Where to begin with this bottom of the barrel adventure? Dmytryk was always an inconsistent director able to produce fine films like "The Caine Mutiny" and "Broken Lance" as well as high gloss trash such as "Walk on the Wild Side" and "Where Love Has Gone" and slug like this. Strictly paying the rent actors give lackluster performances. Angela looks great and gives the film's best performance but why oh why is she wearing a 1950's evening dress on a warship in 1812? Painfully obvious that this was filmed on the cheap in a studio tank with low lighting to cover the sets shortcomings. A shame since there are not a lot a films about this time period so a wasted opportunity like this is doubly disappointing.

When you see this film, you'll probably think Angela Lansbury plays her most detestable character. Well, considering all the horrible people she played before her nice old lady roles, this is NOT the case! Her mother from "The Manchurian Candidate" makes her character from "Mutiny" seem like Mother Theresa! But it's still entertaining to watch her seethed in wickedness during this otherwise mediocre film.The film is set during the War of 1812. Two Captains are serving with the US Navy, but oddly the more experienced is demoted to first mate--and this part of the film made little sense. Both men are sent on a secret mission to France to get gold needed for the war, but the demoted man has a serious handicap--his girlfriend is evil Angela. She and the men on board learn about the gold and she is determined to get her hands on it one way or the other--and it might include getting her sweetie to become a traitor. And, the lovely lady also encourages him to kill the Captain--nice lady, huh? Well, he does not--but he does lead a mutiny and takes the ship. You KNOW however, when he does cast the Captain adrift that it will come back to haunt him in the end. As for the end, it has a nice scene where Angela gets hers, but other than that, it's pretty clichéd--with the traitor redeeming himself (naturally) at the end.The film is pretty bland and aside from Lansbury, there isn't a lot to recommend it. While not a bad film and it is nice to see a film about this seldom talked about war, it is totally uninspired from start to finish.

This low-budget swashbuckler (albeit filmed in murky color) proved somewhat better than anticipated – given that the Leonard Maltin Film Guide deemed to slap it with a measly *1/2 rating! To begin with, it's bolstered by such imposing credentials as scriptwriter Philip Yordan, composer Dmitri Tiomkin and, of course, director Dmytryk. Incidentally, this was the latter's first American film after his unfortunate stint as one of "The Hollywood Ten" – which saw him imprisoned and then exiled for non-collaboration in the McCarthy witch-hunts; however, within two years Dmytryk would renounce Communism and turn friendly witness, which is how he got back into Hollywood's A-list and eventually helmed such high-profile titles as THE CAINE MUTINY (1954) and THE YOUNG LIONS (1958). With this in mind, the political subtext regarding the character of Patrick Knowles – aping his frequent co-star Errol Flynn as a disgraced naval captain who's forced to serve as First Mate to a younger officer (an unlikely yet effectively cast Mark Stevens) – can hardly be a coincidence!Interestingly, the only woman involved (played by Angela Lansbury) is depicted as a femme fatale and Knowles' opportunistic lover – who goads him into usurping Stevens' leadership, and even connives with the crew (led by hook-handed Gene Evans and Rhys Williams) to steal the ship's cargo, a camouflaged 'treasure' intended for the U.S.A.'s 1812 war effort! At only 77 minutes, there's more talk than action – but the latter does come in at the climax, where it's both efficient and versatile: following the mutiny itself, we get the expected sea battle culminating in the deployment of an archaic form of submarine (which, in turn, leads to Knowles' self-sacrifice).In the end, I would have liked to add MUTINY to my collection – but had to forego any such intention due to the substandard quality (typified by intermittent picture fuzziness) of the print utilized for Platinum's budget DVD release.

Though about average overall, "Mutiny" has some strengths, with an interesting period/adventure setting and a couple of good performances. The story includes some good action sequences that help make up for the less interesting stretches. The shipboard atmosphere generally works well, but the lighting and photography are so dark (at least in the print as it now seems to be available) that a lot of details get lost or obscured.The setup has Mark Stevens as the captain of a ship carrying out a special mission during the War of 1812, with Patric Knowles as a disgraced captain who is now serving as second in command, Angela Lansbury as Knowles's greedy and domineering wife, and a mutinous gun crew looking for a way to turn things to their own advantage. It's interesting in taking the historical setting as the backdrop to what becomes a largely private battle of nerves and wills. The circumstances of the war do come into play often enough to make the setting relevant.Knowles is effective in portraying his complicated, somewhat indecisive character, Lansbury gets the kind of role that she used to perform quite believably, and Rhys Williams and Gene Evans are good as the ringleaders of the mutineers. Stevens is solid, but sometimes slightly lacking in energy, as the captain.The finale is the best part of the movie, and it is set up nicely, leading to a three-way showdown with plenty of suspense and action, plus an interesting depiction of a primitive submarine. It's good enough to make up for an overall lack of consistency in much of the rest of the movie. In the earlier parts, especially, the script sometimes takes too long to establish simple points, and it also has some stretches in which some weak dialogue weighs it down. So its by no means perfect, but it does have enough to fill its relatively short running time with a generally interesting story.