Better than I thought? Yes.It had a lot of good individual elements.It moved well, the characters were quickly established and were engaging. I liked everyone, the story was quirky and colorful and had a lot of energy.Although released in '02, it felt like it was made ten years before. I would have sworn it was done in the 90s. Low budget but had the look of almost having decent money. The direction and camera work had an almost theatrical release---almost. And a good cast of comedy veterans.But it wasn't laugh-out-loud funny. I laughed at both Hangover movies and Ted. Not this. Amused? Yes.A solid 7. I wouldn't hunt it down. But if coincidence put you in front of it with no other film, then give it a try. I've seen worse.

Let's be honest; this movie is awful. I live in New York and have seen the Upright Citizen's Brigade in action. No question, the gang and all their sidekicks in attendance here, are very, very funny people. But this movie is a mess.The first 45 minutes: bad. A short list. 1. Fully formed performances: "I'm sad," "I'm crazy," "Hey! I was in the Nam and I sh1t in sinks; I'm crazier!" 2. Original nonsense: "I'm lighting my desk on fire. (This makes me crrrazy.)," "Whoa! I'm a crazy driver. (Did I mention I'm crrrazy?)" "Hey, tackling people is funny. Let's do some tacklin'." (To be fair, the "tacklin'" was the one time I laughed out loud.) 3. "Wow-how'd-they-do-that?" sets: "Hey man, my Dad's unfinished basement can double as a strip joint." "Book it." 4. Excellent character-revealing dialogue: "Me speak-ee with bad accent and squint a rot! Because me Chinese! Also, I crazy."But I pressed on, hoping for that ironic "it's supposed to be bad, yo" attitude of, say, Wet, Hot American Summer. But no.The second 45 minutes: badder than the first. And not Michael Jackson, dancing in the subway bad. Just bad. Bad. Really. Really. Bad. "Hey, you're cured and I'm getting married. Let's hear it for the healing power of unfocused wackiness!"

Something I've always loved about watching The Upright Citizen's Brigade when it was on Comedy Central was that its cast really had their own unique brand of humor and delivery. Even if it isn't exactly your style, it's still funny and respectable for how unique and unflagging it is in its consistency. With Martin & Orloff, the unofficial UCB movie, their humor translates to the screen with the same quality and integrity that makes them endearing to anyone with an open and progressive sense of humor.Ian Roberts and Matt Walsh do an incredible job as the title characters. It is obvious from their comedic chemistry how long they've spent doing improv with each other in the Upright Citizen's Brigade Theater. They are quite simply, masters of their craft. While obvious how low a budget this movie had, the director, Lawrence Blume does an Incredible job of stretching the budget and utilizing the higher profile celebrity cameos. David Cross, Andy Richter, Jeanine Garafolo, Rachel Dratch and Tina Fey are all used very well and in small doses so that they don't overshadow the main players. Andy Richter and David Cross's characters in particular, had me out of breath with laughter, as they are both charicatures of people we've probably all met and loathed.I cannot stress enough how offbeat this particular brand of humor is, but there's nothing that would stop me from recommending this gem to anyone in order to extend its current one-week run at the Sunshine Cinemas in Downtown Manhattan. It truly deserves a larger audience. Go see this wherever you can and go in with an open mind. I guarantee you laugh at times without quite knowing why and you'll feel great about it. I got to see this movie free at an advanced screening and I would gladly (and will later this week) pay to see it again.

I'll be honest: I had high hopes but low expectations for this film. As guilty as that makes me feel, it's true. The movie, however, was better than even my expectations. It's not for everyone, but that's the beauty of independent film. It allows for off-beat, darkly comic writing and the casting of actors like the superb-as-always, H. Jon Benjamin. It would probably be enjoyed most by those who are already fans of the "Upright Citizens Brigade" (all of whom appear, in addition to writer-stars Ian Roberts and Matt Walsh), but I would still recommend it to non-fans, if only for the unique and memorable cinematic experience it will provide them. (Even my mother, who doesn't "understand" most of my comedies I show her, enjoyed herself.) I make no guarantees, but it definitely deserves a shot.