I thoroughly enjoyed this film. Navi was outstanding in his acting debut as Michael and was more realistic than many others I've seen in other documentaries etc. The story line was great. It was lovely to see the relationship between Michael and his security. It was also great to see Michaels sense of humour as well as his vulnerability. Navi's portrayal of the vulnerable and upset Michael was touching and brought a tear to my eyes. His relationship with his children was amazing and his protectiveness towards them. I would love to see Hollywood produce a blockbuster movie on MJ now. You have the best actor for the part as his singing and dancing is second to none and it's difficult to tell the difference between Michael and Navi if you are just listening to the track. This film was more of a success for the USA than many others about Michael. You've found your Michael in Navi. Let us all relive the King of Pop through him.

I Loved this film, all the actors were great in it, but Navi was Absolutely Amazing as Michael. It is a wonderful film, that I will never forget. It is a mesmerizing and beautiful film showing how Michael was with his children. I think the bodyguards story of their friendship with Michael and caring about him, and showing Michael's love for his children is poignant and it should have been made into a film for the cinema.

I think Navi was a great actor. He is obviously a shrewd businessman like Michael was. I am sure that only he (after being so close to Michael) could tell his story around 2009.Unfortunately, the story was weak in a few moments. The one big dramatic & good moment was (spoiler) about a brother of his "acting out" when he needed money. Other than that the movie was repetitive. Most of us fans wanted Conrad Murray moments to see how that man ticked but those moments may be a totally separate movie. On the one hand, although Murray should not be glorified, he should not have just been given an introduction. He did way more than treat the kids. That is the real story.Finally, contrary to another review, Navi also has brown skin like Michael did. I'm not sure where the other user reviewer got the notion that Navi was white. They showed Navi on a special right after and his skin was brown as The Jacksons with no make up. Nevertheless, he was obviously a top MJ impersonator who will make even more of a name for himself, until he is ready to retire.

Before I talk about this film, let me give it some context by talking about who Michael Jackson was, from a historical perspective.Michael Jackson's "Thriller" album sold 46 MILLION albums. That's 46 times platinum. Not one. Not ten. 46. There is no album that has come close yet, unless you count his "Bad," which was once the #2 selling album of all time. I once read an article where they interviewed several record executives, on the condition of anonymity, to comment on the top artists in music that year (sometime in the 2010s). It became clear to me that the goal of the record industry is to recreate Michael Jackson. Madonna and Janet are female Michael Jackson. Usher and Chris Brown (before Brown screwed it up) are seen as "Michael Jackson types." So is Justin Timberlake. The Weekend. The whole music business in the latter part of the 20th century, was about trying to recreate Michael Jackson, as many times as it could.And how did he end up? Penniless and essentially alone, struggling to raise his children, according to this riveting film.MICHAEL JACKSON: SEARCHING FOR NEVERLAND (Dianne Houston, 2017) struck me as a heartbreaking chronicle of a person living strictly off of his fame, but unlike Kim Kardashian or Donald Trump, not being rewarded for it, just using it to survive. Told through the eyes of his personal bodyguards and assistants in the waning years of his life (Chad L. Coleman and Sam Adegoke), Michael Jackson (Navi) struggles to find a home where he can safely live with his children (Aidan Hanlon Smith, Taegen Burns, Michael Mourra) without having to dodge his agents, his fans, maniacal detractors, stalkers, and even his own family, all either trying to live off or destroy him. Throughout all of this, his bodyguards faithfully stay by his side out of pity, even when the money dries up and their own families doubt their sanity for staying so long in a job that simply doesn't pay. I feel the film makes it very clear that Jackson truly was a prisoner of his own success, long after he had stopped being successful. More oddity than King of Pop, the Michael Jackson of MICHAEL JACKSON: SEARCHING FOR NEVERLAND is a broken and tragic figure, buoyed by the love of his children and the last two people who seemed to care. For as the film notes in its final moments, for all the people that spoke highly of him at and after his funeral, no one was there when Jackson died, nor were there for him while he was going through it, struggling to raise his children as any single father might. To the film's credit, I felt it did a good job of showing Michael as flawed, even culpable for his own condition, but hardly deserving of what he got. I feel that it isn't the Michael Jackson story for the casual fan, rather it's a cautionary tale for those seeking to be the Michael Jackson of the future. Despite a performance by Navi that did leave something to be desired (he clearly had a British accent, doing what I felt was at best an adequate job of representing Michael), I personally feel that it effectively humanizes an individual considered a legend in his own time, and serves as a powerful commentary on the cult of celebrity. For me, MICHAEL JACKSON: SEARCHING FOR NEVERLAND is moving, mesmerizing, and difficult to forget.