Lupe Velez (Carmelita), Leon Errol (Lord Epping/Uncle Matt), Walter Reed (Dennis Lindsay), Elizabeth Risdon (Aunt Della), Lydia Bilbrook (Lady Epping), Marion Martin (Diane de Corro), Lyle Talbot (Reddy), Jack Briggs (Lewis), George Cleveland (chief customs inspector), Luis Alberni (Luigi), Arnold Kent (Jose, the dancer), Don Barclay (elephant man), Tom Kennedy (Joe, the bartender), Keye Luke (magician), Neely Edwards (ship's bartender), Harry Harvey (steward), Ralph Brooks, Bess Flowers, Brent Sargent (diners), Vinton Haworth (Regal Hotel manager), Ann Summers (maid), Max Wagner (headwaiter), Mary Stuart (hat check girl), Marten Lamont (Agent Arnold), Ron Rondell (customs officer), Eddie Borden (waiter), Lloyd Ingraham (stage doorman). Director: LESLIE GOODWINS. Screenplay: Charles E. Roberts. Story: Charles E. Roberts, Leslie Goodwins. Photography: Jack Mackenzie. Film editor: Harry Marker. Art directors: Albert S. D'Agostino, Feild M. Gray. Set decorators: Darrell Silvera and Harley Miller. Costumes: Renié. Music directed by Constantin Bakaleinikoff. Assistant director: Ruby Rosenberg. Sound recording: Roy Meadows. RCA Sound System. Producer: Bert Gilroy. Copyright 11 September 1942 by RKO-Radio Pictures, Inc. U.S. release: 11 September 1942. New York opening at the Palace: 17 September 1942. Australian release: 22 April 1943. 5,879 feet. 63 minutes.COMMENT: One of the best of the series, thanks to the presence of Marion Martin, Tom Kennedy, Don Barclay and of all people, Lyle Talbot, who makes a surprising adept stooge and straight man for Leon Errol. Miss Martin is up to her usual villainous tricks, Don Barclay is almost upstaged (but not quite) by a marvelous elephant, whilst the delightfully short-fused Tom Kennedy enjoys the most hilarious encounter of the series with the mixed-up Eppings.

A valuable gem is being smuggled into America, and the smugglers utilize a returning Lord Epping (Leon Errol) to get it past customs. But getting it back is another issue, especially when you are dealing with Epping's constant imitator Matthew Lindsay (Errol again) and his co-conspirator Lupe Velez, once again on the outs with Dennis (now played by Walter Reed) after seeing him flirting with the blonde bombshell Marion Martin. In her third go around for this series, Martin got to create a new character, giving up the ghost on the French Fifi and thus back to her hard-as-nails Brooklyn accent as one of the smugglers after the gem.This is probably best remembered for the scene where Velez brings in a real spotted elephant to throw off the smugglers, and she does get some of the funniest malapropisms of the series. While practicing First Aid on uncle Matt, she tells him she needs to give him "artificial perspiration", so she can be successful while working for the "Red X". As this was wartime, this takes on an "entertain the boys" subplot where Aunt Della (Elisabeth Risdon) and Lady Epping (Lydia Billibrook) put together a fundraiser for visiting soldiers. Aunt Della is a bit harsher than ever here, but the writers get some good digs in at her expense by having her convinced that the real Lord Epping is actually her neer-do- well husband underneath. While not close to the best of the series, there is still a lot of fun to be had. As Carmelita said about blackmail, "Male or female, it's still black..."

Mexican SPITFIRE'S ELEPHANT is the penultimate film in the series and again repeats all it's old gags of mistaken identities and spats in the Lindsay households. Lord Epping (Leon Errol) is on a ship on his way to the States when jewel smugglers Marion Martin and Lyle Talbot spot him as an easy prey to smuggle their jewel (hidden in a small elephant figure) into America. Trouble is the absent-minded Epping can't remember where he put the elephant once he is in the States. Meanwhile to explain the blonde Marion's constant presence to his wife he says she is a friend of Dennis Lindsay (played this time by Walter Reed) and he had Lindsay tag along but when Lindsay's wife Carmelita (Lupe Velez) sees her husband and the blonde dancing fireworks result. Of course Uncle Max (also played by Leon Errol) will have to impersonate Lord Epping at some point - and again - and again - with complications to arrive with each situation.Lupe Velez's hair is dyed a strawberry blonde in this entry which is quite attractive and she is always delightful but she does not get much help from the script. Leon Errol for once spends way more time in this one as Lord Epping or Uncle Max impersonating Lord Epping than he does as Uncle Max. Newcomer Walter Reed is the third actor to play Carmelita's husband and the part here is quite small. The fact that the unfamiliar Reed looks quite a bit like an actor playing an customs inspector makes an unintentional Lord Epping/Uncle Max twist on the character for the viewer.Lupe gets to sing and dance in this entry and has some beautiful fashions but clearly the series needed new writers (and definitely new plots).

My Grandfather has this movie and I think it is such a good comedy because when Matt puts on that wig and other things to look identical to Lord Basil Epping the laughs start up. It is extremely funny how Matt's wife mistakes the real Lord Basil Epping for her husband Matt twice in this movie. All of the Mexican Spitfire movies are classics and I think they should be brought back on DVD so we can all enjoy such good movies that you can get a laugh out of every one of them. It is so funny how the people that serve food and drinks get confused when Matt is pretending to be Epping because of how Lord Epping likes one kind of drink and Matt likes a different kind. All the Mexican Spitfire movies should be put on DVD so younger generations will have good movies to watch that do not have any cus words in them or deaths. These Mexican Spitfire movies would all be General Audience because of how good these movies are.