Lauded by the NYC Independent Film Festival by winning "Best Narrative Feature" as well as a decent bit of favourable reviews, Mile End is an unsurely conveyed, but ultimately fascinating, production that interweaves relatable themes with skillful execution that all boils down to a semi-successful character study. Mile End follows Paul (Alex Humes), a simple and reserved man who questions his competence after suddenly getting fired from his job. Unknowing of the future, he finds solace and self-improvement in marathon running. During one jog, Paul meets John (Mark Arnold), an upbeat and philosophical American man. They both discuss topics such as struggle and employment, and eventually become friends. John's outlook on life revolves around bending the rules, which he follows to a fault. Humes is decent as an everyman who suddenly gets his life turned around by one person (a trope we should see more). However, notably outshining Humes, Arnold steals the show by giving a performance that demonstrates two sides to his persona. One side is a friendly Jack Lemmon-esque character that simply wants to help, and the other is unexpectedly psychotic. It is impressive to convey a sense of initial likability and then turn that into equal uneasiness for the character. This other persona paves a way for Mile End's shocking tonal transmute that is chilling but sometimes slightly unfitting. I did not presume that a film about marathon running would turn into a psychological thriller, but it does this effectively enough given the unusual running theme.Production values are crisp and polished in Mile End. Anna Valdez-Hanks shoots the backdrop of East London with care and precision, leaving it to be a reminder of many people's harsh world of unemployment. Ed Scolding sets the score and it undertones the film very well, with credits due to his first attempt at a feature film.It is a shame, then, that it does not feel like one entity since the indie film tries to establish its chain of events with scattershot pacing and a forgettable script (if you discount the few well-written analogies and expressions about ambition and adversities). A lack of good supporting performances and characters also level it down, but Mile End is an entertaining thriller that provides viewers with enough intelligence to figure out reveals and nuances that even David Fincher would be proud of. Run into this and you will not look back.

Mile End is a atmospheric film. Shot with craft. Edited in a way you don't notice the editing; good. The characters feel very real and familiar. I cared what happens to the them, which is typical of good storytelling. I recognised the ego of Paul, the main character, in myself. This made we feel embarrassed and uncomfortable as I saw how Paul treats others around him. His fragile confidence and reluctance to accept help are very human qualities. I couldn't help but feel involved in the story; partly due to local setting. The other the frustrations of Kate. After the film finished, I was left with many questions and points of discussion. Very much a good thing.

I loved this film - a gripping story, beautifully told. There are some stunning scenes of London and some incredibly poignant moments amid the thrill and horror. It's so lovely to see east London shot with such love and care.I love the way it leaves some shades of ambiguity and questions that stay with you long after you've watched it. The acting is great, particularly the sinister but somehow still sympathetic runner.Love it, can't wait to watch it again. Highly recommended!

It's a while since I've been genuinely startled during a film - but this gripping thriller did just that. The two lead characters are beautifully drawn, and I found the development of their relationship engrossing. The complex and sinister story line keeps you engaged and guessing well beyond the end of the film. We were still discussing various plot conundrums long after we arrived home. Beautifully shot in East London, this independent film was made on a shoe-string budget, but looks like a million dollars! I'm not surprised it was nominated for Best Feature at the Raindance Film Festival. Highly recommended.