Off The Wall is my favorite Michael Jackson album, so when I heard that Spike Lee was gonna make a documentury about the making of that album it made me excited as I thought he did really good with 'Bad 25 (2012)' which was about the making of MJ's BAD album and 'shortfilms'.Watching it it feels more rushed than 'Bad 25' which dug deep into the whole making of the album where as this 'Journey from Motown to Off the Wall' is a bit more unfocused.I mean in a way it makes sense that it would, as it not only covers the making of 'Off the Wall' but the first half of the doc also covers Michael Jackson's career from the very beginning of Jackson 5 to the birth of said album.Which isn't a bad thing but it also has some stuff I didn't appreciate much, such as there is a guy (think he's a rapper) who talks about how the first time he heard 'She's Out Of My Life' was when Eddie Murphy was making fun of him in 'Delirious'.And then they go into cutting back and forth Michael Jacksons emotional performance to Eddie Murphy's parody and it just didn't sit right with me as I found it a bit disrespectful and also I don't think many people can relate to that random guy's story either.And although Justin Bieber was a questionable interview-object in 'Bad 25' I think, Kobe Bryant is even more questionable who get's even more screen-time being interviewed here, like what does he even know about music?I know Spike Lee is a big basketball fan but jeez.Also feel like Spike Lee himself occasionally forget to just document as he often reacts loudly to what the interview-objects are saying, making various comments. He also takes the time to tell a story of a childhood story, with a very loose connection to MJ.And a lot of interviews of substance are archive footage but overall it's still mostly entertaining and interesting.I know I wrote a lot of things about some less good parts of the documentary but there is still more than enough good clips to go around to validate a watch and I actually kind of hope that Spike Lee will make a documentary about the making of 'Dangerous' as well.

When it comes to Spike Lee as a director of documentaries, he is practically untouchable. 4 Little Girls, the two Katrina documentaries and, if one counts it, his 'concert' movies of Original Kings of Comedy, Huey Newton, Passing Strange - the man is a master at getting people comfortable to open up on camera, and to just bring his skills as a storyteller to show why something is SO important. In lessor hands the story of how Michael Jackson made Off the Wall would be informative and probably interesting, up to a point, but perhaps it would get a little too technical and miss the emotion behind the songs (I'm reminded of the many Classic Album documentary episodes out there, like for Who's Next or Metallica's black album and so on and on). With Lee, he gives this story the fullest possible context in a full 110 minutes - how "MJ" (as he decided to call himself, by the way, before any fans) got to make this record, his first as a solo artist, is essential to discover.It should be said that there are a lot of talking heads here, but what's commendable and great is that Lee doesn't just focus on musicians. There are plenty to go around here, from current people (Questlove gets a lot of time, and no wonder as he is a fantastic person to talk about this subject and album), to Stevie Wonder and Berry Gordy and on and on. But there's also Kobe Bryant, Rosie Perez, John Leguizamo, it's about the legacy on people from basketball players to professional dancers to everybody in-between. So while we get the people who talk up Jackson - and why not, it is Michael Jackson at THIS stage of his career, when he had everything to prove in and out of the Jacksons - the clips that Lee gets, from a Jackson 5 cartoon to behind the scenes footage on The Wiz and a blazing-on-all-cylinders concert with MJ and his brothers in 1981, make it an absolute delight.A lot of the documentary is about process, and how Jackson was someone who in a way was like the Kubrick quote from Nicholson: everyone acknowledged he was the man, and it still underrated him. I almost kind of take him for granted, years after he's passed on and the world's been without a new Jackson record, and yet it's eye-opening when I'm thrown in once again to see what was great about him, as a dancer, as a laser-focused talent in the studio (i.e. perfectionist at most times), as a singer and most of all as a kind of absorber of all of the influences around him (that's the key thing really, that he came as fully formed after a lot of years of practice and going through ballads for rats and so on). This happened in 2009 with the sort of post- mortem doc/concert This Is It, and yet here it's much more illuminating on an entire decade of music and experiences. The sort of thesis of the whole thing becomes as like, Jackson HAD to do something like Off the Wall after going through the entire 70's as a performer and as a FAN of all that was around him.In other words, the first half is the lead up, with many of the songs that you probably remember, or, perhaps, have possibly forgotten but immediately hear a track like 'Blame it on the Boogie', or even (ashamedly) thought Jackson did on his own and not with his brothers like 'Shake Your Body to the Ground,' and then the second half is a track-by-track breakdown of the album. While it may rush just slightly through the B-side tracks - albeit the highlight of the whole documentary may be a comparison of one particular song to Eddie Murphy's Delirious bit on MJ - it's still mostly comprehensive and engrossing as far as how Jackson, Quincy Jones and those involved (Stevie Wonder!) got to make the tracks to such an impressive point.Whether you already love the album to death or only know big hits (there are at least four though), this really does make it into such a point that, yeah, go back to listen to the songs again, but like with Jackson in general you may have taken aspects of the songs for granted. Even something as seemingly simple and easy-to-digest like 'Rock With You' (one of the greatest tracks, for me, that he ever made) gets deeper with just the *sound* of it all.It's an incredibly impressive documentary that will be like revisiting an old friend for the fans, and is THE thing to see if you want to know what else he did aside from Thriller and Bad (or think he was just some, you know, weirdo or something).

This documentary on the impressive, to say the least, Michael Jackson...Is GOLD. Can't help but think of the time and skill at which Spike Lee puts into this needed to be told Documentary on the life of Michael Jackson leading up to his release of OFF THE WALL. The old footage. As clear as it can be. Stunning. The editing is incredible. The interviews from the people who were there, in the studio. To the people who were influenced in and around the time of Michael, and the Jackson 5. I didn't want it to end. And yet, I'm reminded of just how extraordinary of a talent Michael was. And the extraordinary sad events on how we lost him.First there was the BAD documentary, then there's the OFF THE WALL documentary. I hope Spike is saving the best for last with THRILLER Documentary. But after watching JOURNEY from Mowtown to Off the Wall. That might be a hard order to fill. Please Spike do it.Two talents...Spike Lee making a documentary about Jackson. Unbelievable. Thanks Spike Lee, and Thanks Michael...for everything.

Spike Lee seem to have settled for a recipe for how to make documentaries about Michael Jackson that are entertaining but not really informative.The recipe is this: Talk to a bunch of famous people about how great they think Off the wall is. (He did the same with Bad25). Mix it with archival footage of Michael Jackson. Go through each track and talk a little bit about it, and when we get to the last track, the film ends. Even though he has people who wrote some of the songs, like Stevie Wonder, he refuses to go into detail and lets other irrelevant artists such as Pharell describe them instead. He does not really go in depth enough, as he should for this big artist. He does not interview Quincy Jones, the main producer who launched Jacksons solo career, and relies on old archival footage instead. He hints of controversial subjects such as racism destroying the genre of disco, and Jackson rising above that. But its all done in a hurry as we plow through some beats and steps from Jacksons glittery feet on stage. Because thats more important to Lee.Its more important to make this a celebration of Jackson, keep the audience amazed and keep the grove going. When in fact, there were serious subjects, conflicts and challenges within this era of Jacksons life. My biggest question is what did Jackson want to do different artistically that he could not do before? This is never answered. We hear how Michael eventually broke away from his family, but no mention of the fact that he was physically abused by his father, and the fact that might have something to do with his desire to work on his own.