburbs Melbourne family, but Sarah Watts, responsible for another charming domestic drama, "Look Both Ways", is able to invest the story with a great deal of charm. She demonstrates without resorting to soap opera clichés that life in the suburbs can indeed be life on the edge.Natalie (Sasha Horler) a hard-working mother of two suffers a brain aneurism, fortuitously while at the doctor's. She recovers but is advised to avoid strenuous activities, including sneezing and having sex with her loving husband Ross (Matt Day). In the next twelve months, each neatly packaged into an episode, life does not go easily. Natalie has to give up her job, Matt is threatened with redundancy, the car is written off in a holiday accident, the clothes dryer self-destructs, the family dog is attacked, and the house gets more untidy than ever. But the family survives and the film ends on a positive note.This is a film most Australians would identify with. The family's situation is real and Watt generates a fair degree of humour out of it. There's Louis, a 12 year old Aussie Rule fanatic, Ruby, a cute 8 year old, and a much-loved dog, Bubblehead. There are some dodgy rich friends they envy and Ross (a sound engineer at a radio station) has a collection of odd workmates. Christmas and Easter are times of trial as well as celebration. Religious feeling hovers in the wings, especially in the person of former one-hit wonder pop-star turned priest Margaret (Maud Davey). Like most Australians the family are practising hedonists, but Natalie's brush with death does stimulate some deeper questions for them. Apart from the teasing chapter titles there's not much about sex in the picture, but there is a warm understanding of what makes families work. These are ordinary people kept together by their regard for one another. Money matters but it does not rule them. There's not a lot of support from their friends but they get by, somehow. Sasha Horler puts in an extraordinary performance, and Matt Day's rather self-effacing character complements her beautifully. Jonathan Segat as Louis the football fanatic is also extremely convincing. Unfortunately the $4 million budget does not leave a lot for promotion and this film will probably not be widely seen. It is more of a comedy and less of a drama than "Look Both Ways", but it is directed with assurance and flair.

The film explores how people go about making sense of their lives. Despite the reality of life portrayed in the film, Sarah Watt has managed to put together a story that is incredibly funny as well as having a strong emotional resonance.The "truth" of the film comes from the way by which audiences will be able to relate their own lives with the everyday Australian characters, partly because of the brilliant performances of the cast, perhaps more so because of the writing, direction and editing. There was nothing throughout the entire film that broke me out of the narrative. A special mention must go to Sacha Horler, who I have not seen in anything since Praise - she is just amazing - although the whole cast work exceptionally well.I loved Sarah Watt's previous film Look Both Ways, which like My Year Without Sex also made me laugh and cry, so I had some expectations going into this film. Expectations can be dangerous, as if the experience of watching the film does not live up to them then they can be crushed. But the blend of ideas, acting, direction to create consummate storytelling meant that I was thoroughly entertained.

I really enjoyed this movie, although I felt it suffered a little from a common blight of Australian Cinema whereby directors and writers seemingly want to make a movie all things to all people. It was initially touted to me as a comedy but I think it would be better put into the lighthearted drama category. When some catastrophic events occurred within the first 10 minutes I wondered what I'd let myself in for. Many parts of it struck a chord with me, particularly the couple fighting to keep intimacy under the monotony and strain of everyday life. Matt Day gives a stunning performance as the husband with a lot of his plate fighting temptation. I found the little pseudo cliché touches to be masterful, the lottery ticket, the guy at the movies - magic. Well worth a look, but take your tissues ;)