By all rights, MULAN should be THE definitive retelling of the story about the famous woman warrior: it's a big-budget Chinese historical war film, made with a huge crew and cast, actors who have previously excelled in other movies, and a thoroughly serious look at a woman out of place in a man's world. Yet it turns out to be a total flop.The blame should be laid at the door of scriptwriter Ting Zhang, whose leaden and obviously obvious attempts at emotion and characterisation drag this one into the mire from the very beginning. Unlike recent, rousing fare from China such as RED CLIFF or THREE KINGDOMS, MULAN is a maudlin and pondering exercise in narrative that doesn't really seem to be about anything. Those hoping for spectacle and battle will be sorely disappointed, as Jingle Ma's appalling direction sees the war scenes glossed over and dealt with in a purely defunct way.Instead, at least half of the (oh so lengthy) running times chronicles Mulan's descent into an endless depression as she laments a lost love and wishes she were elsewhere. The viewer will sympathise. Zhao Wei's acting can't be faulted, but the attempts at character and personality are so poorly conceived that the audience couldn't care less about any of the characters, from Jaycee Chan's irritating attempts at a buffoon to Kun Chen's bawling crybaby.Although the cinematography makes this film look good, it's far from entertaining. The dull-as-dishwater storyline means there's no decent action, the choreography is frankly terrible, and aside from a thirty-second segment at the climax, there's no excitement or suspense to speak of. MULAN should be an instant classic; instead it's a crashing bore.

I wasn't really sure what to expect, when watching the movie. The only thing about the story of Mulan that i knew, was what i learned from the Disney version. But i'm pretty sure, people who watch this movie wouldn't actually (and rightfully) expect there to be much similarity between the two.One thing that i think is important about this movie is, do not see it expecting to see things you've seen in "similar" movies. You might be disappointed. Because if you expect this to be anything like the classic martial arts movies, that it is most certainly not. Even Warlords, which at least to me felt quite authentic, was more exaggerated in its fighting scenes. And yes, this is also a love story, but just like the fighting and everything else, to me it seems that the people who made this movie gave a lot of thought to how much romance would be possible under the circumstances. Of course there were things that bothered me, too, but i think they were pretty much neglectible. For example i don't know how the character of Wude (played by Vitas) actually fits into the story, he feels slightly out of place. There was one scene that also seemed strange because it was really out of nothing, i don't see this as a spoiler because its not really of any importance to the story, but there was a sandstorm and they called it something like poison dragon. I did some research and it seems there is a legend about the region of Sanweishan that mentions sandstorms as the breath of a dragon, that seems to be a good explanation but someone who isn't familiar with Chinese mythology as i am (and probably most westerners) wouldn't know that and it might be confusing. Also it didn't seem like miss Zhao didn't put in much effort when Mulan pretended to be a man. But personally i don't really mind, actually appreciate it in a way. I think it would have seems a little ridiculous, and this movie is by no means meant to be comedic. The viewer knows she's pretending to be a man and that nobody notices it, there would be no point in having the actress try to talk with a deep voice or even choosing a different actress who is more masculine. That's simply not what the movie is about.If you like, you might see this movie as biographical, maybe even historical as far as that's possible for a legend. All in all i think this movie is absolutely worth watching if you're not too focused on any aspect of Chinese cinema, but even then it might well be worth your time!

This is a live action version of the girl who replaced her father and went off to war so that he wouldn't have to. Aaay for twelve years she rises up the ranks becoming a general and hero of the nation, all the while never really being found out.I had read that this was a big budgeted Chines film that got a big push since Mulan is a national hero. To me she deserved better. The film plays as some sort of epic soap opera. Will Mulan be found out (when she is everyone seems not to care and agrees to keep quiet) will she find love? (Hey that price looks kind of nice). Will she defeat the invading nomads? (what a stupid question) For me the trouble is not the story its how its told. As I said I felt like it was a breathless soap opera at times. The film also feels like a TV movie with little sense of reality and sense of place. Okay yes we are in a desert or grassland or where ever but there is also little sense of anything outside of the shot. Armies seem to exist only with in the frame of the film, they don't bleed off the screen. Actually that kind of explains the trouble with much of the film, it seems to be a series of shots put together to tell a story that never seem not to be the singular shots. Watching the climatic battle in the villains tents I never felt it was a singular action sequence, rather it felt like series of shots.(okay wrestle a bit. Good. Now wait a minute while we change position. Okay cameras set up now flip him over. Good. Now next shot....) It's not bad but it is bland. I couldn't figure out why I was watching it. I'm guessing you'll ponder the same thing. (and I haven't even mentioned its use of CGI for some very basic things... but thats another story entirely)

We all know how the story of Hua Mulan follows that of other legendary folk heroes in China's rich history, and to date there's only a reference poem which accounted her exploits which stem out of filial piety, at a time in the Northern Wei state centuries ago when the Emperor decreed that all families must contribute to the war effort. Being a military family, the Huas have no male heir to represent their family, which automatically meant the aging father has got to volunteer himself. Rather than send her father to instant death in the battlefield, Mulan disguises herself as a male, and takes her father's place. That's basically the gist of the story, where she spends 12 long years at the war-front to the amazement that she was never found out, before returning to the gratitude of family and country.This also means that storytellers have almost a full reign at what could have transpired during her tour of duty, and suffice to say this will always mean that there will be elements of hardship during training, attempts or situations at putting her true identity at risk, and given the soft hearted nature of an adolescent female, affairs of the heart will come knocking. The same goes for this film, written by Zhang Ting, which adopted the romantic angle rather heavily, exploring the relationship between Mulan, and General Wentai (Chen Kun), in a love that's quite forbidden since firstly a female cannot be serving in the army, and secondly, face it, two male soldiers, and later on, of general rank, can't be seen behaving lovey-dovey in front of their men. Besides, being romantically involved also served to be a roadblock to Mulan's innate war ability, or so Wentai believes that needs some way to be severed so that she can unleash that beast within.As Wei soldiers, they're tasked to defend their country from the nomadic invading forces which seek to conquer Wei for their iron, in which to make weapons, and then to plunder some more. There's some gigantic contrast between the troops on both sides, one sans heavy armour, while the other gets more beautifully decked out, and in some ways, better equipped. But what the film is rather all about, is its take on leadership. One can have strength in superior numbers, or to have technology on its side, but without an effective, charismatic leader, it's as good as not being able to harness the multiplier effect that comes with the territory. Imagine having morale, trust and belief so high, that troops will rally behind you, trust your vision, and literally to lay their lives down for the cause. I suppose with any effective leader who walks the reasonable talk, should be able to attest to the respect that they command over their followers.Then there are the battle scenes, because what's a Mulan film without one. Unfortunately though, most of the scenes were featured in some way in the trailer, so they do not come as a surprise. There's no big-bang action sequence as well, choosing instead to opt for a rather more personal, intimate battle rather than one involving the masses, and also wrapping things up a tad too conveniently, although it tried to redeem itself with a pathos filled finale revisiting the romantic angle once again. The war front scenes were like a quick summary of 12 years of iconic battles that Mulan had led, so those looking for fantastically choreographed battles in the mould of Red Cliff, will be sorely disappointed.Then there are some rather questionable scenes which comes out of the blue, and somehow marred the enjoyment of the film a little because of their convenience, with that little bit of vampirism which I felt was not quite necessary, and a natural phenomenon which just appears and seem to take sides, again for reasons I am not able to fathom, and speculate only for the showcasing of special effects. Disaster movie, this is not.But thankfully the performances all round provided that lift to the film, and made it bearable. Zhao Wei is no rookie to period war dramas, since she has Red Cliff to thank for in modifying her role there to become a warring princess. There are too many parallels to be drawn between her characters in Shangxiang and Mulan, such as going forth to the forefront of war to the disapproval of family, her desire to defend her country, her disguises and so on, one can still feel her Mulan here to be distinct and if I may say, quite definitive. Chen Kun also held his own against the veteran actress, although one can feel that since this is a Mulan film then he's playing second fiddle. Supporting roles range from Jaycee Chan to Hu Jun, who seem rather functional than to add any emotional depth to the film.Mulan is just one version from a folklore open to vast interpretations, and you can bet your last dollar that this isn't going to be the last of Mulan related stories that we'll hear of. While it isn't an instant classic, this version can probably still shout out to be the definitive version for now.