Along with Scandinavian ones, UK crime thrillers have become a sign of quality to those fond of versatile, intense and logical works where character actors, mood and environment have an important role to play. Messiah 2 is another example of them, where crimes are covered as tragic (as they are in real, no place to make witticisms), and solutions are presented as they are revealed, not relying on detectives' odd flashes or criminals' rough mistakes. Actors like Ken Stott and Neil Dudgeon fit the detective pattern well (well, perhaps too much, as they have lots of D(C)I roles), as I really did not guess who the wrongdoer was - in spite of been a key follower of similar creations - I was satisfied with both the result and the 3 hours of so in front of screen. I am pretty convinced that I will find time to the following 3 seasons as well - regardless of some changes in cast and approaches.

To me 'Messiah' was a great and near blameless show in which the first two seasons were particularly strong, and should have lasted longer than it did.It got off to a great start in the first series, which set the tone for the show brilliantly with a taut and dark atmosphere, always engrossing storytelling, great acting and production values, intelligent scripting, very disturbing and inventive murders if not for the faint-hearted and a genuinely surprising final reveal (if slightly let down by a slightly implausible and not-as-developed-as-it-could-have-been motivation).'Messiah 2: Vengeance is Mine' is every bit as good and quality-wise it is about equal. It is stylishly and beautifully filmed with a lot of atmosphere, while the locations are also used to great effect. The music is suitably ominous while never being too obvious. A great job is done with the directing, always tight and resolutely moody and nothing is rushed or plodding.Both parts of "Vengeance is Mine" are tautly and intelligently written, with an always natural flow and the mystery is always kept alive and fresh. The story here is darker and just as disturbing as before, with a great ominous atmosphere and plenty of surprising twists and turns while taking time to develop it enough to stop it from falling into incoherence. Susan's deafness also gives it some welcome heart too. The deaths are shocking and imaginative, if not quite as gory as in the first series (then again, it doesn't get gorier than deaths based on the deaths, ones that are as brutal as you can possibly get, of the twelve disciples).The final solution was a surprise to me, though I know of people who felt they found out too early or found it too obvious, and the motive was a little better developed and easier to swallow than the first series, though the physical competence of the murderer and how they were able to carry out the murders has been brought into question and understandably. The characters continue to be interesting, and the acting continues to impress.Ken Stott is exceptional in the lead role, some of his best acting has been on this show. Neil Dudgeon also excels, don't think he has done better work than his acting in 'Messiah', Michelle Forbes is touching and Alun Armstrong is earth-shattering as a very totured character. Frances Grey's role is a bit limited, but she does much with it.Overall, wonderfully done second series to a great show and just as compelling as the first. 9/10 Bethany Cox

All in all it was very good. I have seen it twice and on the second time didn't recognise the killer till half and hour from the end..... My little criticism concerns the identification parade. When the parade is done behind darkened glass, there is no way it can be done unless the suspect is legally represented to insure fair play. They is absolutely no way that any legal representative would allow Melcalfe to accompany is deaf wife during the proceedings. He was in an ideal position to inform his wife of the suspects number. She should have been accompanied by a proper interpreter. Any evidence gained at the parade would have been a waste of time. The rules are that any officer involved in the investigation is not even allowed to be in the same building !!

I loved this; I loved Messiah. Now I'm hoping for a Messiah 3.It was dark, I admit, but I had to keep watching because the plot never slowed down. It wasn't afraid to jump into really dark and unpleasant issues - pretty brutal crimes and the like. And it was nice and progressive, with all different kinds of people from a big cross-section of society.And I never would have guessed who really did it (that's not a spoiler is it?)