That age-old fathead Betty Boop decides to teach her tee-totalling ma and pa a lesson by running away with her hip little dog pal Bimbo. She's so annoying and boring, I much prefer Toot Braunstein myself. Suffice it to say, what they experience on their little sojourn would make even the most die-hard of runaways run screaming back home to mama! The whole short is packed with the patented loony and brilliant images that make these particular types of old cartoons dark works of art. I just love how everything on show seems to spring to life. There's so many strange and macabre things to see that are leaping about and at the screen, fantastic indistinct blurry demonic things all swirling around the two characters in a satanic kind of dance around the maypole. Some of my favourite sight and fright gags are when Betty's father warps into some kind of old-timey radio, the skeleton cat and her kittens-freaking twisted, and the skeletons who die again and come back as skeleton ghosts! Then what the hell were they before?! I also spotted a miniature version of Koko the clown who can briefly be seen as he leaps out of an ink well. I was once again struck by the three-dimensional feel of the animation. I don't know if other people thought so, but there seemed to be a great sense of depth to it. Not only were there imps witches and all manner of leering sprites all bounding towards and bombarding the audience, but there were beautifully drawn Gothic skulls, faces and stalactites in the background that really gave a richly detailed perspective. It almost works as a 3D set, rather than merely a flat background for the figures to prance around in. This sense of added depth helps to create a much more atmospheric experience for the viewer, almost like we're right there in that nightmare cave with them! It must have especially been something amazing to see way back in 1932!::: Once more we are treated to the magic moves and sweet soulful tones of Cab Calloway.(RIP) Hey, now we know where the Moonwalk came from! This time he is in the guise of the walrus-goo goo ga-joob! Is there any greater honour than being animated as a jazz singing ghostly walrus version of yourself? If there is I don't wanna know about it! Loved this, another great little animated vision of madness. It's so masterfully weird and spooky. Not just "for it's time" for any time-hell, for all time!!!

As this short opens one could be forgiven for thinking it wasn't a cartoon at all as it begins with live action footage of Cab Callaway and his band performing the opening to 'Minnie the Moocher'. When the cartoon proper begins we see Betty's parents remonstrating with her for not eating her dinner. Her father clearly sounds like a broken record, stuck in the groove, to her as his head literally turns into an old fashioned gramophone player. She soon has enough and retreats to her room; here she write a note informing her parent that she is leaving then goes off with her boyfriend Bimbo. The two of them take shelter in a cave and things become very surreal; they see an apparition of a walrus like creature that is dancing and singing 'Minnie the Moocher'. As the song progresses they see a number of disturbing images including dancing skeletons and ghosts going to the electric chair! Understandably by the end of the song they are terrified and run back home as fast as their legs will carry them.While this short is hardly a laugh-riot, it isn't meant to be, it does have some amusing moments and the animation is very creative; far more surreal than most more recent cartoons. This provides a good illustration of the fact that animation wasn't always considered to be a medium primarily aimed at children with the numerous creepy images and drug references in the song. The combination of imaginative animation with Cab Callaway's classic song work brilliantly; any fan of classic animation is sure to love this.

At the beginning of Minnie the Moocher, an animated cartoon from Max Fleischer based on Cab Calloway's famous song, we see the real Calloway doing his unique dance in live-action in what is supposedly the first time moviegoers saw him on the big screen. Then we see Betty, supposedly a teen, being harassed by his immigrant parents about the way she lives her life. As she cries in her bed at night, she writes a note saying she's running away and calls Bimbo to come with her. As they leave, the go to a cave that has a walrus doing Cab's steps (which was rotoscoped from the man himself) and singing the title song with various ghostly jailbirds and some cats joining in. During this sequence, Betty and Bimbo turn black before leaving the craziness behind in a rushed ending sequence that brings Betty back under the covers of her bed and the note she wrote ripping to just say "Home Sweet Home"...While Walt Disney seemed intent on using public domain symphony pieces for his Mickey Mouse cartoons, Max Fleischer was getting some of the best jazz musicians like Calloway and Louis Armstrong on his and Betty Boop benefits greatly from them. I'm guessing Cab enjoyed what was done with him here so much, he eventually made a couple of other cartoons with the Fleischers, Max and director Dave, like Snow-White and The Old Man of the Mountain. So on that note, I recommend Minnie the Moocher for any animation buff out there.

The title is a song made famous by Cab Calloway, and we immediately see him making like Michael Jackson smoothly dancing as she leads his orchestra in the song. Calloway was definitely a very cool cat, and ahead of his time.After that short performance comes the cartoon story, in which we see Betty being blasted by her father at the dinner table. She's in tears, can't eat and walks away singing the blues, ready to leave home. She writes a note: "Dear Ma and Pa, I'm leaving home because you're not so sweet to me. I won't ever be home again. Betty."She calls Bimbo and the two leave together. They get scared when it gets dark and hide in a cave, where a giant walrus (Calloway) materializes and sings them the "Minnie The Moocher" song. Bizarre?? Yeah! During the song we see skeletons, jailbirds singing on electric chairs, spooks, ghosts, all kinds of very strange sights. After witnessing these strange sights, Betty changes her mind about never going back home. Home, all of a sudden, looks pretty good.Not hilarious, but a very entertaining cartoon. I love it when Betty and Cab get together.