Dean Martin plays a serious, straightforward lawyer in "Marlowe" director Paul Bogart's "Mr. Ricco," a predictable but violent crime thriller set in contemporary San Francisco. "Mr. Ricco" constituted something of a change of pace for the "King of Cool." Unlike his frivolous Matt Helm espionage comedies, this Metro-Goldwyn-Mayer release followed the efforts of a conscientious lawyer to obtain justice for an African-American accused of murdering a white woman. Actually, nothing that Joe Ricco does on behalf of his client, Frankie Steele (Thalmus Rasulala of "Cool Breeze"), proves his innocence. Later, when Steele is on the run and Ricco catches up with him, Steele admits to him that he did indeed murder the white woman, but he explains that he didn't set out to kill her. Nevertheless, this revelation comes as something of a shock to Ricco. As it turned out, Steele won his freedom because the police had tampered with evidence in the case. Unfortunately, we're never told who was responsible for the tampering. No sooner has Steele been released that two uniformed policemen are gunned down by an African-American wielding a shotgun. A young African-American adolescent spots the shooter as he is fleeing the scene of the murder. The child goes to the police and gives them a description of the shooter that fits Steele's description. Later, Ricco finds himself the target of this same African-American shooter. This individual attempts to kill Ricco three times without success. Naturally, Captain George Cronyn (Eugene Roche of "Newman's Law") assigns a man, Lieutenant Barrett (George Tyne of "Sands of Iwo Jima"), to shadow the lawyer. Meantime, the police pursue a lead and nearly capture Steele at his place where he serves as an activist. It seems Steele has attained legitimacy as an outspoken racial activist with an organization that he created known as 'the Black Serpents." There isn't a trace of altruism in Steele's bones, and he wastes the funds that Washington provided him with to help poor, disadvantaged African-Americans. Moreover, when the San Francisco police raided his headquarters, they found two of his underlings on the premises, Purvis Mapes (Philip Michael Thomas of "Miami Vice") and his brother Calvin (Oliver Givens of "Trader Horn"), and Detective Tanner (Michael Gregory of "Total Recall") shoots Calvin in the head. Unfortunately for the gung-ho Tanner who is a dyed-in-the-wool racist, he discovers too late that Calvin was unarmed. Tanner grabs a shotgun and plants the weapon on Calvin. Initially, Captain Cronyn believes Tanner. Our hero defends Purvis in court and the charges against him are dropped. Consequently, Purvis tells Ricco where Steele is holed up and hiding. Ricco has to throw the police off his tail; he has his rental Mustang repainted to complicate their efforts to track him, and he finds Steele. Steele confesses about the murder, and Ricco punches him out. This crime melodrama taps into the racism of the day. Tanner believes that he should have been given a commendation for tampering with the evidence and later shooting Calvin Mapes. Meanwhile, Ricco is set up by his Cupid of a secretary, Jamison (Cindy Williams of "Laverne & Shirley"), with a woman, Katherine Fremont (Geraldine Brooks of "Johnny Tiger"), who is twice divorced. They sleep together after one date. Later, they attend an art auction for the ACLU that Purvis's sister Irene (Denise Nicholas of "Capricorn One") has set up. The shotgun-toting assailant strikes again, killing three police as well as shooting Katherine in the back and Lieutenant Barrett. Earlier that evening after the police arrested Steele, Ricco left a snub-nosed revolver in a drawer at his residence because he felt like he no longer needed the gun. He retrieved Lieutenant Barrett's revolver and shot the killer to death. The catch here is that Bogart wanted audiences to think that Steele was out to ice Ricco. Of course, why would Steele want to kill the man who got him cleared of a murder charge. Everything comes out of the wash during the final twenty minutes. "Mr. Ricco" is a believable, conventional, but entertaining crime mystery, and Martin gives a restrained but convincing performance. Lenser Paul Stanley who photographed "Mr. Ricco" makes it look smooth and elegant at the same time. The film's only stab at humor involves Ricco's horny dog Hank who eventually knocks up a neighbor's dog. Altogether, "Mr. Ricco" qualifies as an above-average movie.

***SPOILERS*** Dean "Dino" Martin in his last staring role is San Francisco attorney for the hopeless and downtrodden Joe Ricco who ends up getting involved in a double murder of two SFPD police officers by a former client of his black militant Frankie Steele, Thalmus Rusulala, that he earlier got off on a murder charge. Steele claiming innocence is on on the run and later tracked down at his headquarters in the Haven's Point district.That leads to a shoot out with Steele's friend Calvin Mapes, Oliver Givens, gunned down by policeman Tanner, Michael Gregory, as he was peacefully taking a dump in the john. Ricco who's not only hated by the police in letting the cop killer Frankie Steele go free in a previous case Steele's alleged victim Marie Justin's brother Justin, Robert Sampson, also has it in for Ricco in feeling that Steele murdered his sister Marie that he got off Scot-free on a technicality!Ricco who himself has become a target of the elusive cop killer in him trying to get Steele-The #1 suspect in the cops murder- to surrender himself to the police who's confronted by him at a local church who in the heat of the moment admits that he in fact did murder Marie Justin! That's after her catching him red-handed breaking into her apartment! That has Ricco flip out and slug it out with the much younger and stronger Steele that has him barley survive with his life. Now feeling that he let a murderer off the hook Ricco tries to apologize to Mr. Rustin who lets him have it in what a creep he is in him, a big shot lawyer, not realizing that his client was guilty!***SPOILERS*** It's at a party at the San Francisco Art Museum that the man who's been stalking Ricco all throughout the movie makes his grand appearance taking a number of pot shots at Ricco and hitting one of the visitors as well as tree security guards at the museum killing them. With Mister Ricco now taking it upon himself to catch the killer he ends up in a wild gun battle thus, after being hit himself, taking him down only to discover his true identity that shocks the living hell out of him! Not your usual Dean Martin movie but far better the the light comedies and self engaging drama he made throughout his long and successful career that showed that Martin can really act as well as sing and dance. P.S After the tragic death of son Dean Paul in a 1987 plane crash Dean Martin stayed away from the spotlight and became a virtual hermit living on a daily plate of pasta and a bottle of whiskey until he passed away on Christmas day 1995.

When watching this film, the question is -- why did it end Dean Martin's film career? There were a number of reasons, really, that had nothing to do with the film itself. Just a little over a year before this film was released, Martin divorced his popular wife, Jeanne. And I personally know people who had been fans who "dropped" Dean, as a result. They saw the situation as Peck's bad boy really being bad, not just playing being bad. And, In 1974 his television show ended after a long (9 year) run. Since his smash hit (and financial bonanza) "Airport" in 1970, Dean had made only 2 movies before "Mr. Ricco". Clearly, Martin's career was winding down...and why not...he was approaching age 60.And that's where this film comes into the story. Dean Martin was getting old. I was in college when this film came out, and as a Dean Martin fan, I rushed to the theater to see it. There was a fair-sized audience in the theater that day, and 3 minutes into the film there was a scene that set the theater abuzz with chatter. I had only seen such a thing happen once before -- at a theater presentation of "Gone With The Wind" -- the scene looking down the staircase where we first see the dashing figure of Clark Gable. But unlike the GWTW experience, when the chatter was about how handsome the actor was, now it was about how old the actor looked. I heard people say things such as, "Oh my god! Look how old he is!" Now today, when you watch this film on television -- even a high def widescreen television -- he doesn't look THAT old. But in the theater, on a wide screen, with particularly crisp cinematography, the wrinkles were startlingly clear...and my guess was that Dean was wearing very little makeup. And, in this picture it mattered, because later there are fight scenes, and one can't help but think that it's illogical that a man that old could fight like that. In my opinion, that brutal photography of Dean's character playing cards 3 minutes into the film was the end of Dean's film career (not counting the much later Cannonball knock-offs).That's not to say that this is a bad film. It's not. Nor is it a great or almost-great film. It's a pretty average crime drama from the mid-1970s. As a TV-movie, this might have been a pretty decent release...much as was Frank Sinatra's "Contract On Cherry Street" as a TV-movie 2 years later. "Mr. Ricco" is a pretty gritty film, perhaps a little too gritty for a Dean Martin audience. Dean's acting is okay, in fact a little more subtle here, and he comes across believable as an attorney. And, this really is Dean's movie. While other roles are pivotal, and all the actors do their jobs, none have significant screen time.If there's a specific criticism I have it's that the stunt double for Dean is so not Dean in many of those scenes.It's interesting to watch the two flops at either end of Dean's solo film career -- this film and "Ten Thousand Bedrooms". Both are primarily for fans of Dean Martin.

Dean Martin's final lead role has somehow managed to slip under the radar of his fans and 70s crime thriller aficionados. Watching this, I expected to find some critical flaw that accounts for it, but found none. Maybe playing against genre expectations hurt the reception. To me that is not a flaw.Like others have said, this is a very 70s movie. This time the renegade is not a cop but a defense lawyer. Cop is not the law, he's there to enforce it, is the running theme. There are delightful gags involving Ricco's dog that could be from Columbo, and Dino makes fun of his own golf playing. Cindy Williams plays a spunky aid that Ricco tries to help find a man. Philip Michael Thomas of Miami Vice fame has a memorable early performance.Inspite of the mellow insider group, pay attention to the case. The action is on the streets. Not much happens inside a courtroom. You may think you are about to see an open and shut case, but there are twists and turns. There are clues as well. To avoid spoilers, avoid Robert Ebert's review that misses the point.