Blade Runner meets Stalker. It's an unique, poetic, fascinating Sci-fi movie , which few viewers will appreciate. In an post-apocalyptic desolate world, a woman wanders trying to survive from the dark, the desolation and the morning patrol. The viewer will wander by woman's side to dark city's narrows and to beautiful landscapes, inspired from atmospheric music and pictures.

Post-apocalyptic wasteland somewhere in Greece.An unnamed female wanderer wants to reach the Sea.She attempts to traverse through decaying and crumbling nameless city where the members of Morning Patrol kill everyone they meet.Forbidden zone is extremely dangerous.But the woman manages to get help from a lonely guard in despair and so it begins their intimate link between love and death.Very moody and dark post-apocalyptic science-fiction/neo-noir flick with splendid location sets and dialogue excerpts taken from published works written by Daphne du Maurier,Philip K. Dick,Raymond Chandler and Herman Raucher.The plot moves slowly but visions of an abandoned dead-dripping city are mesmerizing.8 industrial collapses out of 10.

That this masterpiece is so unknown - undistributed throughout all the world, as far as I know, besides Greece - is nothing short of criminal. In terms of tone, it's most comparable to a slower, more elegiac Blade Runner - there's the same pervading sense of despair, of a deep, dark curtain coming down on the world. Exit stage right.It follows an unnamed woman wandering through a postapocalyptic wasteland. The people she comes across generally try to kill her, if she doesn't try to kill them first. Communication seems to fallen by the wayside and all the dialogue we get is the woman's internal monologue, a haze of sentimental memories and a longing for a better time.She works her way into a city, where food, shelter, and water are comparatively plentiful. It's every bit as much a wasteland as the outside world, but of a very different kind - abandoned technology makes its presence known constantly, including a memorable scene where the woman sits alone in a movie theatre, but for the unseen assailants slowly climbing and crawling over seats, working their way toward her.She meets a guard of the morning patrol, a kind of taskforce that has taken it upon itself to kill everyone it becomes aware of. Their job is more a mercy in this kind of world, and although their technological, inhuman precision marks them as the bad guys, they're practically saviours when life itself becomes an enemy.I won't go farther that on the off-chance that you're given a chance to see it - but either way, the plot is far from the point and doesn't unfold much differently than you'd expect it to. What does matter is a connection established between two nameless, faceless people floating in a void of memory and space, a timeless land where life and death blur together and the hope for a new horizon outweighs the need to exist. Alive or dead, it hardly matters.

It's the near future, and a catastrophe (plague, war, who knows?) has let the few survivors to wander aimlessly in the wild. One of them, a woman, wants only to "go West, to the sea" where she believes life could be better but in order to achieve that, she must go through a ghost city which is guarded by the Morning Patrol (Proini Peripolos).Proini Peripolos is really far from Hollywood movies or blockbusters. It's just an artistic movie with slow pace and it's real power is the setting with grim pictures, atmospheric music and isolated landscapes. Try to find it if you can although the language (it's in Greek) will be a problem for foreign audiences.