The casting in this East Side Kids film is pretty weird. Three guys star as a gang of killers and thieves---yet all three of these guys usually played bumbling idiots (particularly Billy Gilbert). Who would have thought of making Guinn 'Big Boy' Williams the gang leader as well as Warren Hymer as the other gang member?! Odd to say the least.'Also odd are the occasional logical lapses in writing. For instance, when the boy help a truck driver, the police later arrest them because the truck and its contents were stolen. Instead of looking for the driver, they just assumed the boys were guilty despite no real evidence...and they are sent to reform school. Later, the same sort of thing happens when Danny's straight-arrow brother is accused of murder...there really isn't any evidence and so it's up to the boys to get out of reform school and investigate things themselves (in other words, find one of the crooks and beat him up). A rather dopey episode...but at least it isn't one where Muggs (Leo Gorcey) is so obnoxious and unlikable like he is in "Kid Dynamite" and a few other East Side Kids films!

Another "Kids" movie involving the gang. Danny's older brother, Bill, gets framed for a murder he did not commit, just before his induction into the army no less. The gang gets thrown in to reform school as truck thieves even though they are innocent for a change. Danny's brother is convicted and sentenced to die. As zero hour approaches the gang breaks out of reform school, grab the guilty parties and get their confessions to clear the brother just minutes before his execution. With Huntz Hall in this film the humor is again well done, even Muggs is funny at times. Of course things work out in the end as the bad guys are arrested and he gang is cleared of any wrong doing.

Monogram's Sam Katzman busted the studio piggy bank and came up with an unusually good and familiar cast of character players for the East Side Kids in Mr. Wise Guy. The story centers around the efforts of the lads to save Bobby Jordan's brother Douglas Fowley from the chair. That is if they can bust out of the reform school they're in.Turns out the same guy Guinn Williams is responsible for the fix both brothers are in. The kids unwittingly help henchmen Billy Gilbert and Warren Hymer with Williams crashing out of Blackwell's Island and then are left with the stolen truck that was used. Then Williams and the gang stickup a drugstore and kill the clerk and Williams commandeers a car driven by Fowley for the getaway.Billy Gilbert dusted off his eternally flustered character so familiar in major films like On The Avenue and His Girl Friday as the incredibly dopey henchman. Williams must keep him around for laughs because he really isn't much good for anything else. Williams gives him a chore to get the money for his getaway with a good sweepstakes ticket, but his moll Ann Doran decides to cash in herself with that one. Some days you can't trust anyone even if they're too stupid to think of a doublecross themselves.Mr. Wise Guy is the usual East Side Kids Monogram programmer on the cheap side. But the character players especially Gilbert make this one a bit above average.

Rather a curious entry in the series, this one is well-produced, and provides the boys, particularly charismatic Gorcey, with witty lines and snappy comebacks, but has a plot with gaping continuity holes and some very odd characters indeed. In fact, the peculiar casting of Billy Gilbert as a comic crook tends to throw the plot off balance. Other oddities: Douglas Fowley, normally the most sadistic of villains, as the clean-cut hero; "Big Boy" Williams, the perennial over-enthusiastic comic sidekick, here much more subdued as a gangster; Gabriel Dell, cast not as a fellow Kid, but as an enemy; Warren Hymer, a sort of slightly less stupid straight man for Gilbert; silent star Jack Mulhall as the incredibly lax, soft-hearted reformatory warden; Mickey Rooney's pal, Sid Miller, in a typical role on the sidelines in which he looks out of place; and Dick Ryan, an unknown actor to me, but giving (next to Leo Gorcey's), the film's most impressive performance as a heartily sadistic guard. The scene in which he lays into Leo with his shoe, slapping him across the face, knocking him senseless and puncturing his neck, is the searing stuff of Hell's Kitchen, a noirish re-visit that doesn't seem so incongruous here because of this movie's generally downbeat air.