This is a rather good simple light movie about a heavy subject. Despite its heavy WW II subjects, such as anti-semitic feelings, collaborates, this movie at all times remains a light and pleasant one to watch, due to its approach and way of storytelling.The movie is rather simplistic and there is not an awful lot of tension or even surprises in this movie really. Yet the movie is effective since it is well made, has nice characters and a rather nice main plot line that it follows.The movie is build up well and sets up a good feeling and atmosphere of 1942 occupied Paris and the characters of the movie. Too bad that about half way through the movie the movie suddenly takes another approach and becomes an almost entirely different movie, with different settings and also for some part different characters. It's also obvious that they spent most time and effort on the first halve of the movie that is definitely better looking, more believable constructed and has a better flow. In the second halve of the movie some unlikely events occur and the movie and story at times feels like it was done in a hurry and not everything flows well or reaches a satisfying conclusion.The movie has some good and enjoyable characters in it and the movie gets carried by Gérard Jugnot, who also directed and wrote the movie, who plays a rather unsympathetic and anti-hero at first but as the story develops he gets more and more human so the speak and starts showing his emotions and expresses his thoughts. This is a nice approach for the main character that also works well for the story. It's a great role by Gérard Jugnot, who shows how multi-talented he is. The young Jules Sitruk also was great in a quite big role. Jean-Paul Rouve was also greatly cast as the future son-in-law and collaborator.The movie is a good watch but overall the movie is just a bit too light and simplistic to leave a really lasting or powerful impression.6/10http://bobafett1138.blogspot.com/

This does for the German occupation of France what "Life Is Beautiful" did for that of Italy. It's a wonderfully warm and even humourous story set against the horror of the holocaust. The characters are well drawn and the camera sees the German occupation through decidedly French eyes. No propaganda. No punches pulled. No attempt to deny that many French collaborated with the Nazis. And no false heroics. M. Batignole is a timid hero indeed but a genuine hero nonetheless. A refreshing new perspective on the war years with much to praise and nothing to criticise.

Although some of the characters are clichés, they are all well acted. The film manages to mix its humor with the seriousness of the subject without the awkwardness and maudlin artificiality of "Life is Beautiful." I don't know if this has been released in the U.S. (I saw it on an Air France flight), but it is worth looking for.

This movie suffers from terminal cuteness.. Even treating such a horrible subject, Gérard Jugnot does what he's been doing for over 20 years : playing and directing average french citizens facing not so ordinary situations(of unemployment in Une epoque formidable, of the sects in Fallait Pas, of being a father of a famous actress in Meilleur espoir Féminin...etc.,etc.). Treating in a comic way a serious subject.This flick is plain silly...a long road to clichéness with an ability to open doors that have already been opened 50 years ago. The germans are bad, sex-crazed people.Deportation is horrible. Every french citizen was pro-german during the war and pro-De Gaulle in 1945. Daaah? The best part is when he's taking the 3 jewish children nearby the swiss border. The french people living there are supposed to have a strong accent (as the kids). But all the adults don't. It is simply both stupid and hilarious (but unintentionally, of course).Because it wants to tell us about a tragic event and deliver a message of hope we're supposed to love the movie? Nah. It just falls flat on every level : ludicrous dialogues, comedy, drama, war, suspense (ooooohhhh, are the poor children going the get caught by the nasty nazi??? Nah.)...everything is over-demonstrative and SO predictable. This tearjerker is a huge success in France where most of the official critics just love that sense of cuteness. It is beyond redemption, really. This movie deserves a slap in the face to wake it up a bit...but no...terminal cuteness indeed.And not even an accurate use of the Scope A.R to higher the note a bit. Pfff.Superwonderscope says : 1